Wachowski Brothers and the Speed Racer Movie

Steven Weintraub writes "Susan Sarandon talks about the Wachowski Brothers Speed Racer movie and confirms the revolutionary way the brothers are making the film — the entire frame will be in focus like a cartoon."

Comments

Focus is a tool

[suv4x4]

Focussing on an object draws the people attention to it. It's used as an artistic tool. If everything is in focus, then the public will most likely not even notice (unless they specifically check for this).

I hope they don't spend a lot of money/effort on this "feature", the way they did on the game-quality 3D graphics of the Burly Brawl (ref: Matrix 2).

Re:Focus is a tool

[Anonymous Coward]

Maybe, just maybe they're a bit more imaginative than you.

Re:Focus is a tool

[squiggleslash]

At the same time any average schmuck like me could give them 10 better ways they could've handled the Matrix sequels & V-for-Vendetta than they did.

But perhaps they couldn't. Perhaps what you perceive as a choice between 10 better ways on their part is a choice, but at the same time the choice they made is the only choice they could have made. You choose to think otherwise, but do you really have a choice in thinking you have a choice, did you choose to have a choice, or did you decide anyway?

The Wachowski brothers made the choices they made because they were the only choices they could have made. (Continued ad-nausium until the exciting car chase in the middle of the film. To be continued after car chase.)

Re:Focus is a tool

[ajs]

Read TFA:

They're doing something where they're layering film so that the front and the back are in focus like a cartoon [...] so they actually have to treat the actors in some way so we can hold our own with the background. So first off, it's not what the Slashdot summary says. It's going to have multiple planes of focus, but the entire frame will not be in focus. Think of an old cartoon where you had a foreground plane, an action plane and a background plane. It may look something like that, but of course, the real world has more in it than those three planes, so some things won't be in focus. No camera has an infinite depth of field, but it can be simulated by using multiple images, digitally composited. This is something like a focus bracket, which you can see a good example of in Wikipedia's picture of the day from April 18, 2007 (I just happen to have remembered this because it's where I learned about the technique).

Re:Focus is a tool

[sabernet]

When one is presented a vague idea or goal to accomplish, it always seems easy to those who didn't have to do it.

I can ask dozen different questions, each with a simple answer, but that most people will fumble at. Not because it is difficult to execute the conclusion, but that the conclusion is non-obvious from the offset. Only once it is presented to all the answers, including those to which you would find 'better' become 'obvious'.

Hindsight is 20/20.

Making a graphic novel into a movie sounds easy. The average shmuck(by your own logic, I suppose that would include you), might say "Pffft...The story was already written down and framed, how could they screw THAT up?"

But only once you realize that you have 2 hours of film, a certain budget, actors with certain demands and a market with certain thirsts does the enormity of the task become apparent. How would you convety something that takes 2 hours to -read- into 2 hours of action? And how do you pull it off without boring the snot out of people or resorting to the cheap trick of keeping the silly camera moving too goddamn fast to make out the shortcomings of the choreography(I'm looking at you Transformers and Borne Supremacy).

I happened to like V for Vendetta.

I loved the first Matrix movie, the second one was meh and the third one was crap in my opinion. They shouldn't have been done. But given the massive plot hole-ridden concept the original was based on, I guess they sorta painted themselves in a corner.

But besides all that, I will ask a simple question: how do you make a boiled egg stand straight up on a table without using any materials except the egg and the solid table(no tablecloths, salt, etc...

The solution is simple. But can you think of it?

The answer(in reverse, right to left):

.dnats ot hcihw htiw esab rediw a ti gniwolla kcarc lliw gge eht fo mottob ehT .elbat eht no ti malS

To prove my point, after reading the answer(if you could), the solution becomes far more obvious then it was from the offset.

The big problem is sometimes the average shmuck thinks of himself too highly to probe deeper then a superficial holier then thou, self gratifying way a la Simpsons ComicBookGuy.

Re:Focus is a tool

[rumli]

The answer(in reverse, right to left): .dnats ot hcihw htiw esab rediw a ti gniwolla kcarc lliw gge eht fo mottob ehT .elbat eht no ti malS

I'm dyslexic, you insensitive dolc!

Great...

[Avenel]

Now when the theater projector is slightly out of focus you won't be able to see ANYTHING.

Newfangled Oldfangled?

[Anonymous Coward]

Goodness. That revolutionary way of composing a shot called deep focus http://en.wikipedia.org/wiki/Deep_focus and used as far back as 1922? Pull me up a chair and pour me one of those newfangled qahwat al-bnn all those crazy kids are drinking these days!

Re:Newfangled Oldfangled?

[Eivind]

There's two ways of getting a larger focused area with a single camera and a single lens. Both involve getting less ligth, so both will give higher noise, or force you to film at brigther light.

First, like you say, go farther away and use a tele-lens to pull the foreground to the wanted size. This has the side-effect that, as you say, the background becomes bigger and appears closer to the foreground. (because what matters is the *relative* distance, having the actors 5 meters away and the explosion 50 meters away means the actors are 10 times closer. Having the actors 50 meters away and the explosion 100 meters away means the explosion is only twice as far away, so if you compensate by zooming until the actors are same size on screen, the end-result is a explosion that is visually 5 times larger than in the first case)

Second, use a smaller aperture. With an infinitely small aperture, you get everything in focus, with a small aperture you get a very large focused area.

Hmm

[Shinra]

I'll reserve a judgment until I at least see a trailer of the movie.

Re:Deep Focus?

[Oktober Sunset]

the difference is they add the words 'like a cartoon' at the end, instantly making it both revolutionary and really cool.

Re:Good, another movie I don't need to watch

[heinousjay]

Assuming for a moment I don't like V for Vendetta (a fair assumption, I found it to be awful) they've made three movies since The Matrix. I'm sort of shocked I had to spell that out for you, since you had the list right in your post, but I'm happy to provide such services to the cognitively challenged.

Also, I am smoking Camel Turkish Silver. Don't see the relevance, but I'm happy to answer you.

Pretty light on details

[zero_offset]

I'm getting a huge kick out of these heated debates over such a tiny bit of crappy information. Sarandon says she doesn't understand it, then proceeds to give a really crappy description which amounts to "everything is in focus" ... and suddenly the /. readership are experts on the subject (and why it has been done before, and how they'd do it better, and why one of the Wachowski brothers chopping his nuts off makes him a sister, etc etc etc).

Personally I couldn't glean almost anything useful from the article.

Re:Good, another movie I don't need to watch

[somersault]

"Soon will I rest, yes, forever sleep. Earned it I have. Twilight is upon me, soon night must fall... argh! WTF doing in my bed you are?!!! Out you get!!"

Re:Good, another movie I don't need to watch

[Pxtl]

I disagree. The problem with the sequels is that they didn't even use the same techniques that made the first movies cool - instead of bullet-time morphed cameras, they switched to CG puppetry. The fact is that 3d puppets can't hold up to real people in a fight scene. The car chase scene would've been good had the surrounding movie not ruined it. Look in Hellboy: good fight scene = subway brawl (real actors in costumes) bad fight scenes = everything afterwards (3D puppets). Plus, they completely ditched the bullet-time gunfights in the sequels, which were one of the neatest parts.

Reloaded was bad because it was utterly bereft of a plot. It was like a bad japanese RPG - they kept going to the Oracle to get quests.

The "Revolutionary New Camera"

[DJCacophony]

The camera in question is oakley's spinoff camera brand, Red Digital Camera.