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Leonard Nimoy to Play Spock in Next Star Trek Movie
mcgrew writes "The AP is reporting that Leonard Nimoy will 'don his famous pointy ears again' in the next Star Trek movie, due out Christmas of next year. From the article: 'He greeted the crowd with a Vulcan salute. Nimoy was joined by the newly named young Spock, "Heroes" star Zachary Quinto [Sylar], who bears an uncanny resemblance to Nimoy. Both Spocks were introduced by the film's director and co-producer, J.J. Abrams.'"
In my heart, I hope this movie doesn't suck...
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Just because something is "successful" doesn't mean it's good.
And sometimes, just sometimes, something can be successful BECAUSE it's good.
I wish it wasn't cool to be a curmudgeon.
Shinma
If young Kirk/Spock and old Kirk/Spock are in it, this movie will either be about flashbacks or time travel.
AND, we all know which is more likely...
Depends. If you think that Darmok and/or Inner Light were great Star Trek episodes, then yes. Berman is to be held responsible (Especially for such atrocities as, "I can remember being in the womb. Really!") If you think that Picard was a wuss and wasn't fit to command, then you're just an elitist Original Series snob. :-P
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The problem became evident when it was clear that he had nothing beyond what he had done for ST:NG, so just kept going down the same road, endlessly repeating the plot lines with ever-decreasing effectiveness. It was tolerable during the ST:DS9, mainly because the writing was reasonably good and the characters sufficiently interesting to hold our attention.
Both the late-TNG and DS9 have heavy influence from Ronald D. Moore (who now does Battlestar Galactica). Berman and Moore had a falling out during the first season of Voyager. The fact that Star Trek went steeply downhill just then can't be a coincidence.
Personally, I think Moore's gritty style makes for good stories, but ones that aren't necessarily appropriate for the utopian vision of Star Trek. This is particularly evident in DS9's Dominion War arc, with episodes like The Siege of AR-558. OTOH, the same style works really well for BSG.
Not a typewriter
I didn't see it either. Although there's another guy on Heroes I thought looked like a Romulan. And then there was another one who looked an awful lot like Sulu. Then I realized ... he WAS Sulu. And his license plate said NCC-1701. Gotta love a show made by Trekkies.
There's a high probability that the movie will start somewhere in the middle, like most of the episodes of ALIAS and MI:III. A "cliffhanger" beginning...or something like that. Personally, I'm a little interested to see the monster film that Abrams is cooking up (trailer was just before Transformers...and the movie doesn't have a real name yet.)
Surely you are not saying this is a good thing?
Firefly with Whedon is the closest thing to a spiritual heir to TOS that I've seen.
Why, yes, I AM a Pagan Libertarian.
You don't want to cast too much or physical resemblance. You want to cast for the ability to carry the role off. The job of the director is to tell the story. I he tells the story well, you will believe.
Even if the director isn't up to snuff, a good actor can still get inside your head and switch off the disbelief circuits.
Ewan McGregor didn't a think like a young Alec Guinness, but the young Scotsman did a rather remarkable job of vocally channeling his ghost. Not exactly an impression mind you, but somehow you could hear in his performance an echo of Sir Alec saying things like "You will never find a more wretched hive of scum and villainy."
We've reached a point of diminishing returns in CGI when it comes to adding credibility. It's up to direction and performances now to put a movie over the top. My favorite of the Harry Potter movies is Cuaron's Azkhaban. The big "magic" effect at the end was just a bright light. There was literally nothing they could have put up on the screen that by itself would convince you that Harry was doing awesome magic. But by treating magic with restraint through the movie, the director sold the finale.
If this Quinto guy plays Spock in a way that is recognizably Spock, he'll be Spock.
I wonder though.
At the risk of sounding a bit of a lunatic, something about Nimoy's portrayal of Spock seems Jewish to me. The reticent Vulcan savant trying, not so much to fit in but coexist with the human majority reminded me of the Jewish scholar or physician in gentile society. So I looked up the other actor who played an Vulcan in an utterly credible Spock mold. Mark Lenard was also the son of immigrant Russian Jews. I can even convince myself, if I try, that there is a microscopic echo of Yiddish in Nimoy and Lenard's "Vulcan" accent.
I'm not saying of course a gentile actor can't do it. Kirstie Alley was a credible Vulcan. I thought Tim Rus' Tuvok was one of the best parts of the spotty Voyager series. But it is a curious coincidence that the two actors identified with the most famous Vulcan characters are children of Russian Jews.
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The writers still gave some support to the Federation Utopia in Enterprise, with Cogenitor. They meet an alien species, and instead of charging weapons, they become friends and work together in exploring a nearby star. The episode would have worked without any conflict at all.
Unfortunately, Trip had to do something stupid (why is the dumbest man on the ship also the chief engineer?) and cause a bunch of problems. Throw those bits out and you'll have a wonderful episode that brings back a sense of wonder to space exploration.
Not a typewriter
A Mind Meld would be much more logical...
"If god did not exist, it would be necessary to invent him" --Voltaire
Voyager.
Roddenberry wasn't stupid. He knew that the first season wasn't working. That's why they shook up the second season before finally falling into place with the third season. If you recall, the Borg were introduced in the second season. They were actually part of an overall story-arc (S1:The Neutral Zone & S2:Q-Who?) that was supposed to be completed as the season finale. The only problem was that production ran out of money, so we got the cliposode "Shades of Grey" instead.
:-P
All in all, it was probably a good thing that the Borg assault was delayed. While "Best of Both Worlds" caused a few minor continuity problems with "The Neutral Zone" season 1 finale, it greatly benefited from Michael Piller's temporary departure at the end of Season 3. Knowing that BoBW would be the last episode he would ever pen, Piller created an impossible situation for other writers to get out of. It was partially brought about by his frustration with Star Trek production at the time, but the effect was pronounced. BoBW is still remembered as one of the best cliffhangers of all time.
Of course, the story doesn't end there. During the summer months, Roddenberry managed to patch things up with Piller and brought him back on board. As a result, Piller was forced to find a solution to his own impossible plot! Whoops.
Another thing to keep in mind was that The Next Generation was originally launched on a tight schedule, reusing a lot of the work that had gone into the previous Star Trek: Phase II plans. (Phase II was the unproduced Star Trek show that became the Motion Picture.) As a result, all the characters had personalities that were not their own. Troi sat in for Illia, Riker sat in for Decker, Data sat in for Xon (they killed him in the first few minutes of the movie due to Nimoy signing back on), Crusher sat in for Doctor Chapel and McCoy, and Picard was Captain Pike revived. Worf was thrown in to show the resolution of the Klingon issues, Tasha Yar was a strong female character (originally auditioned for by Sirtis while Crosby auditioned for Troi!), and Wesley was intended to be a reflection of Gene as a child.
It took a bit of time and effort for all the characters to finally fall into place. But such is the way of things when productions are pushed into being on a tight schedule. Gene departed this world during the fifth season of TNG. Which explains why TNG started to run out of momentum in Season 6.
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