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Court Rules Playlist Customization Is Not Interactive
prostoalex writes "Is music played via customized playlist delivered interactively (i.e., via user participation) or non-interactive (i.e., decisions are made on the server side)? The question does seem metaphysical, but it took Sony BMG Music Entertainment and Yahoo! six years to figure it out via a protracted legal battle. User-driven playlists are bucketed with on-demand music services, while server-driven playlists are equaled to broadcasts, thereby causing different licensing mechanisms to take place. Yahoo! inherited the legal wrangle when it purchased a music startup Launch, which built a music recommendation feature. The court decision determined that recommendation algorithms that rely on usage data to build playlists server-side are still eligible for broadcast license, thereby substantially lowering the costs of operating a music recommendation site."
Pandora: there is some user interaction to shape the channel with seeds for artist and/or songs to play similar to or avoid.
Donald 'Duck' Dunn: We had a band powerful enough to turn goat piss into gasoline.
What's the difference between me choosing what music I listen to and a radio station doing the same? Both is music, both plays equally long (provided we pick music that covers the same amount of time), then why is "my" selection more expensive than one someone else put together?
Could it be that I can't be showered with current "hits" when I choose my music? Heaven forbid that people actually choose the music they want to hear!
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
When reading these types of thread about the record business special interest group finding ways to bend the law, I find something very depressing about the fact that those who are supposed to be in charge of the 'stewardship' of copyrights seem to be doing everything in their power to make sure that a lot of the music they own doesn't ever get exposed, and since nobody will ever know about it, that it'll never sell. But actually, there are a lot of music lovers out there donating their time to upload torrents of many obscure records which haven't been in print for a great many years, and most likely will never be made available commercially again... and in the same fashion there are also any who contribute to projects such as Pandora and Last.fm
So against all odds, and no matter the Kafka-esque hurdles these people are trying to put up at every possible moment, it is still comforting to know that despite their best efforts to muzzle non-top 40 music, a lot of it will survive because there are many others out there who care about it quite deeply, not for money, but out of LOVE, and because it is part of our cultural heritage.
And in some way it is comforting to think that after putting out so much negative energy, bad vibes, and consistently having so few innovative ideas or vision on what is really needed in today's marketplace to make artists sell some records, (besides suing the pants out of everyone they can) the very people responsible for lobbying for all of this arguably short-sighted legislation are going to get what's coming to them, i.e.: the opportunity to re-tool and learn a new trade very soon.
It's kind of futile to argue against a tidal wave; it's what this particular situation reminds me of.
In the meantime, and until this takes place, there is no question that if I had a Net radio show or anything of that sort, I'd make sure that the servers streaming it are hosted somewhere which cannot be impacted by any such legislative measures.
Z.