RIAA Announces New Campus Lawsuit Strategy
An anonymous reader writes "The RIAA is once again revising their lawsuit strategy, and will now be sending college students and others "pre-lawsuit letters." People will now be able to settle for a discount. How nice."
Demanding money with an accompanying threat is still EXTORTION, whether there's an actual lawsuit or not.
The next Slashdot story will be ready soon, but subscribers can beat the rush and slashdot the links early!
It might not be nearly as convenient, but I've been hearing that in the dorms my fellow students are posting the names of songs that they would like to "buy". Some cheap 32-128MB memory tokens float around; discreet messages are sent telling them to keep an eye on "the SanDisk with a sticker on it" or the "green Dell one that has a crack in the casing".
The RIAA and protecting intellectual property are almost oxymoronic. If the money collected was going to the artists, no one would really have much to say. However, it does not. It goes to "feed the beast" that is the RIAA.
Flip on your local radio station. Anything that gets played gets pre-approved by the RIAA. If you're an indie artist, you can kiss air time goodbye. You don't get any.
Most people still get exposed to new music and artists on the radio. That means you get zero publicity for your work while the lastest Brittany Spears song will be played until you're ready to gouge out your own ear drums with a cocktail fork.
Then, if by some miracle you do get signed, the record label-RIAA cartel fronts the money for the production of an album, foists off a producer on to the artist that will get the "right sound" based on what the record label executives think you & I like, and then bill the artists out the ass for "production costs" which have been know to include things like hookers for the label executives. Honestly, you'd be better off charging the production on your MasterCard since, with the fees and such the equivalent interest rate is about 41% APR, whereas your credit card has a maximum of 25% in most states. Keep in mind that it takes a minimum of 2 years to bring an album from concept to distribution. $100,000 at 41% = 141,000 (year1) 141,000 at 41% = 158,000 (year 2) 165,000 by year 3. That's just for a low budget CD. Now that money plus a bunch of fees comes out of anything that the artist might get.
Recording contracts have this clause in them called recoupment. What that means is that the artist doesn't get a dime until the record company gets all and I do mean all of it's investment back. Record contracts are usually 20-40 pages of legalese describing what the artist owes the record company and how the proceeds from any sale of anything from T-shirts to CD's are to be distributed. Typically, artists get less than $1.00 of the $16.95 you pay for a full price CD. If you buy the CD from a discount store (read Wal-Mart) or a club (e.g. BMG Music Club), it may only be a few pennies per CD.
Next, since you have an album you have to go on tour to promote it. Guess what, the label fronts the money again and takes it out of your hide later, along with interest. It works roughly the same way as your recording session. And yes, Virginia, recoupement comes into play again. If the tour doesn't make money, you don't get paid.
Now add that to the fact that they routinely cheat the artists out of the comparative pittance that they're due. Then consider that this entire industry would be completely and utterly non-existent without the artists, do you really think that they deal fairly with anyone? Sympathy for the RIAA? Hah, more like sympathy for the devil.
2 cents,
QueenB.
HDGary secures my bank
I wonder if you could fire back a pre-lawsuit threat to countersue them for legal fees and offer to let them settle for a discount...
I'm trying to teach myself to set people on fire with my mind... Is it hot in here?