Vista and the Music Industry

BanjoBob writes "Vista locks down all the DRM functionality and actually reduces the quality of playback of some media. This includes both audio and video content. As a company creating music and video products, how can we use Vista to create, distribute, and use legal media? I have read nothing to indicate that Vista has a model to allow 'authorized' use without causing problems. Currently we use Windows 2000 and Linux products. If what we understand is true, Vista and future Microsoft products won't be viable options for us since prior to publication, media must be copied multiple times, edited, moved around, re-edited and often modified into various forms (trailers, etc.) before, during, and after production. This naturally includes backups and recovery. If Vista is intent on prohibiting these uses, then Microsoft is intent on keeping their products out of the realm of content creation and editing. How do others deal with these issues?"

Comments

Re:Don't musicians use macs?

[Divebus]

All our high end graphics and compositing moved to Macs from Windows a few years ago and 98% of our daily problems went away. Now, when the artists hear about other people's problems with Windows environments, they consider it an odd duck operating system from Mars. Guess what... it is now. Once you get over the relatively small orientation hump on the Mac, you'll wonder why you wasted your time screwing with Windows for so long.

Re:Don't listen to the FUD

[Stephen Samuel]

The problem with Vista isn't that it will mess with your unprotectd media, but rather that it might mess with your unprotected media, and when and why that happens cannot always be that predictable or the DRM features that MS has been touting to the big media producers (and being coy about when talking to consumers) will be too easy to break.

This problem will be especially pronounced for professional content creators because they're going to have a higher than normal probability of needing to (legitimately) work with protected content -- whether it's their own or somebody else's. Again, this is very unlikely to always happen, but it doesn't take that many 'unfortunate coincidences' to turn your average high-strung artist into a paranoid schizophrenic.