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Cell Phone Owners Allowed To Break Software Locks
An anonymous reader writes "The library of congress approved many copyright exemptions today. Among the exemptions were new rules about cell phones, DVDs, and electronic books." From the article: "Cell phone owners will be allowed to break software locks on their handsets in order to use them with competing carriers under new copyright rules announced Wednesday.
Other copyright exemptions approved by the Library of Congress will let film professors copy snippets from DVDs for educational compilations and let blind people use special software to read copy-protected electronic books.
All told, Librarian of Congress James H. Billington approved six exemptions, the most his Copyright Office has ever granted. For the first time, the office exempted groups of users. The new rules will take effect Monday and expire in three years.
In granting the exemption for cell phone users, the Copyright Office determined that consumers aren't able to enjoy full legal use of their handsets because of software locks that wireless providers have been placing to control access to phones' underlying programs."
first place and reversing the DMCA? Especially with crap that I buy and should be used in a manner I see fit short of mass distributing it to other anonymous people.
These exemptions are nice and all, and I know the Library of Congress does not have the authority to do more (only Congress itself or the SoC can repeal the DMCA) - but I feel I'm got punched in the face and the LoC is passing by and helpfully giving me a tooth back. What about all the other missing teeth?
With copyright laws being so complicated and contradicting, people care less and less about them. Since it's virtually impossible not to break them, a general "I'm prolly guilty already anyway, who cares?" attitude is spreading.
The more laws you have, the more crime you create.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Namely, the precedent of whitelisting the allowed activity in terms of excercising the fair-use rights.
In a purely technical point of view, what's the difference between being allowed to break the lock on your cell phone to enjoy its use to the fullest extent, and say, breaking the lock on your music to use it to its fullest extent? After all, you still paid for both.
Disclaimer: Any errors in spelling, tact or fact are transmission errors.
If the only limit is that you can not mass distribute it, then you limit the ability of companies to offer products with more flexible and personalized limits.
Your business model is not a government entitlement program. The rest of us are not bound to rewrite our laws to support it.
Why exactly can't, for example, you and I come to some agreement that, for example, you write some song and I am allowed to listen to it exactly once since this we came to a mutually agreed upon price for which I agreed to listen to it only once?
You should certainly be able to do that under private contract law, but because your business model represents the grossest-imaginable violation of the Constitution's language authorizing copyrights, you should not be able to leverage Federal copyright law to enforce your terms.
Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
From TFA:
"Other copyright exemptions approved by the Library of Congress will let film professors copy snippets from DVDs for educational compilations"
In my day, we called this "fair use", and were allowed to do this as an exemption from general copyright rules.
From TFA:
"let blind people use special software to read copy-protected electronic books."
In my day, we called this "use". It's why we buy the item in the first place - in order to use it. Not in order to sign a scarecrow EULA once the box is open.
Well done America - granting temporary rights to people that they should already have.
That's the way we'd do it if you were a wandering minstrel and I was a local lord of the manor, five hundred years ago. So am I supposed to phone Paul McCartney if I want to play Mull of Kintyre?
A few giant media companies control copyright on most of what we listen to or watch. They don't "come to agreements" with us. They use lobbyists to get laws made to legalsie the conditions they want. There is no negotiation, unless you count "take it or leave it".
Oh, I'm sorry, was I not actually supposed to cite the constitution and what it actually says? Was I supposed to take your bald assertion on faith?
No, you were supposed to actually read what you were cutting and pasting. Specifically, the part about a "limited time."
Does your DRM scheme contain an automatic sunset provision to ensure that you actually live up to your end of the copyright bargain... the part that says your work must revert to the public domain upon expiration? If it doesn't (and let me take a wild guess here: it doesn't), then you are not operating within the bounds of copyright law as envisioned by the framers.
That's not to say that the deal you're offering is necessarily a bad one for consumers, but in any reasonable world, the minute you take steps to ensure that your content can never enter the public domain, you should no longer be entitled to legal monopoly protection. You're just another looter looking for a free ride at public expense.
Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
DRM and the expiration of copyright are irrelevant to each other. When copyrights expire, there are any number of avenues for you to leave behind your DRMed file.
Really? How so? Are you aware that rightsholders are no longer required to deposit a copy of their work with the Library of Congress? That requirement was established precisely to ensure the eventual availability of protected works to the public domain, and it didn't actually go away until 1976, I believe. Without the requirement to deposit a copy in an accessible form, all of your suggested "avenues to leave the file behind" are entirely voluntary.
But I'm sure that almost everyone who takes advantage of the DMCA's anti-circumvention protection has deposited unprotected copies for release to the public domain at the appropriate time... right?
Most importantly, in 50 or 60 years when the copyrights actually expire, will you still even want your 128kbps mp3? Of course not. The public domain file will be provided in a superior format from a master recording.
Um. OK, I guess, if you say so.
Moreover, there's no fundamental reason why future DRM can't include a system which automatically disables DRM upon copyright expiration.
Then there's no fundamental reason why future laws can't be passed to take that into consideration.
Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
And where, pray tell, would this recording come from? All would be fine and dandy if the original master recording is still around. But for all we know, the company having done such recording may long have gone bust, or they might still be around, but unwilling to provide it for whatever reason.
Heh... stick around, and someone will eventually trot out the tried-and-true, "B-b-but there's no such thing as unbreakable protection. A friendly hacker will eventually come along and deprotect the work!" argument, using lofty-sounding language worthy of Madison himself.
Dahlmann tightly grips the knife, which he may have no idea how to use, and steps out into the plain.
But of course, any system which checks the validity of DRM licenses would be attacked as an invasion of "privacy."
If you have to validate the licence by contacting a remote server, not only is it an invasion of privacy, but if the remote server is inaccessible you lose the ability to use the content that you have licenced. So if the licensor goes out of business, you have ultimately lost access to everything you have paid for. I've brought up this comment with regards to DRM schemes like iTMS before, and invariably I get a comment like "There's no way a big company like Apple would go under" - what a naive claim. Big companies go under all the time, you only have to look at Enron for a recent example.
For me, this is the big deal - if my entire music library that I have *paid* for suddenly stops working, I'm going to be pretty pissed off.
Also, the ability to use DRM'd content *now* is a big deal. If I have paid for some content, why must I also be required to pay a licence fee to the owner of the DRM technology? This is usually going to either tie me to specific hardware (e.g. I'd have to buy a commercial BluRay player and HDCP capable TV), cost me an infeasable amount of money (wanna try asking Microsoft for a licence to decode WMP's DRM in your personal project?) or tie me to a specific operating system (why should I be required to buy Windows - an operating system that is completely useless to me - and a new computer to run it on, just so I can play some Microsoft DRM protected content? Seems rather anticompetetive to me - what we effectively have is a cartel of corporations who are doing their level best to lock anyone else out of the market.
Here is a real world example: I use MythTV as my PVR with a DVB-S card. I cannot use this system to pick up much of the satellite programming here in the UK because it is broadcast using NDS-Videoguard encryption. The *only* way you can use such broadcasts with a PVR (without going through the analogue hole) is to buy Sky's own Sky+ PVR system. Sounds anticompetetive doesn't it? Sky have a monopoly on satellite enabled PVRs in the UK because noone else can legally produce a PVR system that can receive many of the satellite channels. This doesn't just apply to Sky's own channels either - many channels that are touted as "free" are still encrypted using this system and you still have to buy Sky licenced equipment to receive these channels. (And before anyone suggests that Sky own the satellite, they don't - SES own the Astra 2 constellation.)
http://blog.nexusuk.org