Slashdot Mirror
The Future of Human-Computer Interaction
ChelleChelle writes "Starting with the Xerox Alto and the Star, ACM Queue briefly covers the history of human-computer interaction from past to present. It doesn't stop there, however. Using a hypothetical situation involving context-awareness in cellphones, the author lays out his thoughts on the future of HCI, offering opinions, advice, and examples."
Until recently there was no rigorous metric for the power of a natural language understanding system but that has changed with The Hutter Prize for Lossless Compression of Human Knowledge. Since the introduction of the Hutter Prize here at Slashdot there has already been as much progress as ordinarily occurs in a year (actually a bit more since an average year progresses 3% in compression of natural language and the current contestants may have already achieved 4% improvement since the /. announcement).
The theory is simple enough and the mathematical proof has been done: If you can sufficiently compress a large, general knowledge natural langage corpus like Wikipedia, you can competently articulate and understand natural language.
It's a hard problem but with the metric and the prize competition driving progress there's a good chance human-level understanding of natural language will start to emerge within the next few years.
BTW: This revolutionizes software development in more ways than one. Think about it like this: When Alan Kay first dreamt of Smalltalk, he was dreaming of a system anyone could program. Well, if you can just say what you want and the system is good enough at comprehending you, program specification just became very natural -- natural enough that you child could perform feats of programming not practical with corporate teams of software developers before.
Seastead this.
I'm fed up with people misquoting that Picaso line. What he actually said was this:
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They were two unrelated statements that happened to be said at the same time. Picaso wasn't talking about internalization, plagiarism, or even art theft. Picaso wasn't talking specifically about the every-day kind of theft cat burglars and shoplifters are prosecuted for, either (though it does help maintain credibility to keep a criminal record). Picaso was talking about hucksters and grifters, about con-artists and the IRS: people who convince others to hand over money and offer little in return. A piece of paper that's already got some scribbles on it, some canvas that's already been spoiled, a CD that's filled with 48 minutes of senseless noise. Picaso knew something true artists should never forget: real art is in the money. Anyone can splash a few blobs of paint on a canvas and claim it worthy of wall space. If you can convince someone else it's worthy of their wallspace, though... if you can convince them to pay you thousands of dollars for something that took you 25 minutes and three cans of Dulux... then you are an artist. Not before.
Great artists steal our pocketbook lining, and the pocketbook linings of one another. Don't be fooled by this deceptive philosophy called art, and don't set foot into its seedy underworld. It is criminal stuff; an artist-eat-artist mire of corruption. The RIAA treats artists as the American Mafia treats store owners through protection rackets. Universal/EMG, Sony/BMG, WB treat artists as pimps treat their hos, Britney Spears and Christina Aguilera (arguably the finest, most critically acclaimed artists since N*Sync) treat one another as fighting cocks.
Mothers, tell your sons to choose lawyering, life, love, and any of the fine sciences over this corrupt influence we call "art".
This is The Voice Of Fate signing off. Have a Pleasant Evening.
What, you aren't already?.
Never attribute to Hanlon that which can be adequately attributed to Heinlein.