Apple, the RIAA, and Ringtones
pilsner.urquell writes "Apple's interest in defending the rights of the consumer has cost them a lot of grief in the ringtone market. 'John Gruber of the Daring Fireball cites Engadget, which reported that the RIAA wanted to be able to distribute ringtones of its artists without having to pay them big money to do so. It won a decision last year before the Copyright Office saying that ringtones weren't derivative works, meaning they didn't infringe on the copyright of the songwriter.' The piece goes on to explain the tense relationship between Apple content holders regarding ringtones and other pieces of IP, such as in the recent withdrawal of NBC."
Though it doesn't get any less fucked up by this explaination.
source: http://www.newyorker.com/archive/2005/03/07/050307crmu_music
By the way, this is one of the best articles on ringtones, covering the technical advances from monophonic MIDI to compressed audio, and the impact on the aesthetics of ringtones. I teach a class on music technology, and the first assignment is to have students compose and create their own ringtone (not by ripping from a CD, actually creating their own). I use the New Yorker article to get everyone up to speed on how big ringtones are in the world today.