Getting High-Quality Audio From a PC

audiophile writes "Just because it's a PC doesn't mean it can't output good-sounding audio. In the same vein as specialty A/V products, you can find PC-based A/V systems with extensive audio processing and step-up performance specifications, including Signal-to-Noise ratio, which can make a significant difference when using the analog outputs. Media center manufacturer Niveus shares tips for getting high-quality audio from a PC."

Comments

Re:Actually it's pretty easy..

[mrjb]

Audigy 2 and other EMU10k1 chipsets are locked to 48khz internally, which has caused me a lot of grief when wanting to play back stuff at other rates. If you're playing back 48k exclusively this is fine, otherwise better get a soundcard that supports the different sample rates of your choice natively.

Re:MP3

[dal20402]

99% of music is indistinguishable from CD in 256kbps AAC (I don't have many 256k MP3s).

But some waveforms are just too hard to compress. In particular, harpsichords, solo classical string instruments, and solo electric guitar (through some filters) start to sound strange even at 256k.

A good but not foolproof way to figure out what is going to be troublesome to compress is to compress it losslessly using FLAC or ALAC and look at the resulting mean bitrate. Most stuff that compresses to between 400-600kbps, which is most music, will be fine at 256k. Some of my music, though, exceeds 900kbps lossless, and I even have a couple tracks over 1000kbps (where uncompressed PCM = 1411kbps). In all cases this stuff sounds like crap compressed to 256k. The harpsichords, in particular, sound harsh and flat, since the exceedingly complex waveform they make just can't all fit.

For me, it doesn't matter in the end, since I rip everything losslessly and then compress it for the car or the iPod where sound quality really doesn't matter anyway. But some people may not want to use hundreds of GBs of disk space or may have more music. For them, strategic ripping is in order.