Twenty Five Years of Tron
the_quiet_angeleno writes "I have an article in today's Summer Film Preview issue of Los Angeles CityBeat on Disney's sci-fi classic Tron, which is celebrating it's 25th anniversary this year. The piece includes a discussion with Richard Taylor, one of Tron's visual effects supervisors on the film's groundbreaking effects, as well as director Steven Lisberger, on how the narrative incorporates the Jungian concept of individuation. Here's a sample: 'Visual Effects Society member Gene Kozicki, of the L.A.-based visual effects house Rhythm & Hues, believes Tron's legacy was in moving computer-generated visuals into the realm of storytelling. "Research into this type of imagery had been going on for over 15 years, but it was more scientific in nature," Kozicki says, "Once artists began to share their ideas and treat the computer as a tool, it moved away from strict research and towards an art form."
That move changed my life! Up until then I wanted to be a stormtrooper. After seeing Tron I wanted to be a light cycle driver. I ended up being a shift manager at a flour mill. Wee. NoonooNOO noonooNOOnooNOO-nooo...
Tron's legacy was in moving computer-generated visuals into the realm of storytelling.
Sadly, there was not a lot of compelling storytelling in that movie. The script was pretty bad, as was much of the acting (my opinion of course)
Tron opened against ET, and it bombed at the box office. Some people say that Tron's failure at the box office set back CG animation by 10 years. Most studios back then saw the technology as expensive and not worth the investment. Only after CG got it's feet wet in commercials and broadcast in the 80's did the movie studios embrace it again.
Tron's special effects have influenced in more than just movies. Just take a look at case mods and riced out cars sporting neon to see just how much people liked Tron.
Bobo Mahoney
As for which is the dumber movie about computers, I'd say it's a toss-up between Tron and The Matrix. At least Tron had attractive special effects and wasn't so goddamned pretentious.
I piss off bigots.
So many here say so, but I cannot see their point, as well as how anyone can compare it with anything else at the time; what has Star Wars to do with it, at all?
As many, I was there and it was clearly groundbreaking. I distinctly remember that I had not been moved by imagery like that since I was little and saw my first Harryhausen or later 2001. Not from the script, which was Disney, but the imagery and immense scale, especially the light cycle race and the tank chase.
Sitting in a theater on opening weekend, huge screen and high quality audio, its few minutes of CGI and music, it was clearly a demonstration of things to come.