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Belgian ISP Forced To Block P2P Traffic
An anonymous reader lets us know of developments in a case in Belgium that has been under litigation since 2004. The Belgian copyright watchdog SABAM has forced an ISP to begin filtering P2P traffic (PDF). According to the PDF on the SABAM site: "The Belgian Society of Authors, Composers and Publishers (SABAM) has just won an important legal battle within the context of the dispute that opposes it to the Internet Service Provider (ISP) Tiscali, which has become Scarlet Extended Ltd. In its sentence of June 29, 2007, the Court of First Instance of Brussels is demanding from the access provider that it adopts one of the technical measures put forward by the expert in order to prevent Internet users from illegally downloading SABAM's musical repertoire via P2P software." The rumor is that Scarlet will be forced to deploy the same software as MySpace uses (Audible Magic) to filter illegal P2P traffic from the legal.
For Relakks.com to start marketing their services to these ISP customers.
FYI, here's what Relakks does:
"- You'll exchange the IP-number you get from your ISP to an anonymous IP-number .
- You get a safe/encrypted connection between your computer and the Internet. "
How could the ISP filter or block VPN traffic without annoying the rest of the professionals who rely on corporate VPN access?
Artificial intelligence is no match for natural stupidity
Instead of re-writing every protocol to look like IPSEC, couldn't we add a layer to the network stack between the transport layer and the IP layer to encrypt the IP payload? Then we wouldn't have to re-write all our old apps, wouldn't need to implement encryption in every app, and wouldn't need to try to hide the port numbers. If only there were such an IP-layer SECurity service...
The deep packet inspection boxes that ISPs buy can thoroughly block encrypted Bittorrent traffic because it examines the "pattern" of connections (BIttorrent's are unique), not the actual content.
I am disappointed by SABAM but not surprised. I live in Brussels and we run a small bar that plays live music. It is typical European - i.e. a small venue. We pay SABAM licensing fees for playing general recorded music and for concerts we host. (And a separate fee for our shop next door's right to play music). Now we could only fit a maximum of 50 people in and yet we still pay the same fees clubs fitting in hundreds would.
When bands come and play their own original music, we have to pay a fee to SABAM for this right...
What upsets me the most is that as far as we know NONE of the bands who fall into that category have received one Euro cent of royalties from SABAM.
I (and many others here) are not impressed with this company. Their business seems more akin to racketeering than ensuring royalties are correctly rewarded to the artists who created the works.