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Mac Users' Internet Experience to Retain Same Fonts

thefickler sent in this article that opens, "Mac users will continue to see the Internet as it was intended, thanks to the renewal of a font licensing agreement between Microsoft and Apple. At TypeCon2007 Microsoft and Apple announced they have renewed their font licensing agreement, giving Apple users ongoing use of the latest versions of Microsoft Windows core fonts. Back in 1996 Microsoft started the "Core fonts for the Web" initiative. The idea of this initiative was to create a a standard pack of fonts that would be present on all or most computers, allowing web pages to be displayed consistently on different computers. While the project was terminated in 2002, some of the fonts defined as core fonts for the web have gone on to become known as "web safe fonts," and are therefore widely used by Internet developers."

21 of 282 comments (clear)

  1. Re:You aren't a designer by Anonymous Coward · · Score: 2, Informative

    I hate Arial with a passion, and wish my Mac would substitute Helvetica, since Arial was actually designed as a Helvetica clone that cost less to license.

    Actually, Monotype originally developed Ariel for IBM in the early 80s, except at the time it was known as Sonoran Sans. Sonoran Sans was then repackaged as Ariel for Microsoft in the early 90s.

  2. Re:Why was the project terminated? by l33t.g33k · · Score: 5, Informative

    One reason MS discontinued the initiative, according to this, is because people were frequently abusing the EULA by repackaging the fonts in other programs.

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  3. Re:You aren't a designer by gEvil+(beta) · · Score: 5, Informative

    (aside from the fact that it renders larger at a given point size than other fonts)

    The point size of a font is measured from the top of the highest ascender (think l's, b's, and d's) to the bottom of the lowest descender (p's, q's, and y's). A typeface can be specified to be 14 points, but if it has a small x-height with ridiculously long ascenders and descenders, it will appear tiny. Verdana happens to have a large x-height, so at the same point size it appears larger than other typefaces that have a more "normal" x-height.

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  4. Re:See the difference by Zarel · · Score: 4, Informative

    Here's a little page I whipped up with the different fonts from five different combinations of browser and OS.

    Personally, I've never really been able to tell the difference between one font or another :) Your Windows screenshot has no anti-aliasing. Retake that screenshot with ClearType on, or else that's really unfair to Windows.
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  5. Re:Eww, I wish that license would expire by catwh0re · · Score: 4, Informative
    I find it ironic that Apple are paying MS for Arial.. when Arial was MS trying to make sure they didn't have to pay licensing for Helvetica. Apple license a number of fonts from their originating foundries(where available) instead of making near-duplicates which are considered by those in the industry as the equivalent of piracy.

    A bit of history on why Arial is so awful (in short). It's a font called Grotesque built to the proportions of Helvetica (so that it can be substituted for Helvetica without changing the page length.) As a result it has terrible eveness and is generally avoided by designers not out of design-snobbery, but due to how Arial negatively affects "grey area".

    Microsoft have a history of fucking with typefaces to avoid paying licensing fees. Repeating this act recently with a their new vista font "Segoe" which is almost a carbon-copy of Frutiger. It's subtle differences can only be seen when enlarging the type beyond the 16pt standard test for font similarity. (A test which Segoe failed against Frutiger, flunking it's attempt at registration with the EU trademark office.) Also in Vista the use of Segoe is at 8, 9 and 10 point, figures significantly smaller than the generous 16pt test EU test.

  6. Very funny you guys by suv4x4 · · Score: 3, Informative
    1. Re:Very funny you guys by atrocious+cowpat · · Score: 4, Informative

      You might have also given a link to the slightly less inflammatory titled folluw-up post to "What's Wrong With Apple's Font Rendering", called:

      Font Rendering: Respecting The Pixel Grid
      I've finally determined What's Wrong With Apple's Font Rendering. As it turns out, there actually wasn't anything wrong with Apple's font rendering, per se. Apple simply chose a different font rendering philosophy, as Joel Spolsky explains:...
      (link to article)

      Rather good and concise explanation of the different strategies of font-rendering.

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  7. Re:Huh? by VGPowerlord · · Score: 5, Informative

    Cascading Style Sheet docs recommend specifying multiple fonts for exactly this reason, suggesting that you use one of the generic font family names last as a fallback (serif, sans-serif, cursive, fantasy, or monospace).

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  8. Re:Eww, I wish that license would expire by Anonymous Coward · · Score: 2, Informative

    I love watching slashdotters talk about fonts since it's clear they don't know much.

    It's a font called Grotesque

    Grotesques are an entire class of fonts. It's not a single font. Perhaps you're thinking of Akzidenz Grotesk.

  9. Re:You aren't a designer by jalefkowit · · Score: 4, Informative

    I hate Arial with a passion, and wish my Mac would substitute Helvetica, since Arial was actually designed as a Helvetica clone that cost less to license. Verdana was designed to be legible on low-resolution displays. Displays have higher resolutions now, and font rendering technologies have improved. Verdana has outlived its usefulness. Courier New is just plain ugly. I want my fixed-pitch text rendered in Monaco.

    Good news! You can have the Web this way right now. (At least, you can if you're using Firefox; Safari probably has a similar feature, but I don't use it so I can't guarantee that.)

    1. Go to Firefox preferences panel
    2. Choose "Content" tab
    3. Under "Fonts & Colors", click "Advanced"
    4. Choose the fonts you want to use everywhere: in your case, Helvetica for sans serif faces, and Monaco for proportional
    5. Uncheck the box labeled "Allow sites to choose their own fonts, instead of my selections above"
    6. Click "OK" button

    Now the Web will be rendered in exactly the fonts you specified, and you never have to be offended by the sight of Arial again :-)

  10. Re:Eww, I wish that license would expire by Anonymous Coward · · Score: 1, Informative

    Times New Roman is a standard publishing font. Screenplays are written in that font. Some fonts aren't designed to be attractive just legible.

  11. Monotype Grotesque by tepples · · Score: 3, Informative

    It's a font called Grotesque Grotesques are an entire class of fonts. It's not a single font. Perhaps you're thinking of Akzidenz Grotesk. Wikipedia and its citations say Arial was a stretched version of "Monotype Grotesque" published by Monotype. But Helvetica, Univers, and Arial are considered to have been inspired by Akzidenz Grotesk.
  12. Re:Why was the project terminated? by Anonymous Coward · · Score: 1, Informative

    Well, I'm going to go with "smart business practice".

    Sucks if you're the consumer, but that's not really their problem now, is it?

    Microsoft has always sucked at standards. They still haven't really gotten rid of WINS and NetBIOS in their IP stack.

  13. Re:Will the Linux sellouts be next? by Anonymous Coward · · Score: 1, Informative

    Only if, by "wanting", you mean "isn't exactly the same as Windows", or "when I disable anti-aliasing and use unhinted fonts, the fonts look like they've not been hinted".

    On an LCD display with subpixel rendering enabled, or a high-res CRT with greyscale AA enabled, Linux fonts are usually fine. The font renderers work the exact same way that Mac OS X works, with one exception. FreeType's auto hinter produces a result that's somewhere between Apple's (antialiased, but slightly fuzzy fonts), and Microsoft's (hammer everything strictly onto the pixel grid, even if it destroys the look of the font), and looks fine when used with the common Linux fonts, or with Apple's OS X fonts. It looks absolutely horrible if you use Microsoft's fonts, since they were all designed for monochrome hinted display, with the newer ones being designed for Microsoft's ClearType renderer. They all look hideous on Mac OS X, or on Linux (unless you enable the bytecode hinter, and disable all anti-aliasing, in which case it looks identical to Windows without ClearType).

    The only reason to use Microsoft's fonts is to get a font of a similar style, which has compatible glyph metrics. In which case, you may as well use RedHat's Liberation Fonts.

  14. Liberation fonts... by nigham · · Score: 3, Informative

    Why don't we all install liberation fonts and be done with it?

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    1. Re:Liberation fonts... by Trogre · · Score: 5, Informative

      Because the silly sausages released it under a licence that prohibits any distribution whatsoever.

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  15. Re:You aren't a designer by Mattintosh · · Score: 3, Informative

    Here's the Safari version:

    1. Go to Safari's preferences window
    2. Choose "Appearance" pane
    3. Choose the fonts you want substituted for the "Standard Font" and the "Fixed-Width Font". In your case, Helvetica for Standard and Monaco for Fixed-width
    4. Close the preferences window

    Note that the default font in the "Standard Font" is Times (not TNR!), which is not sans serif. There's no option to choose a sans serif font separately. Presumably, Safari uses the system font (Gill Sans, IIRC) as its sans serif font. Though as I type this, the text in /. appears to be using Helvetica (and I have default font settings). And, yes, I know what to look for to tell the difference between Arial and Helvetica.

  16. Re:You aren't a small handheld device. by Yoozer · · Score: 2, Informative

    But because smartphones usually run in portrait mode (240 x 320 instead of 320 x 240) Verdana is too wide. Windows Mobile 6 has a narrow font (with anti-aliasing) that is very legible. Even then, Tahoma, not Verdana used to be the font of choice in WM5 and before (Windows 2000, XP); the difference is obvious if you compare 'm side by side.

  17. Re:One of Apple's worst decisions by Qbertino · · Score: 2, Informative

    I'm a Webdesigner and I actually like Trebuchet. ... Does that make me a follower of the antichrist?

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  18. Re:What's the point (size)? by gEvil+(beta) · · Score: 3, Informative

    You're correct. In the days of movable type, type was measured based on the size of the entire body which held the character. And a true typographical point is approximately 1/72 of an inch (and also depends on whose system you are using, as there have been a few over the past five or six centuries). 1/72 of an inch was chosen a few decades ago by Adobe when they developed PostScript.

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    This guy's the limit!
  19. Re:A question to the world: by Idaho · · Score: 3, Informative

    Has anyone noticed that when you use a Mac for a while, Windows fonts suddenly feel really pixelated with Cleartype?

    Then if you use a PC for a while, when you come back to a Mac the fonts feel really blury?


    Yes. This article explains exactly why this is the case.

    The "too long; didn't read" summary: Microsoft optimizes font display for on-screen readability, whereas Apple optimizes for getting the same results (page coverage or "grayness %") on screen as you would obtain in print.
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