Paul McCartney On Music In the Digital World

Rachhpal writes "Former Beatle Sir Paul McCartney will release his new album today — it's called 'Memory Almost Full.' In an interview with the L.A. Times, he talked about ending his long-time relationship with EMI and making the new album fully downloadable through his new relationship with Starbucks' Hear Music label. Some of his comments on the music industry: 'I was bored with the old record company's jaded view,' McCartney says... 'They're very confused, and they will admit it themselves: that this is a new world, and they're a little bit at a loss as to what to do. So they've got millions of dollars and X budget... for them to come up with boring ways — because they've been at it for so long — to what they call "market" it. And I find that all a bit disturbing.'"

Comments

Stop posting links to password-ridden sites

[pipatron]

Please, no matter how interesting some piece of news is, unless it's posted on a site that everyone can access, don't link to it. It just annoys the hell out of most people, and gives the website in question undeserved registrations. If they don't want to show the information to everyone equally, I'm not interested.

Re:Stop posting links to password-ridden sites

[owlnation]

Please, no matter how interesting some piece of news is, unless it's posted on a site that everyone can access, don't link to it. It just annoys the hell out of most people, and gives the website in question undeserved registrations. If they don't want to show the information to everyone equally, I'm not interested.

I wholly second this motion.

Oh the irony! While we are talking about one industry where the deadness goes up to eleven, this article is posted on the site of another industry that is beginning to pine for the fjords.

This log-in business for newspaper sites is an example of how they do not understand their new customers, nor how their business has changed. If you listen really closely when you are on the LA Times site you can hear the slow heavy footfalls of the grim reaper approaching.

Anyway, I vote we change the expression "deader than vaudeville" to "deader than the RIAA". You must, surely, realize your business is in trouble when an wholly unrelated one like Starbucks is wiping the floor with your tried and tested artists. Especially since Starbucks is also a big corporation and likely just as bureaucratic as any RIAA dinosaur, I woud guess the business processes to launch a new idea in Starbucks is comparable to that in any record company.

Re:Bug Me Not

[elfin_spectre]

Proxy at work has classified that BugMeNot as "Criminal". I'm expecting the Internet Police any moment now...

If I had 800 million in the bank

[Timesprout]

And the freedom to do as I please I would find lots of things boring and disturbing as well. Its funny how those who are no longer dependent upon anyone after reaping the rewards of the current systems are the ones telling us all how things should be.

Available on emusic

[Anonymous Coward]

This album is available DRM-free from emusic (I know, I was shocked too!)

http://www.emusic.com/album/11044/11044254.html

Well, I think its a start...

[janrinok]

Sir Paul has come in for a bit of criticism in this thread so far, but I think the fact that he is saying what he is, is actually a good thing. The music industry will not listen to most musicians but perhaps they _will_ listen to him. It matters not whether you like his music, whether you think he is past it and irrelevant to today's music scene, or whatever. He is actually saying what many of us have been saying for a long time. The way music and musicians are managed today is out-of-date. The public has changed, the medium has changed, and now the industry must change. Is that such a bad thing, no matter who says it?

At least copy and paste the texts!

[antdude]

I don't mind the logins as long as BugMeNot has accounts for me to use. Anyways, I am surprised no one copied and pasted the article. Here it is:

Paul McCartney is a man on the run
He has a new album, a new record label, new living arrangements and even a new plan about putting the Beatles' music catalog online this year.
By Kim Murphy, Times Staff Writer
June 3, 2007

What's in a name?
What's in a name?
click to enlarge
Winchelsea, England -- HE noticed it when his cellphone, stuffed with too many text messages, voicemails and phone numbers, started flashing at him: "Memory almost full." It was remarkably like his own brain, weighted down with half-written songs, daughter Bea's schedule, the lyrics to old Beatles B-sides, the blurring faces of long-buried loves and friends.

Delete? Re-record? Which parts go, and which -- the carpets of bluebells outside Liverpool in spring, sitting on twin beds in a hotel room with John Lennon writing "She Loves You" -- stay locked in the hard drive of time?

"Your memory is always almost full these days. There's so much going on, so I thought it was a poetic way to sum up modern life. Just overload, information overload," Paul McCartney says of his 21st solo album, "Memory Almost Full," which explores the persistence of memory, preparing for the settling of scores and a life too full to hold it all.

"It's been pointed out to me that since the album is heavy on retrospective stuff, there's a sort of finality about it. 'Memory almost full,' any second now it will be full, and, 'Goodbye cruel world.' It's not what I meant about it at all, but I can see that meaning, and I like, you know, people to have different interpretations. "Abbey Road" to us was a crossing outside the studio. I'm sure to some people, it meant Monastery Lane, and we liked that sort of quasi-religious feel of it too."

The album (out Tuesday) marks the 64-year-old McCartney's plunge into another kind of digital age. Ending his relationship with Capitol Records/EMI that began in 1962, McCartney has hooked up with Starbucks' new Hear Music Label and unlocks the new album (along with the rest of his solo catalog) for online downloads. McCartney also says the Beatles catalog is on deck for online release near the end of the year, although EMI has not announced a date.

The video for "Dance Tonight," the party-tune, mandolin-laced foot-tapper that opens the record, made its world premiere on YouTube, in a bid to charm a third generation with the kind of winsome songs their grandmother should know.

"I was bored with the old record company's jaded view," McCartney says, plopped on a sofa in the large, comfortable farmhouse that doubles as a rehearsal studio here in the rolling, tree-studded hills of rural East Sussex. Outside, there is an old windmill, and in the near distance, the hazy blue carpet of the English Channel.

"They're very confused, and they will admit it themselves: that this is a new world, and they're a little bit at a loss as to what to do. So they've got millions of dollars and X budget ... for them to come up with boring ways -- because they've been at it for so long -- to what they call 'market' it. And I find that all a bit disturbing.

"I write it, I play it, I record it, and that's all fun. And you go to the record company, and it gets very boring. You sit around in rooms with people, and you're almost falling asleep" -- he rolls his head down midchest --"and they're almost falling asleep.

"My record producer [David Kahne] said the major record labels these days are like dinosaurs sitting around discussing the asteroid. They know it's going to hit. They don't know when, they don't know where it's coming from. But it's sort of hit already. With iTunes, and all of that."

McCartney heard that Starbucks' content development guy, Alan Mintz, loved his music; better, he was a bass player. They arranged to meet in New York, along with Howard Schultz, the chief executive who turned Starbucks from