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A New Stab at Interactive Fiction
pamar writes "Dr Dobbs Journal interviews Chris Crawford, the noted game designer, about a new direction for interactive fiction. In the interview, he talks of his new stab at Interactive Fiction, and mentions Storytron, his new company which he hopes will make interactive fiction easier to write, not only for games, but for complex social interactions in general."
Here's the question though. Is fiction really ment to be interactive? Or is fiction the journey the author leads you on?
There is still the problem of brittleness which this verb based approach WILL suffer from. Each verb represents a concept and unless you allow concepts to overlap (probably using fuzzy logic) you will end up with situations where the mapping of the user input does not match the preprogrammed verbs properly. Basically he's programming points on a line where the computer knows what to do instead of creating a smooth continuum where the computer can compute the probability of what you meant. Then as the number of verbs grow the complexity of the system increases exponentially so you need some sort of culling algorithm (maybe as simple as a list of synonyms) to reduce the choices to something that more closely fits the preprogrammed responses.
People smarter than you and I have been working on open-ended AI for a long time and there's still no solution yet so I wouldn't get my hopes up too high for this program.
Shh.
The limitations of these languages have generally always been with the developer not in the chosen language, so I'm a little unclear how this will make inherently more immersive games. I'm not even sure it looks easier to use (this is a little unfair as I'm judging on screenshots), but the language 'Inform' has made leaps forward in this area with a natrual language system. Or designers can use 3rd party GUI tools to assist with construction in many of the IF languages. I'm skeptical of how this will compete with the games developed with other languages and made freely accessiable in the IF archive.
The basic problem with interactive fiction is the interactive part... :-)
A player is extremely unlikely to make the choices and take the actions that lead to a compelling story.
They won't make the mistakes that lead to King Lear or Hamlet to their tragic ends.
They won't make the choices that take Luke Skywalker to defeating the death star (not if they have real choices that affect the storyline)
A good story takes the reader through a series of psychological stages resulting from the characters making choices a player is unlikely to make. (they just look up the "right" answer on the net...)
I would be more convinced if Crawford had a single example: mockup, text, an animated video - anything - that demonstrated how a working game would play in a (even a 15-minute) gaming session.
I don't even want a working system at this point - show me a walkthrough so we can get an idea of what game play would be. (it would be nice it that doesn't require the strong AI problem to be solved first as well:-)
How would that be different from The Sims? From the screenshots it looks like each actor has a ton of varibles that might get influenced when different actors interact and then cause them to do things. This sounds pretty much exactly like The Sims. Maybe it allows different kinds of scenarios or such, not just the puppet house that the Sims provide, but I don't see a fundamentel difference that would turn his stuff magically into 'storytelling' while not The Sims. Sounds kind of like a Sims Construction Kit, but I fail to see how the actors and storys will get any more interesting then in any other sandbox games.
Speaking of Facade, while interesting, its pretty much normal interactive fiction, type in a few words and get a reaction when you hit the right verb. All the reactions are completly pre-scripted and the freedom you have in Facade is still pretty much non-existant, except the normal branching points that you get in most other games as well. The interesting thing in Facade is that the gameworld doesn't wait for the player to interact like in a normal point&click adventure, instead it always progresses, but thats not really something new in terms of storytelling, its more an issue of presentation, The Last Express, Half Life 2 or Fahrenheit do pretty much the same thing.
He rambles on about how modern games are just copies of old games, and that everything being done in game design today is irrelevant. No one in the game industry respects him anymore. He's alienated himself from the entire industry by going a different direction and insulting those not on his path. I have no problem with him persuing interactive storytelling, but I have a big problem with him calling all games that aren't interactive stories worthless, or "irrelevant." He did a great thing by creating the GDC, but got kicked out when he started to redefine games as limited to "interactive stories."