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10 Reasons To Buy a DSLR
Kurtis writes, "If you're planning on getting a digital camera for yourself this holiday season, here's 10 reasons why you should choose a Digital Single Lens Reflex camera instead of a point-'n'-shoot. DSLR cameras are obviously not perfect for everyone. This article also has a couple of small blurbs about who shouldn't buy a DSLR, and a few things that could be deemed negative aspects of DSLR cameras."
Until lenses improve on cell phone cameras, you need both types of digicam if you are into photography. You need a pocket sized camera... no one would ever take an SLR camera on a serious hike, out to a bar, mountain biking, skiing, etc. On the other hand, only an SLR will give you the flexibility to express your artistic side.
It is better to have some slightly less snazzy snapshots of you and your friends with a compact camera then to miss out on photographing the occasion altogether because the camera is too big to lug around.
W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
DSLRs could shoot video if they wanted to. What they couldn't let you do would be to look through the viewfinder while you're taping video, because the mirror would be in the wrong place for that. However, since they seem to all have screens on them, that's pretty much a non-issue. The real issue is that they don't even set them up to do video; they're designed to shoot stills exclusively. Even if they wanted to do video, they couldn't sample a 10MP sensor at 30 FPS and actually do something with the image data, so they'd have to read a subset of the pixels or something. This would of course produce a shit image without processing, which would take more CPU... It makes much more sense to just drop $500 on a cheapie MiniDV camcorder, you can get one with A/V passthrough for that even that can behave like a DV Bridge and convert analog video to DV or vice versa in realtime. Makes a nice gadget, and just a few years ago Sony used to sell a stereo component-sized unit that did the same thing for $500 :) (I have a DV Bridge, which sold for $200 I think.)
"You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
Convenience.
I love my Nikon D70 (especially since I used hotel points to buy it), but for every shot I get that others don't have a chance because of shutter speed or ability to use another lens, there's one that I missed because I didn't consider lugging out my camera bag for some event. With compact cameras being as small as ipods these days, I'd recommend that you start with one of those first, and when you want to take it to the next level, get a second camera as a dslr.
In answer to 1 through 8, wait a week. Rumor has it that Nikkon's about to anounce the D40 (leaked images all over - check out dpreview.com).
By dropping the sensor resolution way down and ditching the bells and whistles you wouldn't find in similarly priced compacts either, they're looking at launching the first sub $500 DSLR.
For digital compact users who think DSLRs are too expensive - it's no around the price of a decent digital compact, no more.
For film SLR users who think DSLRs are too expensive, it's down to a few dozen rolls of film price difference and far less than the cost of a single great lens. Shoot clear of about a thousand shots, you'll save money with a DSLR.
As for power consumption, I'm not sure what's holding you back?
Batteries are rechargable so there's no real cost.
They last a reasonable length of time. A battery grip like the "big ED" holds a pair of batteries so it's down to one change every couple of hours.
Changing batteries is no more painful than changing film. If you shoot at any kind of speed you'll have to change rolls of film far more frequently than you'll have to change batteries. If you don't shoot that fast, your camera will go to idle mode and you'll get many hours of use out of a single battery.
Finally, yes, great film is still great. But, aside from its price, there are two main arguments against it:
1) No instant feedback. Say you're using ISO 3200 film to capture fast falling water droplets. Until you develop the film, you've no idea if you actually caught the instant. With digital, the proof's right there for review. It kind of sucks to finally develop film only to realize you didn't catch what you thought you did and have no way to practically recreate the shoot.
2) OK, you've loaded your camera with ISO 3200 film for a specific shot. The building rumbles, a plane has crashed outside. You spend the next couple of minutes trying to wind your film through, get it out without ruining your existing shots, searching for the ISO 200 that you didn't think to bring with you anyway. By the time you're ready to shoot, the drama of the once in a lifetime shot has long since past. Your buddy with a DSLR slides the dial to ISO 200, steps outside and gets the award winning shot. Sure, planes crashing are extreme examples - but life's filled with amazing unexpected moments that DSLRs let you get whilst changing film will miss many of them.
The world's moved on. Those arguments were fair enough for the first couple of generations of DSLRs. Honestly, it's now reached the point where it's like saying, "Steam gives better torque than internal combustion engines. I'm not going to buy one of those new fangled cars when my stanley steamer car works just fine." If you're determined to reinforce your preconceptions, you can probably just about find justification - but the rest of the world's moved on and for good reason.
My D70 with a powerful Nikon flash on top takes kick ass pictures where a point-n-shoot just can't throw enuff light. Hot chick waaay across the room? No problem. The flash will throw enuff light and the camera will make it look like Ansel Adams took it. Right up in someone's grill? No prob. DSLRs handle the flash and won't have any bright spots. Essentially, it doesn't matter if you're totally clueless on how to use it you just get killer results.
Problem is that at any kind of event, as soon as you walk in with an SLR with a flash, you always get "Oh, the photographer is here" comments. You just can't be discrete toting one of those things around.
But, drunk girls at 3 frames per second never fails to yield interesting results. The 'model instinct' naturally comes out and nasty sh$t starts to happen....
Or you actually want to adjust settings. It's no comparison.
I disagree. I have an XT and I've used a 30D. The 30D's controls do make adjusting settings a little quicker and easier, but with a little practice you can do it nearly as quickly with the XT/XTi. Chances are that your photographs will benefit more from taking the price difference between the 30D and the XTi and spending it on a better lens. 30D+decent lens == XTi+very nice lens. Unless you're regularly taking shots where the faster continuous shooting mode is important, or where you really need to be able to very quickly adjust exposure (and you're experienced enough at it to twiddle aperture and shutter speed simultaneously), I think you're better off spending the cash on glass.
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In good light, though, I don't think SLRs have much advantage in image quality.
Yes, they do, actually. The larger sensors and larger, higher-quality lenses produce much sharper images. Take an SLR with a good lens and a P&S that have the same number of pixels and look at the images at 1:1 zoom. The P&S will be fuzzy, have chromatic aberrations like color fringing on all of the high-contrast lines, and will generally have much less fine detail, even in the center. The corners will be much worse than the SLR. Some P&S cameras also have pretty severe vignetting problems.
And that's just image quality. The other thing an SLR gives you is control. Depth of field control, in particular, can make a huge difference in the perceived quality and emotional impact of a photo. Even people who don't know anything about photography perceive a portrait with a shallow DoF (subject in focus, background blurred) as being better and more professional than one with a deep DoF, even if they can't say what makes it better. I've actually taken the same shot both ways and showed them around to get reactions. Better P&S cameras give you some aperture control, but they simply can't match an SLR.
Other important advantages of a DSLR are in the accessories: Lenses, filters, flashes, etc. By changing some attachments, a DSLR can become different kinds of cameras for different kinds of photos... including many kinds which simply don't exist in the P&S market. Some of those advantages are in poor light, but many are not. I can use a 400mm zoom lens for wildlife shots, for example, or a 90mm macro for pictures of flowers and insects. I can throw on a polarizing filter to cut the haze in landscape shots, or filter out unwanted reflections on water. I often use a flash even in full daylight, to fill in shadows on faces and soften the harsh glare of sunlight -- P&S flashes don't have the power to do that, even if the camera will let you.
I'm really just a novice photographer, just beginning to learn how to take good pictures, but even I can already get far more out of my DSLR than I can out of my high-end P&S camera.
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