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Interview with Developer of BackupHDDVD
An anonymous reader writes "HD DVD and Blu-Ray were supposedly protected by an impenetrable fortress. However a programmer named "muslix64" discovered that this was not the case, and released BackupHDDVD. Now, Slyck.com has an interview with the individual responsible, who provides some interesting insight to his success."
Unlike old DVD-Video, HD DVD and BluRay have a bit -- so far not set -- that degrades all output unless it is via an HDCP connection. This means my older Sharp 720p projector will be degraded along with all early adapter's HD gear
This creates a powerful incentive to not just "backup" your HiDef DVD, rather to remove an onerous limitation -- it may violate the DCMA in the USA, but it is morally and legally sound to most of the world.
Anyone have a cost estimate for producing the AACS DRM? I'm guessing the crack didn't cost nearly as much.
Mij
Well, the server is being bombed now. Here's the text from the page if you don't want to wait for 5 minutes per sentence.
The next generation of optical disc technology holds the promise to change the way we interact with and store digital media. Perhaps the most exciting change is the arrival of High Definition (HD) video, with its glorious 1920x1080 pixel resolution. It's a quantum leap forward in terms of watching digital content, as its vast resolution reveals a quality never seen before in such fine detail.
Because of the rapid escalation of digital file-sharing - especially of video files - Hollywood has been working around the clock to protect HD content. This is especially relevant for one of its primary delivery mechanisms - HD DVD and Blu-Ray discs. These next generation discs, with capacities of 30 gigabytes and 50 gigabytes respectively, have their content protected with an array of DRM (Digital Rights Management.) Both are protected with a scheme called AACS, or Advanced Access Content System. This DRM is a great leap forward compared to the weak CSS, or Content Scrambling System, that currently "protects" DVDs. Thanks to Fox, Blu-Ray has an additional layer of protection, called BD+, although most discs have yet to support this protection.
Although Hollywood has constructed enough DRM architecture to rival the Pyramid of Giza, it has long been suspected that it would be only a matter of time before HD DVD and Blu-Ray content protection were compromised. Convinced the golden DRM egg had been laid, it seemed that nothing could penetrate the great AACS wall. And to this day, that great wall still stands.
But why crash through the main gates of Constantinople when you can just pick the lock of a long forgotten rear entrance?
On December 26, 2006, a member of the Doom9.com forums named muslix64 introduced himself as circumventing the content protection - not the copy protection - of HD DVD. Additionally, he made available an open source program named BackupHDDDVD. At the time, this program was a command line program that bypassed the content protection - providing the individual successfully obtained the title and volume keys associated with the HD DVD. Once the individual has the keys, the AACS protection can be sidestepped, and the HD movie content can be extracted. According to muslix64, it took all of eight days to successfully circumvent HD DVD content protection.
Much of the more difficult work, such as extracting the keys, has been alleviated as the once encrypted information has proliferated online. To understand where this stunning turn of events is heading, Slyck.com spoke with muslix64, who agreed to a PM (private message) interview.
The mainstream media tends to have many labels for you, i.e. hacker, cracker, pirate, etc., in response to your efforts. What would you call yourself and what would you label your efforts?
I'm just an upset customer. My efforts can be called "fair use enforcement"!
What motivated you to help circumvent the content protection scheme associated with HD DVD and Blu-Ray?
With the HD-DVD, I wasn't able to play my movie on my non-HDCP HD monitor. Not being able to play a movie that I have paid for, because some executive in Hollywood decided I cannot, made me mad...
After the HD-DVD crack, I realized that things where "unbalanced" by having just one format cracked, so I did Blu-Ray too.
Explain how decrypting the device and volume keys are critical to your success. Could you explain the difference between the two?
The device keys, are the keys associated to the player.
The volume key, is the key associated to the movie.
I don't care about device keys. I do care about volume keys, because by using volume keys instead of devices keys, I totally bypass the revocation system. There is no "volume key revocation". There is content revocation, but I really doubt they will ever use it. If you use device keys, they can revoke them. Having the volume key means that you can decrypt ti
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Good, that only narrows it down to five billion people. The MPAA will be sure to track down this scoundrel soon.
Everything I say is a lie. Except that... and that... and that, and that, and that, and that... and that.
It sure seems to me that the media companies chasing the people finding holes in their impenetrable fortress' is much like a dog that chases his own tail. Every once in a while he gets it, but then it hurts and he lets go, and then he off again chasing his tail. The time and money they spend protecting their stuff might be better spend on an ad campaign, or better yet drop the prices of the content so that maybe, just maybe they will sell a few more..
After the HD-DVD crack, I realized that things where "unbalanced" by having just one format cracked, so I did Blu-Ray too.
Bless you, muslix. Now the two formats can compete as true equals where it counts: in the ease of supplementing your legitimate media collection with illegal copies of things that you "kind of like".
Let's not pretend that there is one type of pirate. There are many levels of pirate, and by far the most common type (at least in my experience) is the "pirate" who buys plenty of legitimate media, but occasionally supplements their colleciton with an illegal copy of something that they don't care enough about to pay full price for. You can see the popularity of this line of thinking by watching people paw through the "bargain bin" at any major retailer. These are the movies that no one liked enough to pay full price for, but still maange to sell. This is more of a problem, as I see it, with the uniform pricing structure of DVDs. Let's not pretend that "Batman Begins" and "Sisterhood of the Travelling Pants" are worth the same amount of money to most people. They are simply not, and should be priced differently from the get-go. Sadly the media companies instead try to rake in bucks from the "gotta have it now" super-fans crowd by artificially inflating the price; the side-effect is piracy. I would wager that the media companies gain more money then they lose by this process; the convenience of the consumer does not enter into the equation (these companies have demonstrated, repeatedly and without a doubt, that the convenience of the consumer is a very, VERY low priority to them).
Of course I am deliberately discounting bring up That Guy. You know That Guy. He is the guy with the huge collection of pirated movies for the sake of having them. To be fair, unless That Guy has a lot of friends (and usually they do not) they are no real threat to media companies. That Guy would not have purchased the movies anyway, and his collection is (to put it bluntly) a dick-measuring contest to make himself feel better anyway. Every That Guy that I have ever met has had movies of laughably bad quality in their collection; their love is not for the cinema but rather, like a dragon, they hoard the wealth for it's own sake rather than an appreciation for it. And that might be the dorkiest thing I have ever written.
Fool. Bruce Schneier could still watch it.
Evidently, the key to understanding recursion is to begin by understanding recursion. The rest is easy.