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Is 'Safe' Gaming The Best Kind Of Gaming?

An anonymous reader writes "James Portnow has written up an in-depth article about 'risk in game design'. He discusses the concept of the safe game, 'any game where given X hours (with minor variance for skill) any player will beat the game and get the prize.' Do you prefer your games tricky and studded with failure points, or does smooth and easy win the race?"

3 of 126 comments (clear)

  1. Author's concept of "game" seems narrow by Bigboote66 · · Score: 3, Insightful

    As I read the article, the author seems to assume that "game" means an avatar-centric, single-player experience (ACSPE), along with MMORPGs thrown in. Certainly all his screenshots are of this type of game. So-called "puzzle games" (Tetris, Popcap's catalog, etc.), sports games, strategy games, and multiplayer games of all kinds, seem to fall outside his analysis.

    For one thing, the concept of "beating" a game only really applies to the ACSPE, where there is "content" to burn through that usually doesn't merit a second look, like most movies. I think this is one of the main problems of gaming today that leads to lack of variety, a narrow audience, and excessive time commitments in order for a game to be fun.

    Consider the pre-computer era definition of game: A game was something that was played against someone else, could have been physical (sports) or purely cognitive (board/card games) and almost always lasted less than a few hours (obviously, cricket strains this definition). Early computer games followed this pretty closely, replacing the human opponent with an AI (chess simulators, combat simulators, etc.).

    The advent of paper-and-pen RPGs, and their subsequent translation into CRPGs changed all this. Persistent state that spanned play sessions, extemely large time commitments, and the elmination of what was traditionally thought of as competion created something that arguably should never have been called a "game" (how many of you were ever asked "How do you determine who's the winner" when you first explained RPGs to a layman?). These ideas soon bled over into most of the other genres, as they proved to be very effective in building franchise loyalty. Today, it's difficult to find a "serious" game that doesn't incorporate the features of "leveling", "extrinsic reward" (e.g. cutscenes, loot, etc.), "guaranteed success" (the main idea of the article) or "hidden rules" (my personal pet peeve), common in many Japanese games - the techique of withholding the rules of the game from the player, forcing them to "discover" them as a part of the process of playing, essentially turning rules into "content". I realize "hiddne rules" is a mainstay of some genres (fighters and Japanese RPGs comes immediately to mind), but I find them unforgiveable gimmicks for milking extra play-time out of a system, and forcing the player into an OCD-like monomania in order to actually get their money's worth (thereby wasting their time).

    As popular as the ACSPE is, thousands of years of human history shows that the other sort of "game" (directly competitive systems, or abstract puzzle) can be quite successful as well, but it's been overlooked by almost everyone other than the online Flash/Java minigame market. Is this really the only venue for this type of fun? Even systems that would seem to be ideally suited for this type of game (e.g. the GBA or mobile phones) have precious few "strategy" or "puzzle" games, compared the mountains of action and rpg ACSPEs that have always struck me as inappropriate for systems that seem designed for short games with other people, as you're usually out in public with a few free minutes when you have the opporunity to use these.

    Anyway, my overall point is, if developers would expand the types of games they'd develop beyond the ACSPEs focused on in this article, many, if not most, of these points would become moot. I also think that the emphasis of the effort would move from content generation to game design as you reduced the number of art resources required to produce a title. I see this as a good thing, as the content creation is probably the largest cost component of most modern games, the most time-consuming, and the least able to change dramatically if large changes need to be made during the middle of development to accomodate new ideas.

    -BbT

  2. Re:Beat the game? by twistedsymphony · · Score: 3, Insightful

    You don't finish playing the flue but you DO finish playing a song... You have to look at the flue as the machine the runs the game... and the song as the game itself. Never ending or "open ended" songs would get pretty boring in my opinion. Sure you might like to play the song a lot but if a song just went on forever it would get pretty repetitive don't you think? Personally I avoid games without endings, I like to have some semblance of closure. To make it feel like I finished the journey that I started, finished the story, and gives me a point where I can look back at game as a whole. Of course it also depends on the game. Games like Tetris or Soul Calibur play their course in a matter of minutes, and then you start over again. To me most games are like reading a book. Even books that I like I don't want to go on forever, if they did the books would eventually just become boring an repetitive like watching someone's daily routine. Some books I'll read more then once, but typically I like to finish my books, think about what the author (developer) was trying to get across, and start another.

  3. Re: It's not just a question of difficulty by Gnostic+Ronin · · Score: 3, Insightful
    One of the most annoying things in games right now is the "guess the hidden trick". It could be a boss fight, or a puzzle, or something else similar, but it's the same kind of idea.

    Bosses always have a hidden "trick", something that once you learn it, the boss goes from challenging to easy in about 3 seconds. Once you realize that a certain footwork pattern means "Get out of the way uberattack coming", the boss is much easier, because unless you happen to miss the "tell" (to barrow a poker term), you'll never be hit by the attack. Or if the way to survive the ride through the angry marine base is to take out the platforms they stand on, (one puzzle in Oddworld) the level itself becomes pointless -- it's almost impossible to lose.

    On the other hand, there are games (I've seen it a few times in sports), where once the AI realizes it's losing, it suddenly gets much better at the game it's playing. In a fighting game, it might gain some new moves or have a move that takes 1/4 of your health etc. That's annoying, 'cause I'm not losing so much because I suck as because the game is cheating.

    I don't mind a game that's hard on its own, but I hate games that are difficult for cheap reasons. I hate not being able to defeat a boss because I haven't figured out the "correct" answer yet -- or realized the tell for the special attack. I hate games that cheat me out of a victory by cheating. If the game is hard because the designer thought out the challenge and made it harder be requiring me to be good at the game, rather than good at guessing the solution that the designer had in mind.