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The 10 "Inconvienient Truths" of File Sharing
54mc writes "The IFPI, an international recording industry organization, has released a list of Ten "Inconvenient Truths" of file sharing. Though the group has a vested interest, it's still an interesting read as it tears apart some of the most common arguments in favor of file sharing. Ars Technica follows up with a more thorough explanation of some of the points. 'Point five is an attempt to turn the "innovation" argument on its head. For years, pundits outside the music industry have accused labels of pandering to teens through boy bands and "manufactured" celebrities instead of being concerned with finding, producing, and releasing art. The IFPI suggests that the labels could (and would) be doing exactly that if file-swapping went away. And then there's point seven, which isn't an "inconvenient truth" at all but more of a rant against those who prefer giving copyright holders less than absolute control over reproduction rights. An "anti-copyright movement" does exist, but most of the critical voices in the debate recognize the value of copyright--and actually produce copyrighted works themselves (Lawrence Lessig, etc.).'"
(IANAL)
it is entirely possible that my actions are unfairly hurting the recording and/or motion picture industry. and i couldnt care less.
It would actually be nice to see actual numbers of sales and correlation between Newer and unknown bands becoming popular due to file sharing. The people actually cursing copyright infringements are usually those who are already millionaires. The rest know they had become famous because of it, and they can rely on concert sales (the real skill) for income.
I'm not for ALL filesharing for music, but rather using it for recognition and buying albums to support their cause.
"Please, shut up. Just when I think you can't say anything more stupid, you speak again." -Archie Bunker.
first issue is that "file sharing" is not automatically the illegal sharing of copyright violated files. More credibility may be had if one uses "copyright violation" or "illegal file sharing" ... as I sit here torrenting a blizzard game patch and torrenting some linux packages I note that driving a car does not equal "hit and run". But then murk and word-fogging seem to be standard ops for people who equate copyright violation (civil) with piracy (mayhem, murder, etc).
11. Bands don't make real money from record sales, record companies make real money from record sales. Bands make real money from touring.
No folly is more costly than the folly of intolerant idealism. - Winston Churchill
1) PirateBay has ads. So what? So does Slashdot.
2) Previous Russian law allowed AllOfMP3. It no longer does. So?
3) Copying a CD from my friend doesn't (yet) count as terrorism, guys.
4) Very few people care about the label behind their music, pirated or not.
5) So the labels can't afford small artists - Good thing they don't actually need labels anymore!
6) That would break the law. File suit, if you actually believe such BS.
7) Boo-hoo, I don't generate tax revenue. Hear the violins?
8) "Bought Pirate Products" - Change the subject, much?
9) The law already disallows piracy. Most people just don't care.
10) I've discovered over half of the artists currently on my playlist via questionably-legal means.
They left one out:
11) So all that justifies:
a) A legal vendetta against a disabled single mom, children, dead people, etc.
b) Treating out customers like criminals
c) Trying to extort money from and/or destroy any channel the industry does not
control (like Internet radio).
d) Bribing lawmakers to extend copyrights ad infinitum.
e) Attempting to eliminate the legal concept of 'fair use'.
[Insert pithy quote here]
... the list was actually 20 long, but they condensed. Here's the rest:
...
11. Illegal filesharing puts puppies in blenders.
12. Illegal filesharing makes the baby jeebus cry.
13. Illegal filesharing leads to people removing the tags from their mattres.
14. Illegal filesharing causes male-pattern baldness.
15. Illegal fileshreing can make you teh ghay.
16. Illegal filesharing can make you teh straight.
17. Illegal filesharing killed Chuck Norris.
18. Illegal filesahring fills the tubes.
19. Illegal filesharing caused Pangea to split.
20. Illegal filesharing makes international trade groups release incredibly stupid 'top ten' bullshit like this, only cementing people's desire to fileshare further.
Seriously. Fuck these people and their little top ten list
9. Most people know it is wrong to file-share copyright infringing material but won't stop till the law makes them.
Copyright infringment may be illegal, but "illegal" is not the same thing as "wrong."
"We have nothing in common, your attitude annoys me, and your political views are appalling."
1. It encourages the distribution of art. That is what music is -- art. It isn't a product that can be bought, marketed, packaged and sold (though some people would love to believe so). The band, well maybe they could be a product, but the music itself can never be.
2. It encourages innovation. While it might sound less than ideal from a public relations standpoint, file sharing encourages programmers and problem solvers to think of more interesting and innovative methods to circumvent the measures put in place, and it furthers the study of peer-to-peer technology. You went from Napster, to Kazaa, to bitTorrent, with massive leaps at each step.
3. It opens music to a much wider audience. Let's face it, most stores will never carry certain artists and one wants to know that they like the artist before they shell out the cash for a CD from Amazon or eBay. And lets face it, the radio stations will seldom, if ever, play bands like Screeching Weasel, Cara Dillon, Celtae, R.A.M.B.O., or even some fo the more popular people like Jann Arden or Sinead O'Conner and Sarah Brightman. In fact, case in point: Rage Against the Machine. I called a local radio station when they said, "ok, the lines are open, tell us what you want to hear, because this is a radio station powered by YOU!". I called and requested RATM, what did they say? "Oh, sorry, that is too hard for our listeners. I just said okay, and turned off the radio. Barely ever play it anymore.
4. It helps gain artist recognition and exposure. Had file sharing come along, how many of you might know who BoA or Ayumi Hamazaki are?
5.It forces artists to be more creative, and less like the Back Street Boys and Spice Girls. If everyone of the bands sound the same, it forces more people to look elsewhere for the music that fits their tastes.
6. It breaks the copyright holder's regime. I'm sorry, this is going to piss off a lot of individuals around here, since a lot of people pay lip service to the "benefiot" of copyright, but the system is fundamentally flawed. Ever since the Bono-act, the fact that you could "extend" an artificial monopoly is just plain WRONG.
7. It also helps bring artists that would have no exposure form the record labels to break into the mainstream (or at least get a few more listeners and feedback).
8. It exposes people to more than the drivel that comes off the radio today. I like to equate most music on the radio and that is being produced by the big labels as "dime store fiction". In other words, a waste of plastic. Now there is some music (in every genre) that isn't produced by the big name labels that is VERY good. This allows people not "in the know" about the "scene" to become exposed to it.
9. For the love of all that is HOLY, file sharing does not only mean music. Lots of stuff (that is public domain or otherwise free) is distributed via filesharing. Not to mention the amount of pr0n.
10. ??? & Profit! (sorry, I couldn't resist)
That's the thing, though, isn't it? That the SERVICE THEY ARE PROVIDING isn't very valuable. It's crippled by DRM, it has even gone so far as to prevent people from creating guitar tabs by ear and sharing them. Such service might be worth *something* monetarily, but far less than consumers are being charged. It is not that they are providing garbage per se, more that the *manner* in which they are providing music/film/etc. is unsuitable for many people.
I like basketball!!1!
For the "questions", RTFA.
... 1990? Earlier? Don't remember, look it up), this is certainly the reason why you refuse to support new artists and instead go for castbands. Anyone who believes that might want to take up my offer of a nice bridge with a perfect view on L.A.
1. Besides the obvious "so?" answer, they, too, gotta pay their ISPs. Given the traffic they got, that bill could be a tad bit more than the average person can earn with honest work (for the IFPI, this is usually less than 3000 bucks a month).
2. AOMP3 has a license from the Russian equivalent. Care to tell me why globalisation is only good if it works for the company and against the customer?
3. I don't respond to arguments based on terrorism or child porn. They get old and are usually based on thin air. Like in this case. Care to show me ANY kind of proof (or at least a forged statistic) where Ozzy has been buying his AKs with money he got from selling bootlegs?
4. A quite blatant generalisation. Fact: It's often impossible to get a "honest" version of some out of print indie song. Many would buy it, if they could. Though, if you take a look through the various "old school" musicians who took their time to build up a support base, you'll see that their CDs sell quite well, often despite (or maybe because?) they refuse to use DRM or other crippling means, despite their fans being able to get the material easily through P2P means. Yet still, they buy the song because they want to show the artist their support. Check album sales for reference.
I can understand, though, that it's hard to sell some overhyped crap of a noname that you'll drop the next month.
5. Yes, and since the internet has been your bane since the New Kids on the Block (that was in
6. Car ads praise the maneuverability and speed of their cars, are they now liable for bank robberies and their cars being used for getaways? Phone services offer pre-paid phones where you don't have to go through the hassle of filling out forms, are they now liable for those phones being used in kidnapping calls? And don't make me start about guns.
7. The copyright world doesn't either. It outsources jobs to sweatshops and siphons money off our youth. With the difference, that they DO know how the commercial world runs. Unfortunately, though, they know little about art.
8. No, it usually is caused by people not wanting getting their computer infested with spyware or other unwanted "goodies", or that the content simply doesn't work on their system because the industry fails to conform with a standard, and so they have to resort to other means to get to use what they bought. Not buying because one is not able to afford the content is rarely if ever a reason. Maybe ignoring students.
9. Most people realized that it's near impossible to navigate the copyright laws and that they're guilty of breaking a law anyway if they don't live like a hermit. So many thought, why bother trying? More laws will only make this effect worse.
10. Actually P2P software is a tool. I use it to get (and spread) new versions of Linux. MMORPGs spread their updates through them. Others find music in it, decide that it's good and go buy the CD. And of course there are those that don't discriminate and download simply everything there is, hunting and gathering is a strong impulse in the human. Generally, though, P2P tools are simply that, a tool. You can use it for good, you can use it for bad, it depends on the person using it. Like the cars, the phones or the guns.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Anything referred to as "an inconvenient truth" automatically sets my BS meter going. This list of "truths" is pure PR bullcrap.
1. Pirate Bay, one of the flagships of the anti-copyright movement, makes thousands of euros from advertising on its site, while maintaining its anti-establishment "free music" rhetoric. This is the same industry who argues that listening to the radio is free, but makes millions if not billions of dollars on radio advertising. They run commercials in my market talking about how radio is and should continue to be free, and to please patronize the businesses being advertised, because YOU WOULDN'T WANT US TO START CHARGING YOU NOW, WOULD YOU??
2. AllOfMP3.com, the well-known Russian web site, has not been licensed by a single IFPI member, has been disowned by right holder groups worldwide and is facing criminal proceedings in Russia. Er ... so? What's that got to do with the price of eggs?
3. Organized criminal gangs and even terrorist groups use the sale of counterfeit CDs to raise revenue and launder money. This one's really pathetic. Playing the terrorism card? That's just the bullshit cherry on the bullshit sundae. The point's been made already but it bears repeating: what does the sale of bootleg CDs have to do with file sharing on the internet? Furthermore, SOME TERRORISTS have used BANKS to launder their money. Guess we should all get rid of our savings and checking accounts, cause *gasp* we might be supporting terrorism!!! This kind of argument has no credibility because the whole "ohnoes terrorism!" argument has been overused so much that it no longer has any weight .. not even when it should be considered seriously.
4. Illegal file-sharers don't care whether the copyright-infringing work they distribute is from a major or independent label. Loaded language much? This list is replete with very badly biased language. Let me rephrase it: 4. People who share music digitally don't care what labels the songs they trade are. And all that is is a boo-hoo for the record industry. No, we don't particularly care about labels. We care about music. DEAL WITH IT.
5. Reduced revenues for record companies mean less money available to take a risk on "underground" artists and more inclination to invest in "bankers" like American Idol stars. HAHAHA! Ohh, so THAT'S what they did with all the obscene profits they made from the illegal overpricing of CDs all those years. They invested them in REAL TALENT! OMG where do I sign up to let them gouge me some more?
6. ISPs often advertise music as a benefit of signing up to their service, but facilitate the illegal swapping on copyright infringing music on a grand scale. Again, spin city supreme. ISP often advertise music as a benefit, and then let their users use them as they see fit. I fail to see how this is an argument against me wanting to share digital music with my friends and family. Try again.
7. The anti-copyright movement does not create jobs, exports, tax revenues and economic growth-it largely consists of people pontificating on a commercial world about which they know little. Very few political movements create jobs, exports, tax revenues or economic growth. They exist to fight to enact change in laws or government. "Pontificating". "about which they know little". This is an ad hominem attack on people they disagree with, nothing more.
8. Piracy is not caused by poverty. Professor Zhang of Nanjing University found the Chinese citizens who bought pirate products were mainly middle- or higher-income earners. Err, real piracy is caused by criminals who attack ships at sea, pillage, rape and murder victims (or sell them on the slave market), and this is a product of pure criminal greed and amorality. What, you meant file sharing? Oh, well yes, this is correct. People do not share music because they can't AFFORD it. They do it because it is FAIR USE and, if they're doing it on p
It's not a lie. It's the truth with lossy compression.
Pay a fixed rate per month. I'm not sure how much this should be, but not a huge amount. Have iTunes (or whatever) record a play count of each track each month. At the end of the month, the money should be divided amongst that artists I listen to (assuming any are still alive), with a percentage determined according to the play count. If I don't upload a play count, then it should be distributed amongst the most popular artists of the month (for the privacy nuts), or according to my history (if I have one). In exchange for this, I want to be allowed to listen to any music that has been created.
This system would reward artists who create pieces which I want to listen to again and again. People who release an album that people buy, listen to once, and then decided they didn't like would get hardly any money. People who make music that finds its way into a lot of peoples default playlists would make more. I would be able to copy music that I liked to my friends, and if they listened to it then it would benefit the artists.
I am TheRaven on Soylent News
Interesting point. However, what your point lacks is quantity/quality. If it's worth money, how much is it worth? Pirating isn't being done by the masses to give the F-You to the record company and "the man" just because they are a big company, but because they do not believe the product/service they supply is not worth the value they're presenting it at.
Simply put, if pirates could buy brand a new movie on a standard DL-DVD without a box (toss it in a paper slip) for $4-$5, pirates would probably buy it oppose to copying. However, $15-$25 for a new DVD film is not worth it for most people. They probably already paid $10 to see it in the theater or can pay $2-4 to rent it and watch it as many times as they want in the week they have it.
A long time ago, I mentioned this 'dream' of mine. Big box retails (Wal-Mart, Best Buy, etc) getting a high quality DVD burning machine. You walk up to the counter, ask the person for the film you want, they'll punch in the movie id into their computer and the machine plops out a fresh high-quality burned DVD with sticker art. The clerk tosses the DVD into a paper slip and charges you $4. Maybe you rested a DVD case, and he charges you an extra $2 and prints out the DVD case insert, pulls a plastic DVD case off the shelf and inserts the slip art.
The consumer walks out the door with a $6 DVD, the store doesn't need to bother about inventory space, besides the machine and computer containing the DVD image catalog. Movie houses don't need to spend the time and money running DVD making machines, paying truckers and shippers to drop it off at distribution centers, etc. All they do, is download it into their customers DVD Making machine computers on release day. They can even setup a distribution network (hello bit-torrent), so they only have to upload it into the central Big Box Store system and Big Box Store can be responsible for the band-width for uploading it into all it's stores.
The cost is still more than DIYers but low enough to entice those who might pirate to just buy instead. They don't have to go out and buy a stack of DVD media. They probably get better quality DVD since they're not compressing the image, or removing audio tracks to fit onto a non DL-DVD. They also get a nice fancy art-work sticker, instead of just scrawling the name on with a sharpie marker.
The only way to fight the pirates is to offer the service at the value that it's worth. I think that, in general, people feel the cost of watching a movie isn't what it use to be in a world where entertainment is at your finger tips anywhere you go, from portable video game players, to cell phones, to the internet.
Movie theaters are not the only place one can go to 'escape' reality, anymore. Since the prices continue to climb along with entertainment competition, it's only natural to see demand drop off. It goes for saying that I often won't see a film in the theater anymore (unless it's a blockbuster or I'm a fan) and even then, I make every effort to go the the cheaper matinée. It's now 'wait until DVD' because I can rent it for $1-3. The same philosophy probably goes to those who use to buy DVD's for their collection. However odd it is, that such a crime is fairly socially acceptable.
Cheers,
Fozzy
"The past was erased, the erasure was forgotten, the lie became truth." ~1984 George Orwell