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Record Company Collusion a Defense to RIAA Case?
NewYorkCountryLawyer writes "Is collusion by the record companies a defense to an RIAA case? We're about to find out, because the RIAA has made a motion to strike the affirmative defense of Marie Lindor, who alleged that "the plaintiffs, who are competitors, are a cartel acting collusively in violation of the antitrust laws and of public policy, by tying their copyrights to each other, collusively litigating and settling all cases together, and by entering into an unlawful agreement among themselves to prosecute and to dispose of all cases in accordance with a uniform agreement, and through common lawyers, thus overreaching the bounds and scope of whatever copyrights they might have" in UMG v. Lindor."
Just settle or admit that you are wrong. The RIAA is doing the right thing by protecting their intellectual property. Even though the only record label represented by the RIAA that doesn't try to sell all crap is Warner Bros. (Madonna is the only musician with any talent and by far the best singer ever), it is still wrong to make unauthorized copies. It is like stealing from a thrift store. It is mostly junk (except for Madonna, she is the best!), but it is still wrong. Downloading music without paying *does* cut into the profits of the labels and artists (all of the artists deserve further pay cuts for low quality product except Madonna). If you couldn't obtain it for free, you would pay for it. It is capitalism working without proper regulation such that those who invest time and money (time is money) into a product can't earn a profit. I think there is somewhat of an inelastic demand for music. If you raise the price by cutting out the free stuff, you will still see demand.
Anonymous Coward Sig 2.0:
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Madonna has the best voice and content creation ability.
Why would a Wookiee, an eight-foot tall Wookiee, want to live on Endor, with a bunch of two-foot tall Ewoks? That does not make sense! But more important, you have to ask yourself: What does this have to do with this case? Nothing. Ladies and gentlemen, it has nothing to do with this case! It does not make sense! Look at me. I'm a lawyer defending a major record company, and I'm talkin' about Chewbacca! Does that make sense? Ladies and gentlemen, I am not making any sense! None of this makes sense! And so you have to remember, when you're in that jury room deliberatin' and conjugatin' the Emancipation Proclamation, [approaches and softens] does it make sense? No! Ladies and gentlemen of this supposed jury, it does not make sense! If Chewbacca lives on Endor, you must acquit! The defense rests.[1]
- Nothing to see hear.
As far as I remember, each of the music piracy lawsuits have been brought by individual record labels, and not the RIAA. It seems that the claim here is that the labels are unfairly colluding under the RIAA umbrella, each pursuing suits in the same manner and using the same attorneys, but at least nominally acting as separate entities.
Perhaps an alternate track(sic) might be to high light the publisher involved in each civil suit as well as the greedy self serving worthless artists whose content is being cited for those civil cases.
Should not an effort be made to pursue those artists to see how they feel about their music being used to terrorise children and bankrupt their parents, I wonder what share do the so called artists get of the uncontested civil suits ;).
Chaos - everything, everywhere, everywhen
While I agree with some of the sentiment expressed in other posts, especially to the effect that this is similar to a trade group, there seems to be one defining aspect in this case, namely the tying together of separate copyrights to pursue litigation.
While on the surface, it might be argued that the RIAA is nothing more than an aforementioned trade group (something that is both legal and desirable in many cases), tying ones copyrights into a collective pool is a bit more of a sticking issue.
The companies represented by the RIAA represent 99% of the major American labels (the only reason I do not say 100% is there may be one or two, but the majority are). Upon tying their copyrights together, they effectively stifle competition. How so?
Well, to use a (likely flawed) analogy, imagine if Microsoft and Apple decided to pool all of their resources and patents and copyrights. Now suppose a third party (for profit) company tried to get into the market. Apple may not have prosecuted initially since they did not have access to the patent/copyright pool, and probably wouldn't see this interloper as a direct competitor to be worried about. MS, however, would. So they open up the full force of the patent/copyright pool of both companies and cherry pick the most grievous ones. The company is financially sunk. This couldn't happen without the help of Apple's patents/copyrights too.
Now, I know patents != copyrights, but in a way, it is very similar. The RIAA has access to every song in every catalogue to every major artist. This allows them, by default, to prosecute across borders. It isn't BMG, Sony, and Dreamworks each launching separate suits, it is one company that can attack with a full frontal assault. Essentially, the power has been centralized, which gives too much power to the RIAA, and makes it impossible to resist against them reliably.
Essentially, while we are dealing with intellectual property (ugh, I hate that term) theft, and some of these people may well be guilty, the spirit of the law that was enacted was meant to deter those from doing this, not to crush the offenders into oblivion. And I think that last point is quite important, and also something that many have lost sight of. The laws were created as a deterrent, and as a method of punishment, much like the stocks were of yore. The laws were NOT created (in this country) as a method to crush the individual offenders into the ground (at least, save execution... and that is another issue altogether).
My 2c
Name...That...Autocomplete!
I somehow doubt the courts see illegal file-sharing as "trade." If they were suing rival record companies for certain reasons, yes, but I don't see that prosecuting copyright cases jointly as a restraint on trade.
I should not talk so much about myself if there were anybody else whom I knew as well. -Henry David Thoreau
If the RIAA labels were actually competing among themselves, then any one of them would be happy to see the others suffer alleged loss of sales. Paying RIAA lawyers to safeguard their alleged competitors' profits is therefore direct anti-competitive collusion, rather than mere pooling of legal costs: they pay shared lawyers to perform actions which they know will support their "competitors".
If real competition between labels existed, then individual labels would reduce their own prices to make official purchases as attractive as file sharing, and they would provide vast band sites to attract the purchaser, and broaden their music spectrum away from the incredibly narrow current crap, and entice fans into buying the physical albums and accessories later for profit, as fans like to do. (Often much later in life, when they have more money.) In a nutshell, they would compete on product.
If you stand back from this whole scene and try to see it through the spectacles of a free market and competition analyst, you'll find none of those elements present in their music marketting. RIAA labels simply do not respond to drop in sales by reducing their prices or raising their quality and music coverage, like indies do.
It's often described as a cartel, but some cartels are relatively shallow and defensive, whereas this one effectively has the entirety of public media in its grasp and the ears/wallets of politicians too, and has a strategy based on offence and intimidation. It is about as malevolant and anti-competitive as you can get without breaking kneecaps. And while they don't break kneecaps, they certainly have no compunction about destroying lives economically, based on legal theories which they lobbied to create.
Their slimy lawyers will probably slither out from under a charge of anti-competitive economic collusion because the legal system is driven by technicalities rather than substance. But the RIAA labels are certainly guilty as sin of it. They lost any concept of competition between them long ago.
"The question of whether machines can think is no more interesting than [] whether submarines can swim" - Dijkstra
I, personally, drink Regal Cola. It's made locally (Australia) and costs about 40% less than Coca Cola. It tastes closer to Coca Cola than it does to Pepsi Cola, and I've found it has a crisp taste that I haven't found in other cola varieties.
If it was found that Regal Cola had similar ingredients to Coca Cola or Pepsi Cola, the law would provide no "protection" to any of these players. As such, I have the choice which product I want to buy. I can choose which I prefer because they are essentially the same. This can't be said for music.
How we know is more important than what we know.