Wachowski Brothers and the Speed Racer Movie
Steven Weintraub writes "Susan Sarandon talks about the Wachowski Brothers Speed Racer movie and confirms the revolutionary way the brothers are making the film — the entire frame will be in focus like a cartoon."
Focussing on an object draws the people attention to it. It's used as an artistic tool. If everything is in focus, then the public will most likely not even notice (unless they specifically check for this).
I hope they don't spend a lot of money/effort on this "feature", the way they did on the game-quality 3D graphics of the Burly Brawl (ref: Matrix 2).
I'll reserve a judgment until I at least see a trailer of the movie.
the difference is they add the words 'like a cartoon' at the end, instantly making it both revolutionary and really cool.
What if Tetris was invented by Nazis?
How substantive do you think a movie with a girl who flys a helicopter whilst wearing a mini skirt and go-go boots can be? Don't even get me started on the kid and his pet monkey.
Don't you mean "the reason why science exists"?
He's saying they're both the same thing because they both involve multiple still cameras. This, of course, means that the field of special effects has had no innovations whatsoever since the end of the 19th century, when motion pictures were invented. Anyone who thought Birth of a Nation, Citizen Kane, 2001, Star Wars, Blade Runner, The Matrix, et al, were in any way different to anything produced before them clearly was just imagining it because some of the technology they used had something in common with technology that had previously been invented.
You are not alone. This is not normal. None of this is normal.
I'm getting a huge kick out of these heated debates over such a tiny bit of crappy information. Sarandon says she doesn't understand it, then proceeds to give a really crappy description which amounts to "everything is in focus" ... and suddenly the /. readership are experts on the subject (and why it has been done before, and how they'd do it better, and why one of the Wachowski brothers chopping his nuts off makes him a sister, etc etc etc).
Personally I couldn't glean almost anything useful from the article.
Slashdot quality declines as the number of hot grits posts decreases. - Provolt's Law, Apr-09-2005
But that was the problem - the first one was completely fresh and different (for mainstream audiences not into anime and extreme martial arts) - the sequels were obliged to follow broadly the same style, but by the time they came out, bullet time, wire-work Kung-Fu and "extreme" fight scenes had become cliched. Have you noticed how tame the bank lobby shootout scene looks today, compared with the first time you saw it? The long delay (probably not helped by the death of two cast members and the post-9/11 hiatus for any film in which things got blowed up) didn't help.
Its not as if the plot of the sequels was any sillier than the first movie (the whole humans as power sources thing - holy thermodynamics Batman!) just that the first film was such compellingly brilliant eye candy that your brain's services were not required, and we never worried about why someone punching you in VR should give you a fat lip in reality. By "Reloaded" we'd seen it all before (with freeze frame, commentary and white rabbits too, thanks to the original's role in popularizing DVD) and were starting to worry about plot holes.
...plus the first film had the "advantage" that it came out fairly close to Star Wars Episode one, and benefitted from rather favorable comparisons... (NB: I still think that Universal should have gambled and released "Serenity" head-to-head against "Revenge of the Sith" - then they'd have been a story, and people love to root for the little guy).
In a survey of 100 programmers, 111111 thought that duck-typing was a good idea.