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Proving Creative Commons Licensing of a Work?

Q7U asks: "I recently posted a few Creative Commons licensed photographs from Flickr on one of my websites. I later noticed that one of the photographers had retroactively switched all of his photos from the Creative Commons license to an 'All Right Reserved' notice. When I saw this I went ahead and removed his photo (even though I understand that CC licenses are perpetual unless violated), but this begs the question: How does one prove one obtained a work under a Creative Commons license, should there ever be a dispute between a creator and the licensee? Is a simple screenshot of the webpage where it was offered proof enough? Any thoughts or suggestions would be appreciated."

22 of 105 comments (clear)

  1. Good question. by MostAwesomeDude · · Score: 2, Informative

    In the past, I've tried to obtain the best physical proof possible, be it a timestamped email that affirms the license, or a piece of paper with a signature on it. Really, the best method is to get a positive affirmation on the work being CC, before the license is pulled.

    --
    ~ C.
  2. Wayback by CRCulver · · Score: 2, Informative

    Too bad it's from Flickr. The indexing done by the Wayback Machine (archive.org) makes it easy to see how most individual websites looked at various points in the past.

  3. Other Considerations by TheWanderingHermit · · Score: 4, Informative

    For me, as a writer, director, producer, and someone who sometimes does some amateur photography and other types of image creation, I think there's a bigger issue.

    I, personally, don't want to be using someone's work as part of mine if they don't want it involved. When Kubrick used music from György Ligeti, his favorite composer, he was later sued for misuse of the composer's work. (I hear the composer won, but I don't remember the details.)

    If someone has made photos licensed under CC, if I were going to use them, I'd be sure to obtain permission and verification first. I know there are some people who don't care about such things, but I feel it can detract from my work or my later editing of that work if there are issues involving arguments or fights over whether or not I had the right to use something in what I was doing.

    In other words, do you really want to put in all the effort to use something against the will of the creator/author instead of finding something else that will do?

    1. Re:Other Considerations by Anonymous Coward · · Score: 5, Insightful

      If someone has made photos licensed under CC, if I were going to use them, I'd be sure to obtain permission and verification first.

      That's the whole point of CC. The licenses are permission. If you have to get permission anyway, then what the hell is the point of CC in the first place?

    2. Re:Other Considerations by TheWanderingHermit · · Score: 3, Insightful

      I'll embellish. If I were going to use photos published under CC in a work where they could not easily be replaced or which was going to be sold or used professionally, I would contact the author. Yes, they're under CC, but I'd like to be sure the author put them there himself, and someone wasn't "getting back" at him or something similar and I'd want to make sure he's not vacillating about it. If I use a photo as an establishing shot and later the CC license is revoked, and the video ends up doing well in the DVD market, it can be a mess dealing with the person about it. It's easier, in the long run, to double check and make sure what I'm using is intentionally under CC and that I can expect it to remain there. It also does a great job of the old "CYA" because if I contact them in writing, with a SASE enclosed, I get something back in writing, signed by them, that goes into my files and which I can use as proof if questions arise.

      Once you've bumped into a few glitches on things that are supposed to be obvious but aren't, you realize it is much easier to CYA now than to SYA (Save YA) later. An ounce of prevention and such...

    3. Re:Other Considerations by TheWanderingHermit · · Score: 2, Informative

      Ah, I see. You're a literalist.

      Too bad the real world doesn't always work that way. I've been lucky enough to work with a number of lawyers (they're my clients, fortunately I'm not their client!). One thing I've learned is that you can be sued for almost anything. They don't have to have good firm grounds. You can be sued and be completely innocent and still spend tens of thousands to prove you're innocent.

      It's much easier, as I said, in the long run, to do a little work up front. 95% of the time it's not necessary, but doing it in every case saves so much work, money, and time the one or two times something does go wrong that it makes up for it a thousand fold. People are not always predictable, but if you've contacted them and they've sent you a signed paper saying they're okay, the chances of them trying to sue later, even if they don't have solid grounds, is reduced to almost nothing.

      Sure, you don't have to CYA. There are times I did not -- and it was a few of those times that taught me to always CYA. A little extra effort keeps one safe. Why take the risk?

    4. Re:Other Considerations by TheWanderingHermit · · Score: 4, Insightful

      If by that you mean that, when somebody quite clearly says something in unambiguous language in a license vetted by top lawyers, I believe them to actually mean it, then yes, I'm a literalist.

      No. I mean someone who is so focused on the exact words that they think real life works the same way. In other words, someone that thinks saying something a certain way makes it so, as opposed to someone who uses words and language to describe the world as it is. Contracts and licenses are one thing, discussing human behavior is another. If you have trouble separating this, read a dozen Sherlock Holmes stories for a bit of insight. While the great detective thought and behaved very logically, a major part of his brilliance was the understanding of how illogically and passionately people behaved.

      Oh, I totally know that. But how is getting an additional something in writing prevents this. You can be sued for anything without cause, remember?

      Ah, here's a great example of the above point: the difference between the nice, neat world that exists in theory and the diverse and sometimes messy one that exists in the world that contains humans. If you've gone through the effort of contacting a person, even with just a letter that took less than 3 minutes to type up, then they are much more likely to "warm up" to you and keep a positive opinion of you. By contacting them, even though their work is licensed under CC, you are showing a level of respect for them. Yes, they can still file a suit, but 1) they have had a personal communication with me at that point, and I'm no longer just a faceless name. 2) They will likely remember specifically giving me permission to use their work and not want to take action. 3) They also remember that I have signed papers they sent me, and are aware they don't have a leg to stand on.

      Humans are emotional beings first, and logical only 2nd or 3rd. For example, I knew a friend in Amway who was sure she'd get rich. I showed her a set of numbers that proved a large part of the profit was not in selling the products, but in selling the CDs to people like her. She had the IQ of a genius (literally) and knew Math well, but didn't want to believe that what they were telling her was not true. What's the point and why am I saying this? People do not always behave logically, but if one takes time to understand people and their passions and what drives different types of people, one can reduce one's problems quite significantly.

      One time I needed to use shots of a state building in a project I was producing. I could have easily shot from the street and used all the footage without ever talking to the state. Instead I took some time to find out who the person was in charge of that building and talked with him. It took less than 20 minutes to track him down and talk with him. This was, btw, not long after 9/11, and people were still paranoid. I told him what I was doing, why I wanted the shot, and let the conversation digress into how our state is encouraging more commercial video and film production. He started to see it from the point of view that agreeing to what I was doing was helping a small business in the state and ultimately helping the state itself in terms of commerce. It may not seem like much, but then was I was shooting, I noticed the state troopers in the area (yes, I was near the state capitol, where troopers would come through from time to time) watching me, then eventually coming up to me. I gave him the name of the man I talked to and his office number. He checked, and walked away within less than 3 minutes, which was valuable time I needed for shooting, since it was during magic hour.

      I didn't have to call for permission. I would likely have been able to talk the trooper into letting me keep shooting, but I can't be sure, especially since that was so soon after 9/11. A few minutes ahead of time, talking to an amiable bureaucrat, saved me the time I needed when I needed it (magic hour, btw, is about 45 minutes during sunse

    5. Re:Other Considerations by itwerx · · Score: 2, Interesting

      ...you don't see the difference between theory and fact...

      Heh, reminds of the lovely philosophers' saying, "In theory there is no difference between theory and reality, but in reality there is."

    6. Re:Other Considerations by n9hmg · · Score: 3, Funny

      That theory is not sound. I just read it aloud, so now it is, though it's rapidly turning into heat and disorder.

  4. Welcome to Copyright! by Shihar · · Score: 5, Interesting

    If you decide you want to buy a piece of land, or think that a piece of land is public property and would like to perform some activity on it, what do you do? You got to the local town office and find out who owns the land, what restrictions there on that land, and who you must contact to ask permission to use or buy the land. This is a good system that has been in place in the US since its foundation.

    The copyright system is like private property's evil twin. It is still a form of "property", but the "system" designed to deal with questions of use and ownership is utterly non-existent. For instance, this post I am writing is protected by copyright. True, there is no indication in this post that shows it is under copyright, and the fact that I have my e-mail address hidden means that you can't ask permission to use it. This post will NOT be recorded in any government database so you can never look up who owns it and what the rules of using it are. Our current copyright system is a default "everything is copyrighted" and there is absolutely NO record of who owns what. You can't even find out when a copyright expires because there is no record of when it was first created.

    We desperately need a new copyright system.

    The new system should REQUIRE the registration of copyrighted content. There MUST be a public record of who owns what and for how long they have had it under copyright. Further, there is not a damn reason in the world why we need copyrights that span centuries as the current system does. Anything that is not registered as copyrighted should be considered public domain. Slap in a fee of a couple bucks to register copyrighted content, throw up an Internet site to register such copyrights, and we would have a workable system.

    The current system as about as far away from good as you can possibly get. To answer the articles original question, there is absolutely nothing you can do. There are no records of what is under copyright and no way of finding out if that copyright changes. The current system sucks balls and no politician gives a shit because voters don't realize such issues exist, much less care about such issues.

    Sucks to be someone who uses creative content. Sorry.

    1. Re:Welcome to Copyright! by keesh · · Score: 2, Insightful

      Requiring registration will only screw over the little guy.

    2. Re:Welcome to Copyright! by Anonymous Coward · · Score: 2, Insightful

      As opposed to screwing over the guy when someone decides they made a terrible licensing mistake and want to erase the past as in this case?

      Sorry, copyrights and patents are for promoting the arts and the sciences. If you're doing neither, you deserve neither. This post does neither, and should not be copyrighted. If you can't afford the registration fee (which should be kept to a token fee of $5 or so for the purpose of showing that you care, not for the government's profit) then flip burgers between slitting your wrists and writing poetry about how empty you are.

    3. Re:Welcome to Copyright! by jamesh · · Score: 2, Insightful

      So... what if I cut and paste what you just posted into the copyright site, pay $2, and register it as mine? Suddenly it doesn't seem so simple. You have to consider:

      . How do I prove that the material I am trying to copyright is mine to copyright? If I cut and pasted it off of a web site, especially one that wasn't indexed somewhere, how could they tell?

      . What happens when I sue you for posting my copyrighted material on slashdot? How do you prove that you originally wrote it in the first place, and that you didn't copy it from me? (I put it on my web site and modified the datestamps to make it look like it predated yours by a few days)

      This alone would make a system where $2 is nowhere near enough to cover costs. And in fact if I didn't like something you'd said on slashdot, for $2 I could trivially register it as mine and issue slashdot with a cease-and-desist letter.

      I think it's time to raise some funds and buy out all the law firms that specialise in copyright law. That way, everytime there is a dispute, my superfirm gets revenue. Even better, because you won't find a non-superfirm copyright lawyer who's any good at all, both sides will be represented by my superfirm lawyers and we can drag it out for long enough to suck the money out of everyone.

      I'll be rich!!!

    4. Re:Welcome to Copyright! by TheWanderingHermit · · Score: 2, Insightful

      Spoken like someone who uses copyrighted material, but certainly not like someone who creates it.

      There are advantages to something automatically being considered copyrighted once it is created. Granted, those advantages are only for the creator, but without help like that, there is less motivation to create.

    5. Re:Welcome to Copyright! by EvanED · · Score: 2, Insightful

      If you can't afford the registration fee (which should be kept to a token fee of $5 or so for the purpose of showing that you care, not for the government's profit) then flip burgers between slitting your wrists and writing poetry about how empty you are.

      $5 for what? If I'm a photographer on a photo shoot and take 500 pictures (no clue if this is an accurate number, but I do know that they take *a lot*, especially now with digital), is that $5 for the whole bunch, or do I have to pay $2500 (or pick out my favorite 10, pay $50, and destroy the others)?

    6. Re:Welcome to Copyright! by Jah-Wren+Ryel · · Score: 2, Insightful

      What happens when I sue you for posting my copyrighted material on slashdot? How do you prove that you originally wrote it in the first place, and that you didn't copy it from me? (I put it on my web site and modified the datestamps to make it look like it predated yours by a few days).

      How is that any different from the current system?

      Your whole argument about establishing authorship applies just as much today as it would under a registration scheme. At least with a registration scheme, there is the date of filing to use as a reference. With the current system it could easily devolve into he-said/she-said.

      --
      When information is power, privacy is freedom.
    7. Re:Welcome to Copyright! by JesseMcDonald · · Score: 2, Insightful

      without help like that, there is less motivation to create

      I'm sure that the lack of million-dollar commissions also results in "less motivation to create" -- the point being that, while the purpose of granting copyright monopolies is ostensibly to encourage the sciences and "useful" arts, one does eventually reach a point of diminishing returns, both in terms of the amount of art and science created, and in terms of the utility of that increased amount. There is no need for the government to supply unlimited motivation, and it would, in fact, be counter-productive for it to do so. In my opinion we are already long past the point were the social benefits of copyrights and patents can be said to outweigh the costs.

      --
      "The state is that great fiction by which everyone tries to live at the expense of everyone else." - Bastiat
  5. Is a registrar needed? by Anonymous Coward · · Score: 3, Interesting

    In the case of music licensing, you go to BMI or ASCAP. If you want to republish a book, you go to the publisher or the author and get a contract in writing. The writer's guild provides a standard contract for producers who want to hire a writer (work for hire) or buy their product (outright transfer of license).

    Perhaps there needs to be a 3rd-party registrar where people can submit their material under particular licenses? It would be a great service for anyone looking for CCed material regardless, and could help to assure people licensing the material that they have someone to go to if there's a dispute.

    Admittedly, this is patterned after the WGA's registry, only this version would be transparent-- that is, a registered material would be visible after it's uploaded.

    Of course, validating that the submitter is in fact the original copyright owner is another issue, but that's not what the original topic was asking. (An interesting question though-- how do you know that someone who says "this song is distributed under the CC license" really owns the right to do this? Then again, the same issues all apply to the GPL. Is there a CC sourceforge?)

  6. Been A Problem on Wikimedia Commons by Anonymous Coward · · Score: 3, Interesting

    The situation on wikimedia commons is split into two. First we have a separate signup project called "flickrlickr" which is a separate program run by Eric Moller. He has run the bot on wikimedia acceptable licences (only one of the two at the moment) and then reviewers, such as myself, wade through the 1000 and 1 pictures of cats and dogs to find really HQ pictures, highlights:

    http://commons.wikimedia.org/wiki/User:FlickrLickr /Highlights

    which we then flag and they are uploaded to the commons. Eric knows his program has scanned all the correctly licensed photos - and it has came down to the situation that if a Flickr author asks wikimedia to remove them we may - but we don't have to - we have the program logs and we can prove that they were uploaded at one point under a cc licence, no matter what the Flickr page now says.

    For pictures uploaded to wikimedia commons by individual users the situation is a little more blurred. There is now a situation in place where a bot checks most of the pictures and cetifies they are under the correct licence - but that is pretty recent and so there are quite a few older ones which have had licence changes and they just have to be removed as we have no way of proving they once were CC.

    In short, at wikimedia commons there has been a major drive to cover our backs to be able to prove that something was uploaded under CC. If an author later changes licences and asks the commons to remove then in most cases we will oblige, but we are now in a position to refuse if we need to (such as a very useful picture etc). I think some folks on the commons got in touch with the folks at Flickr and have tried to persuade them to show a history of licences and there would be no further problems - but so far they haven't obliged.

  7. Flickr by Ray+Radlein · · Score: 4, Informative
    That can actually be a bit of a problem with Flickr; if you regularly upload both CC and © photos to your account, it can be very easy to accidentally upload pictures under the wrong license. On several occasions I have uploaded a photo meaning for it to be ©, only to discover that I had forgotten to turn off CC, leaving me to scramble over to the properties page and adjust the license. I was always absurdly afraid that someone would grab my picture in those few moments before I made the change and go to town on it.


    Finally, I changed my default upload permissions to ©, on the theory that I could always CC-license the pictures after I was finished uploading them.

  8. Re:It's a little more complicated by SharpFang · · Score: 2, Informative

    the problem is that screenshots are nearly worthless as a proof - you can modify them digitally leaving no trace of the modification, and without some trust system it's impossible to sign the screenshot proving it wasn't doctored.

    --
    45 5F E1 04 22 CA 29 C4 93 3F 95 05 2B 79 2A B2
  9. public key cryptography and signatures by akb · · Score: 2, Interesting

    Aside from the issue of someone changing their mind, there's no way anyone should trust an anonymous assertion of a Creative Commons license. All the time on places like archive.org people contribute work that is not their own and assign it whatever license they happen to like. This happens both with copyrighted works being assigned licenses less restrictive than their author would want and with public domain works being placed under more restrictive licenses.

    What is needed is a system to attach metadata containing CC licenses signed by the original author using public key crypto. That way you can irrefutably prove that a particular person licensed a particular file under a particular license. This does not solve the issue of trusting whether that person has the right to so license that work but one could imagine a reputation system (Bob has asserted that 10 Britney Spears songs are CC so no one trusts him anymore) or perhaps legal consequences for making a fraudulent representation.