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DRM — It's Not Really About Piracy

shadowmage13 writes "Hollywood privately admits that DRM is not really about piracy. From the article: 'In a nutshell: DRM's sole purpose is to maximize revenues by minimizing your rights so that they can sell them back to you... Like all lies, there comes a point when the gig is up; the ruse is busted. For the movie studios, it's the moment they have to admit that it's not the piracy that worries them, but business models which don't squeeze every last cent out of customers.' You can take action on Digital Restrictions Management at DefectiveByDesign of the Free Software Foundation, Digital Freedom, and the Electronic Frontier Foundation."

2 of 360 comments (clear)

  1. Like Region Coding, Then by cyclomedia · · Score: 5, Interesting

    Because THAT worked wonders for release timing, content control and market restrictions, didn't it.*

    *Though having a decent TV that can handle PAL and NTSC helps, in the UK they're 6 bob a throw i can tell ye!

    --
    If you don't risk failure you don't risk success.
    1. Re:Like Region Coding, Then by arun_s · · Score: 5, Interesting

      When I look at the VHS examples of long back, and the more recent DVD-region-encoding failure, it just looks like one big, sad cycle repeating itself every generation or so.
      Even if we get over the current mess (Trusted Computing, RIAA etc), it looks like as if the big media dinosaurs will never really learn to adapt. Each time a new technology pops up that threatens their stable position, they panic immediately and create a huge fuss in trying to maintain the staus quo.
      If only they weren't so powerful already, they'd probably have died off by now; replaced by smarter, quicker companies that didn't have to be dragged kicking and screaming into the new world.

      --
      I can explain it for you, but I can't understand it for you.