Father of MPEG Replies To Jobs On DRM
marco_marcelli writes with a link to the founder and chairman of MPEG, Leonardo Chiariglione, replying to Steve Jobs on DRM and TPM. After laying the groundwork by distinguishing DRM from digital rights protection, Chiariglione suggests we look to GSM as a model of how a fully open and standardized DRM stack enabled rapid worldwide adoption. He gently reminds Jobs (and us) that there exists a reference implementation of such a DRM stack — Chillout — that would be suitable for use in the music business.
It has already been established that DRM is bad. It doesn't work and it hurts everybody.
So frankly, who cares about this small part of Jobs' argument?
His main point -- that there shouldn't be DRM -- is correct.
Despite disliking DRM, GSM is the most sophisticated communications protocol that I have ever seen. I have read the standard (dispite getting a headache in 5 minutes) and it is totally locked down using encryption, session keys, etc. Perhaps I am in error, but I doubt the standard itself has ever been cracked- unless via law enforcement with the complicity of the companies involved.
Yet it is the most widely used wireless personal communication standard in the world. Woe are the hackers and crackers who try to attact it directly. But like any encrypted system, the weak points usually lie elsewhere. Those would be the point of attack.
The content industry wants one universal DRM. Everyone thought that would be MS and they were happy. When Apple won the battle, they were not happy. What you are seeing by calls for Apple to license their DRM is this frustration made public and an attempt to allow MS to embrace, extend and extinguish Fairplay. Jobs called their bluff and they realize they just may well be fucked on this. Interesting times.
If music were priced at its real cost plus the same small profit that all other manufacturing enjoys, it would cost $1.00 an album. After all, production costs have already been recouped for 99.9% of popular music, hundreds of times over for anything in the top 40.
And with such low pricing, people wouldn't even think twice about buying every new album that comes out in their genre. Youngsters have no money anyway, so asking them to cough up inflated prices is just completely ridiculous, and counterproductive since kids create much of the music buzz. They'll eventually purchase all the CDs that they really appreciate once they've grown up anyway --- just have patience!
You wouldn't need DRM not only because very low cost would make non-market acquisition pointless, but also because everybody would have all the music they want --- there would be nothing left to copy, in one's area of interest!
[The argument that pricing music logically would make new music cost hundreds of dollars per album is bollocks: like in all industries, development of a new product should be funded from past profits, and amortized across projected future sales. Music should be no exception, and the fact that currently the income from sales of age-old music is pure untouched profit and not reinvested to fund new production just shows the extent to which greed has distorted the music industry.]
DRM is only an issue today because of the artificial scarcity created by artifically high pricing --- greed.
Based on many past threads and discussions- you are making a bit of an overstatement.
Lots of people here are anti-drm / information wants to be free. In varies from the college student being as ethical as they can afford to be (buy a few CD's and then pirate the rest when they run out of money) to the folks who have absolutely no respect for copyright to people like me that have no respect for the extended copyright periods that I feel were bought by media companies (If it's over 28 years old, I'll pirate away unless i can get it for a *reasonable* price).
For example: I put down $200 smackers five seasons for get smart. On the other hand I ahoy'd some 1960-1966 comics in cdisplay format vs paying $50 for them in hardback format. I'll also download things so I can take them on a trip with me- for example I downloaded Moulin Rouge (which I own on DVD) because I wanted to take it with me and not risk losing my original.
I have a problem with DRM period. I think we have a temporary window where these products are grossly overpriced. I completely disagree that an "artist" should get paid for the rest of their life for a song when the rest of the world gets paid by the hour. The purpose of copyright is not to provide artists/ creators retirement but to encourage them to create works for the public. Given how many artists there are striving to create entertainment today- I really doubt they need any more encouragement.
She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
Did anyone read the open letter to Steve Jobs over at the Inquirer?
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http://www.theinquirer.net/default.aspx?article=3
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