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Digital Camera Vs. Camera Phone

An anonymous reader writes "CNet.co.uk has done some simple head-to-head testing of camera phones alongside digital cameras to see which device takes the best quality pictures. The results are surprising, with Nokia's latest handset, featuring a built-in 5-megapixel camera, taking more vibrant pictures in medium light conditions than a 10-megapixel dSLR. Of course, the pictures aren't fully representative of how the images would look at full size; but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales."

39 of 373 comments (clear)

  1. Herd-mentality. by Anonymous Coward · · Score: 5, Insightful

    "Of course, the pictures aren't fully representative of how the images would look at full size; but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales.""

    Most people? How do you come to that conclusion?

  2. It's possible. by timeOday · · Score: 4, Insightful

    I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture.

    1. Re:It's possible. by Doogie5526 · · Score: 3, Insightful

      I assume they did the comparison because they consider dSLRs the standard to measure by. While it's cool to see a comparison of the two. dSLRs and camera phones are meant for completely different audiences. What will likely be displaced is point & shoot cameras.

    2. Re:It's possible. by Jeff+DeMaagd · · Score: 5, Insightful

      Before anyone jumps on me, I don't have a dSLR, nor do I know how to use one.

      Let's just say that their methodology is suspect at best:

      "All the shots were taken with devices taken straight out of the box, and we used the default settings or an automatic mode if there was one".

      A person should not be buying a dSLR if they aren't going to take the time to learn how to use it. They should just be buying a point and shoot camera. The 5MP camera, they noted that it does badly in low light and the light has a blue tinge.

      The only thing that this thing compares is the quality of scaled-down pictures.

      It's kind of pointless to clamor for a high megapixel camera if it's only going to be scaled down to VGA res for the web. 2MP would be plenty and offer plenty of oversampling for web. If you want to do good prints, then that's where a nicer camera comes into play, but they don't compare that.

    3. Re:It's possible. by CptPicard · · Score: 4, Insightful

      It's possible that this "vibrancy" factor is due to the fact that most consumer cameras "enhance" the picture automagically. They fix contrast, add saturation, etc. It's a real PITA for those of us who just want the data off the sensor though, so that we can then Photoshop things to our preference. DSLRs tend to produce "duller" pictures by default, but you're expected to add the "pop" later on, and the potential is there in the image.

      Another possibility is that the tester used some crappy kit lens. For example the one that came with my EOS 300D a few years back is plain awful, and the first thing was to get a proper lens.

      --
      I want to play Free Market with a drowning Libertarian.
    4. Re:It's possible. by badasscat · · Score: 5, Insightful

      I think there are going to be a lot of defensive replies from dSLR owners. But with enough light, a small lens and sensor can take a good picture.

      "Good pictures" start with accuracy. That's the entire point of a camera, and that's what separates good cameras from bad cameras. Even in the pre-digital days, sure, different films and different settings would give you different results, but photographers paid the big bucks for cameras that would given them a reliable baseline of accuracy - that meant being capable of things like high shutter speeds for daylight photos, low shutter speeds for night photos, high quality light metering, and lenses capable of high resolutions, high color accuracy and low distortion. What a photographer chooses to do artistically is another matter, but the point is photographers don't rely on their cameras to be the artists; that's the photographer's job, not the camera's.

      So I don't even need to look at the article to know what the word "vibrant" means with regard to the Nokia photos - it means "artificially jacked colors". In other words, not at all accurate, in other words crap.

      I mean, look. I have a 2mp cell phone camera and I have an 8mp DSLR. I use my cell phone camera when I'm just out and about and don't care about quality. But there is a huge difference in color accuracy, noise and detail between even the best cell phone cameras and the worst dslr's. And that difference is not going away.

      So I guess you can consider me one of your "defensive" dslr owners - but hopefully, there will always be defenders of the truth out there.

    5. Re:It's possible. by StewedSquirrel · · Score: 3, Insightful

      It's not only the AMOUNT of light that is poorly handled by the mini sensors in these cameras... but the range of light. Dynamic range is the single quality differentiator between good sensors and poor ones. Almost all sensors these days have adequate resolution. My primary camera, as a professional, is only about 4 megapixels. I've made 30x40 prints that, while not having the absolute crispness and resolution of an old kodachrome slide, it is more than adequate.

      The dynamic range on my sensor, is an order of magnitude better than the sensor on my high-end point-and-shoot, not to mention my camera phone.

      When i shoot pictures in daylight conditions with the camera phone, they are absolutely terrible. Sun-light highlights are either totally blown out, leaving a glowing halo on everyone's forehead, or they are adjusted for and everything else goes dark, making the scene look like a shot on the back of the moon.

      As a professional, I learned to find lighting that does not have sharp high contrast definitions, but your average consumer does not practice this technique, so dynamic range is even MORE important for a consumer than for a pro in some cases.

      That's all :-)

      Stewed

      --
      There are 10 kinds of people in the world. Those who understand binary and those who don't.
    6. Re:It's possible. by Hawthorne01 · · Score: 5, Insightful

      Warning: Photography Rant Ahead!

      I am sick and tired of camera snobs thinking that more money = better pictures. Look people, I worked as a commercial still photog for 15 years, with clients like IBM, ITT Finance and Compaq and I got out around the turn of the millenium because I saw how things were headed. I just can't compete with the millions of great cheap/free photos out there now. If you all think OSS is revolutionizing the software world, wait 'til you see what websites like istockphoto and sxc.hu are doing to commercial shooters.

      Ok, where was I... Oh yeah, cheap cameras. I had Sinars and 'Blads with enough lights to blind a whole regiment and still have my Nikons. But my favorite camera of all time was/is the Olympus XA becuase it was there when I needed it (and I'm in some good company in that regards). I ended up getting hundreds of great candids and quick landscape shots with my XA because it was with me when it was the right time and place to take a great picture. Fat lot of good that EOS 1DS will do you sitting on the closet shelf at home does you if a great picture happens to be right in front of your eyes.

      And another thing about small cameras (and to some extent, cameraphones): You don't look like a freaking dork when you're shooting. Unless you're God's gift to hospitality, getting a candid, relaxed environmental portrait while trying to light the place like Yusef Karsh is a recipe for disaster. Learning how to slow down and get to know my subjects before I picked up a camera made a bigger difference in my work than anything I bought at a camera store.

      --
      "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
    7. Re:It's possible. by dgatwood · · Score: 5, Insightful

      The white balance is all over the map. The N95 shot looks good, but only because of the subject matter. The particular objects happen to look better with a blue cast. The N95 white balance is actually way, way off. If you look at the image with a color meter, you can see that the white areas are actually very purple. The IXUS is very yellow. The Sony (as is typical for Sony) is very orange. The Nokia 6300 is a blusih green (more green than blue). The other Canon is very orange. None of them are anywhere CLOSE to correct white balance. None of them.

      The high end Canon photo looks like it is the closest to accurately representing what your eye would probably see under the same circumstances, assuming that this was shot with standard incandescent lights (i.e. almost no compensation), while the Nokia phones overcompensated (a lot), and the Sony did just what I'd expect from Sony (exactly the same amount of overly-red hue whether indoors or in broad daylight). The others didn't appear to compensate enough, but tried to compensate a little.

      As for clarity, even at this level of size reduction (which is pretty substantial), the high end Canon took slightly sharper photos, but what was most striking was that the depth of field for the Nokia N95 is so noticeably wider due to the small lens even when viewed at a reduced size. There's no real foreground or background. It is all just flat. While that might make it easier for novices to shoot photos that aren't blurry, it often makes for very visually busy photos.

      The reality is that most users probably can't tell the difference, but for those who can, I would much rather color correct the Canon photo a little than use the N95 photo. If the background were a crowd of people instead of a blank wall, you would immediately understand why. :-)

      Another thing that I'm not seeing is any mention of the exposure. There's no guarantee that camera phone images of moving objects/people in interior lighting would look anywhere near as good. I realize that it is MUCH harder to come up with a reproducible test case for a moving object (though a swining clock pendulum would be a good place to start). However, that's where larger lenses are most likely to result in a significant improvement. They allow you to gather enough llight more rapidly than with a smaller lens, allowing for a faster shutter speed without the graininess associated with a gain up.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

    8. Re:It's possible. by vought · · Score: 5, Interesting

      Bzzzt wrong answer. I shoot both 645 and digital professionally and film still has many advantages- better dynamic range, better resolution, less noise at high ISO, much better enlargeability, true black and white, and permanence.

      Much of that stuff was accurate two years ago; that doesn't make it so today.

      The widest dynamic range for slide film is Fuji's duplicating film, CDU-II. About eight stops, compared to ten or more for most digital SLRs. Negative film may get you nine stops in ideal conditions, but it's a mistake to say that the best DSLRs and studio backs have short dynamic range.

      Film does have the advantage of a non-linear response to light - and non-linear response to color, which is one attraction to film - each has a unique palette. Digital sensors respond in a linear fashion. I prefer the character of film for this reason, but again, I find no reason to shoot film in most situations; grand landscape work with my 4x5 is one place where film clearly wins. In smaller formats, digital is recording more information in a wider range than any camera or film.

      You won't find film capable of recording density that the best sensors are capable of. Not anymore. The only way to get ahead of large sensors today is with square inches of film; that's why I still shoot 4x5. After making test prints from a Canon 1DS mkII and 6x7 slide film scanned on a Tango at 3500 dpi, I'm convinced the 1DS is of comparable, if not better quality - and this was almost two years ago.

      The clean signal of these newer, better sensors mean more of the information captured is usable as image data; there's no grain, and at low ISO, no discernible noise.

      What is this "true" black and white of which you speak? Colored filters in front of black and white film do affect the image; black and white images are made by exposing color-sensitive emulsion that is made with a single layer of un-dyed silver halide. Same thing as Kodachrome slide film - without the dye.

      All black and white films are sensitive to different wavelengths on the spectrum. By post-processing your own black and white using Channel Mixer in Photoshop, you're doing the same thing - selecting the percentage of each primary color portrayed as a monochrome image. Seriously - did you not understand that this is how black and white film works?

      The concept of "true" black and white may make sense to someone who doesn't understand how film works - but even Photo 101 students know that "black and white" films are color sensitive.

      Permanence is one department in which film wins hands down for ease of handling, cataloging, and durability - but make a print of your digital file on to Fuji Crystal Archive (a silver-based paper popular for printing digital work) and your permanence problem becomes a lot less scary - suddenly you have a more permanent copy that is human readable.

    9. Re:It's possible. by dgatwood · · Score: 3, Interesting

      I somewhat agree about the 300D lens. It's a LOT better than most of the smaller cameras I've seen, but it pales compared to the same camera with a nicer lens. I found that out when I borrowed a prime lens from one of my coworkers while my lens was malfunctioning. Wow.

      I now have a much nicer lens and only use the stock lens when I'm in a high risk situation (e.g. the beach). :-)

      When I saw the flash photos fo the D95, the word "cartoony" came to mind. Anybody else think so?

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

  3. Where to Start? by smack.addict · · Score: 5, Insightful

    Most people take pictures to put them on Flickr? In what bizarre alternate universe?

    And camera phones take pictures as good as a dSLR? You can be 80% blind and still tell that camera phones take inferior pictures.

  4. puleeeeze! by cashman73 · · Score: 3, Insightful

    Get over the "megapixel" factor of digital cameras. There are so many more factors involved in photography, it's not even close to fair to compare megapixels. Sure, it's entirely possible for someone with a low quality camera phone to take a reasonably good picture compared to something out of a dSLR. Half of the photo depends on who is taking the photo and how the lighting is set up. Who gives a frack about megapixels!

  5. Maybe... by imamac · · Score: 3, Informative

    But there are countless jobs (many military) where you cannot have a camera phone at the workplace for many obvious reasons. I'm sure there are many corporations in the civilian sector who have similar regulations in place.

  6. Next article on CNet... by Rui+del-Negro · · Score: 5, Funny

    "Is 3DS MAX really more powerful than Google Sketch?" - We gave 10 randomly selected people half an hour to learn to use them, and then compared the results.

    And, coming soon...

    "Is DVCPRO HD actually better than VHS (after you resize it to 64x48 pixels)?"

    "Is a dual-socket, quad-core workstation actually faster than a ZX Spectrum (when playing Space Invaders)?"

    1. Re:Next article on CNet... by j79 · · Score: 5, Funny

      Regarding DVCPRO vs VHS, you completely forgot that most people will recompress the video to put on YouTube...so seriously, what's the point of DVCPRO HD?

    2. Re:Next article on CNet... by Rui+del-Negro · · Score: 3, Funny

      You're right. I completely forgot that 87% of home users and 95% of broadcast professionals use YouTube as their "master" format. ;-)

    3. Re:Next article on CNet... by Rui+del-Negro · · Score: 3, Insightful

      It's not a matter of providing superior quality. They are deliberately limiting the quality by assuming that everyone's final goal is to post scaled down pictures on Flickr. Hence the comparison with video scaled down to a point where the original quality is irrelevant. 64x48 pixel video is worse than DVCPRO HD but my point is that it's also worse than VHS.

      Most people (especially the ones with two X chromosomes) like to be able to print their pictures, and most camera phones can't really produce acceptable results above 15x10 cm (6x4"), regardless of their resolution. Their sensors are simply too small and too noisy. In fact, for the same sensor size, a 3MP sensor is likely to have better quality than a 5MP model.

  7. Flickr? by dreamchaser · · Score: 5, Insightful

    but given that most people resize images to put on Flickr

    Most people with digital cameras don't even know what flickr is. They email their pics to relatives or print them out, or just save them on their hard drive.

    I'm getting a sense that slashdot is in a way getting like Washington DC. People inside the beltway are totally detatched from what the majority of people are doing in their lives, and so is slashdot.

  8. More vibrant = more artificial, but people like it by AaronLawrence · · Score: 5, Insightful

    Amusing that CNet (that bastion of photographic expertise) kept commenting positively on how "vibrant" the N95 photo was. Obviously the Nokia boosts the colours artificially, to make the photo look more exciting, even though the colours are not that strong in reality. Of course, they invalidate their entire results by not making any comment (let alone measurements or reference photos) on how close the photos were to the real colours.

    But the interesting thing is what this says about people - the average person doesn't care much about realism, they want a nice looking photo regardless, and if the phone adjusts things artificially to make it look "better" then that might actually be the right thing to sell more phones. It's kind of an extension of the point and click idea.

    --
    For every expert, there is an equal and opposite expert. - Arthur C. Clarke
  9. "Vibrant" by evilviper · · Score: 5, Insightful

    Vibrant doesn't mean much of anything to me... About as much as audio sounding "warm".

    It sounds like "vibrant" to them simply means over-saturated. It wouldn't be difficult to tweak ANY of the images to be more "vibrant".

    It's really impossible to tell which photo more faithfully reproduces the actual scene, without seeing it in person. The Nokia may work well on animation colors, but if people come out high-contrast, looking more like cartoons, it's not a good camera.

    In other words, this article is utterly useless.

    --
    Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
    1. Re:"Vibrant" by servognome · · Score: 4, Funny

      Vibrant doesn't mean much of anything to me... About as much as audio sounding "warm".
      Your text is very "Chewy"
      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    2. Re:"Vibrant" by evilviper · · Score: 3, Insightful

      That ping-pong ball should be white.

      Not if the lighting in the room has a yellow tint to it.

      I wonder how people would feel if they captured a picture by a campfire, only to have it turn out perfectly clear and white, looking like they are standing under massive lights...

      Of course, I'm not being entirely honest, because HOW WHITE that ping pong ball should be is entirely debatable. In the N95 images, it certainly isn't pure white. Just open it up in your nearest image editor, and use the eraser tool on the ball...

      What's more, anyone could easily increase the contrast of any picture to make it look even WHITER than white, and blacker than black. Cameras are supposed to capture a image as close to reality as possible... not blue-shift everything to play perceptual tricks on the viewer.
      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  10. Dynamic Range by ironring2006 · · Score: 4, Informative

    It was interesting to see that this "test" consisted of a single scene. While I was impressed with the N95, it says nothing of the versatility of the camera. The subject was located what seemed to be about a foot or so away from the lens. It would be interesting to see its ability to focus on something further away. Currently, I think that is the biggest shortcoming of camera phones at the moment. Yes, it is a limited space that they can cram the lens into, but until they've got "good enough" optical zoom, they still won't fully replace a handheld point and click, and I think we can all agree that they'll never be able to replace a good dSLR (that's just plain silly!).

  11. Sensationalized by metalhed77 · · Score: 4, Insightful

    I'm suprised, the camera phone did a great job, which is a good thing for consumers who don't know how to color correct their photos. However, as the article points out, this is solely a product of post-processing in the camera. I'm quite surprised that the 400D did such a terrible job with the white balance. Was it stuck on the daylight preset or was the AWB that bad?

    They didn't really address night time flash performance. Lots of people want to take pictures when they go out at night and these tests were inadequate since the subjects were small and close. Large people 5-6 feet away require a brighter flash and/or higher ISOs. Cell phone cameras haven't the room for a large flash and the capacitors it requires. I wonder how these phones would fare under these conditions?

    Also not addressed was dynamic range. The test scene was fairly flat. If you're on a vacation, and whip out your dinky cell phone to take a picture of the landscape, what might on a DSLR be a nice image of the land and sky, could turn out to be a dark silhouette of the land with a detailed sky, detailed land with a blown out sky, or some combination. How good is the metering as well? Will your relatives be a series of black lumps against the grand canyon if you aren't a pro photog? The more this stuff is automatic the more joe consumer wins.

    Additionally, the lens choice on the 400d is slightly disappointing. Cheap lenses like the 18-55 kit lens can't really give you the detail possible with 10 megapixels.

    --
    Photos.
  12. RTFA by richdun · · Score: 4, Informative

    Do the submitters even read the articles now? For both photo conditions tested, they found that the dSLR (a Canon 400D) better - "highest level of detail" in medium light and the best-lit and most focused shot overall in low light. All they mentioned were that the N95 camera phone showed more vibrant colors in the medium light conditions, and that that was probably due to post-processing.

  13. It is the lens that counts by kbahey · · Score: 3, Insightful

    Megapixel is not the only, nor the most important, aspect.

    The lens is probably more important.

    This is just like the megahertz/gigahertz race, and the number of transistors in radio: something to get people to think "it has more, so it must be better", while reality is not like that at all.

  14. Rediculous by EnsilZah · · Score: 3, Insightful

    We're going to take some camera phones and dSLR, we'll use the lowest common denominator features and resolution and we'll show you that camera phones are just as good as Canon's latest pro-sumer dSLR.

    Well, no fucking shit sherlock.

    I can show you that my old Voodoo 3 is quite compareable to the Geforce 8800GTX when playing Quake at 640x480.

  15. Phone camera? by DeadboltX · · Score: 4, Interesting

    I'd rather have a crappy phone on a good camera rather than a crappy camera on a good phone.

    Someone call me when they make a "Phone Camera"

  16. Baseless assumptions by MasterC · · Score: 3, Insightful

    ...but given that most people resize images to put on Flickr, we could start to see a decline in dedicated digital cameras sales and an increase in camera phone sales.
    Sorry, but what complete and utter horseshit. People who buy DSLRs don't buy them to put pictures up on flickr. People who buy thousand dollar lenses and up (e.g., me) don't buy them to put pictures on flickr.

    Let me try my hand at these baseless assumptive statements. People who buy camera phones to be their primary camera do so to put their pictures up on flickr. People who compare the merits of a camera phone to a DSLR are people who put their pictures on flickr. (Hey, baseless statements are pretty easy!)

    I've stated for a long time in "defending" my ownership of an SLR and canon L-series lenses is that its a tool for how I want to take pictures. I'm the first one to admit that lugging my equipment around is not something I want to do 24/7 so it is by no means convenient. The camera on my phone, however, is extremely convenient and I have found it to be useful in its own times. So my beef with the /. summary is that predicting a sales trend on the assumption that the majority of people are flickr users is beyond absurd, it's stupid and reckless. And, of course, 4 cameras is sufficient sampling to draw such conclusions to boot (where's the top-of-the-line camera with top-of-the-line lens to compare against the bottom-of-the-barrel camera phone?).

    Honestly, it's crap story submissions like this that just grinds me about slashdot.
    --
    :wq
  17. Why this will never be true by SuperBanana · · Score: 5, Informative

    The results are surprising, with Nokia's latest handset, featuring a built-in 5-megapixel camera, taking more vibrant pictures in medium light conditions than a 10-megapixel dSLR.

    That isn't even remotely what the article said. It said: "As you can see the top photo, taken in medium light conditions, is in focus and the colours are very vibrant, if not a little over saturated." and, "This difference in colour is likely due to the N95 processing the shot after it was taken."

    Nowhere do they describe if the images actually represented a faithful reproduction of the colors of the objects, and they did not test under multiple lighting conditions, such as outdoors, under incandescent and fluorescent lights, etc. They also did not conduct any test which would demonstrate the camera's dynamic range, and they did not show us any 1:1 crop areas.

    There's one simple site I point any of small but persistent who claim things like "film is superior to digital" (it hasn't been for at least a few years, in terms of resolution, signal to noise ratio, and dynamic range.) Clarkvision. The guy lays it all out in cold, hard science with good illustrative graphs and examples.

    Does Pixel Size Matter? lays a real cold hard blow to all the idiots that claim dSLRs are overpriced or unjustified. They VASTLY outperform "point and shoot" cameras because the sensors are huge. Current dSLRs already approach the theoretical maximum sensitivity, SNR, etc. The bigger the sensor well, the more photons it collects- and the less electronic amplification is necessary. dSLRs have sensors the size of your phone's screen. Your phone's camera has a sensor around the size of an eraser. Not only does that cause a lot of noise problems, but it causes problems for aliasing filters (which spread light across the red, blue, and green sensor wells.) It's very easy to make a very good aliasing filter on a scale required for the very large pixels in a dSLR. Sensor wells in the point and shoots are so tiny that the filters really, really blur the image.

    Practically, this means that if you and I stand next to each other and take a photo towards sunset, and then take both to a photo lab and get them printed, my (several year old dSLR) will blow your (current P&S) out of the water. My photo will have more detail because of better aliasing on the sensor and dramatically less noise (which doesn't have to be hidden with blurring). Nevermind that I can shoot a photo at 800 ISO and it'll have less noise than your camera at 100 ISO, which means I get several stops of sensitivity which I can use for, oh, a faster shutter speed so there's less motion blur, or a smaller aperture for greater depth of field.

  18. As a professional photograph by StewedSquirrel · · Score: 3, Informative

    OK, I don't make my living doing photography today but I have for several years in the last decade.

    There are two things that pop out. I am not addressing "professional" features such as manual settings, bounce-flash, strobe capability, interchangeable lenses, large aperture effects (depth of field blurring), shutter speed considerations, flash sync, etc, etc, etc which obviously favor the DSLR. But lets just look at the things that the every-day average consumer cares about.

    1) The image quality issues with the Canon cameras was due almost entirely to poor white balance. The author described this is 'vibrancy' a few times, but while there was perhaps somewhat lower color saturation, increased saturation of those poorly white balanced photos would have made them look WORSE, not better. Why did the "real" cameras have such awful white balance? Is this a problem with Canon's processing? I have a bunch of Nikon gear and have had great luck with auto white balance, though I prefer to use custom white balance for important photos, obviously Auto is simple and good for snapshots. But given the consumer target of the article, auto is the target and I'm disappointed with Canon in this regard. Go get a Nikon. Or a Fuji. Or a Panasonic even... they have good auto white balance.

    2) They chose an extremely SIMPLE scene that is not reflective of the use that most people have for their cameras. A close-up, small and flat-lit still life is a very poor scene for testing overall image quality. Set up a scene with various light levels across it. A room with a light in the corner, or a bar with neon signs everywhere.... or a daylight/shade mix. Watch the compact sensors in the small phones and even the point-and-shoot camera absolutely blow the highlights and completely submarine the shadows and you can see the value of the high quality sensors of the dSLR. How about making an element in the scene move... like a parent might shoot a kid at a baseball game. In the case of a small, static, flat-lit still life, the camera phone is obviously adaquate. In the case of high dynamic range, moving, dark or varied scenes, the camera phones, in my experience, just don't cut it.

    As a professional, I have trained myself to see the dynamic range of a scene and work to minimize areas of the frame that will cause problems with digital sensors (even the best dSLR is not even close to old Chrome slide films) and have learned to avoid those elements. Your average consumer snaps the picture, despite the big shadow on grandma's face. Suddenly your Norwegian grandmother looks like a coal miner because of deep shadow on her face totally submarined by poor sensor dynamic range. This is perhaps the biggest issue I see with this comparison and something that should be addressed.

    Stew

    --
    There are 10 kinds of people in the world. Those who understand binary and those who don't.
  19. Canon Less "Vibrant" Intentionally by chromozone · · Score: 3, Insightful

    Many photographers use Canon cameras because they intentionally don't "juice" up photos like other makers do. They also don't over-sharp an image and Canon's photos are "soft" out of the camera compared to others. They allow the photographer to add what they would like in post processing. It's easier to add then to take away.

  20. Re:Herd-fermentality. by Anonymous Coward · · Score: 5, Insightful

    This is total bull. Does the OP work for Nokia? This looks like viral marketing gone wrong. Five megapixel cameras with small cheap lenses do not take more "vibrant" pictures than digital SLR cameras with Zeiss lenses. Also, the assertion that "most people resize their images to put on flikr" is ridiculous. Less than one thousandth of one per cent of images taken with digital cameras have ended up on flikr. What are the authorities the OP relies on? I don't think I'm going to take Slashdot seriously any more. It's being invaded by bs.

  21. Did they *look* at their own images? by Kadin2048 · · Score: 5, Insightful

    It's not their methodology that I question, it's their eyesight.

    There are some seriously shit pictures in that article. I mean, really bad. They might be acceptable for eBay, but then again, I used to use a 680x480 toy that downloaded over the serial port for taking photos for eBay. It's not exactly a high standard.

    With the exception of the Nokia N95, which I do admit is impressive for a camera phone, the natural light photos are terribly yellow. They remark "the colours came out fairly balanced if not a little yellow..." about the top one of these two images. A little yellow? Look, Mr M&M there looks like he needs to get on dialysis, because his kidneys are shot. There's no white balance at all. It's tough to take the rest of their conclusions seriously when that's all they have to say there.

    With the flash on, it gets the color right (apparently it's just hardwired for the 5000K flash or whatever it has in there), but all the highlights blow out -- and it's not even that high-contrast a scene. I'd hate to see what would have happened on a black background.

    The N95 is, admittedly, impressive with its flash turned off. It's a pretty passable image at that resolution. I don't have much negative to say about it. But the flash image below, which they describe as "vibrant"...? I'm not sure 'oversaturated' covers it; it's bordering on ridiculous. It's not even attractive oversaturation, like you might get on some consumer films designed for that effect (Agfa Ultra, Velvia, etc.), or by playing in photoshop; it's just ugly.

    Now, granted, in the 400D's photos (last page), they're doing something wrong in the available-light shot, because although they say they're using the automatic settings, it's obviously not auto-white-balancing, and I know that camera will do that in its automatic modes. Leaving that aside, the flash shot beats anything out of any of those cellphones, by a large margin. The lighting is pretty even (there are a few hot spots on the cat, but given that it was straight front flash, it could be worse), the highlights aren't blown, the colors are realistic, and the shadow detail is good.

    The photos tell the tale far better than their narrative does: you get what you pay for.

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  22. Re:Herd-fermentality. by The+Great+Pretender · · Score: 4, Insightful

    Funny, I put all my digital pictures of my kids on Flickr and have never resized a single one. All 600+ are there in their full glory for family to download as they want and create their horrible home-made cards and calendars that they then send back to me (thanks Apple for that software). As for phone cameras taking taking better pictures I have to agree with our AC friend here, bunch of bull, or at least in my experience.

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    A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort.
  23. Re:Herd-fermentality. by trisweb · · Score: 4, Insightful

    Their definition of "better" was simply not accurate (the better camera is apparently the "one that got the white balance right"), and they probably didn't know how to take a representative shot with either the Canon P/S or dSLR cameras -- simple settings would have made the white balance correct and the colors more "vibrant" (used as their biggest measure of quality). The scene was obviously also very poorly lit.

    That said, it is good that the better camera phones got the white balance correct; that's the main problem I have with my dinky camera phone, all the photos come out too orange or blue, never what they're supposed to be. But come on, obviously, you can't say a camera phone can compete with even a midrange pocket digital camera with options and lens quality and stuff, no less any digital SLR. You just can't make stupid comparisons... but then when have we ever trusted CNet with being 'intelligent'?

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    "!"
  24. Because of simple maths by Moraelin · · Score: 3, Insightful

    Because of simple maths. A 10 megapixels image... well, ok, they count the individual RGB components in that so it's really anywhere between 2.5 and 3.3 mega-pixels. At 4/3 aspect ratio, 2048x1536 gives you a bit over 3 megapixels. How many photos that size did you see online?

    So you don't have to poll everyone on Earth, you just need to look at what pictures you see online. If you don't have to scroll up and down to view it even in 1600x1200, then it's probably not the raw output of a 10 megapixel camera. It's that simple. And you wouldn't need a 10 megapixel camera to take it.

    What such logic omits, though, is (A) the ignorance factor, and (B) the penis size factor, a.k.a., conspicuous consumption. Respectively:

    A) People don't understand those numbers and think that more megapixels is necessarily better. A 1024x768 picture _must_ be better if it was taken in 10 megapixels.

    B) A lot of those things are bought not because the owners actually needed an expensive camera, but just to show that they can afford an expensive camera. Same as buying jewellery, fur coats, or cars with a big wing at mid-life crisis. Something with an objective that looks like it belongs in a James Bond movie, is soo much better for taking unzoomed photos of squirrels in the park. In reality, just because it shows everyone else in the park who can afford it.

    And thanks to the emperor's new clothes syndrome, for a lot it won't ever matter what benchmarks and image analysis tools say. Once people got it into their head that a more expensive camera is better, they'll see differences even where there are none. Because they just have to confirm it to themselves that (1) buying that expensive camera was justified, and (2) they're such great artists that they can spot imperfections where unskilled plebs can't see anything wrong. Same, if you will, as wannabe "audiophiles" swearing that music sounds better when they use a 1000$ power cable for their stereo.

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    A polar bear is a cartesian bear after a coordinate transform.
  25. Re:Herd-fermentality. by Annirak · · Score: 3, Informative
    I heartily agree, with the exception that the N95 does have quite high quality optics.

    The problem I have with the OP is that

    The results are surprising, with Nokia's latest handset, featuring a built-in 5-megapixel camera, taking more vibrant pictures in medium light conditions than a 10-megapixel dSLR.

    The N95 post-processed the image, by CNet's own admission. Then they didn't post-process the rest of the images. If vibrancy is the top measure of quality, they should at least be running a batch auto-levels on the images afterwards.

    But there's another problem. Vibrancy isn't the top measure of quality for digital cameras. With digital photography, taking the picture is just the first step in a process. That's when the photo-editing begins.