Virgin Digital To Close Up Shop
mrspin writes in to note the demise of the Virgin Digital music store. Here is Virgin's announcement. It will shut down in stages: the service closed its doors to new subscribers on Friday; current subscribers will lose all access to it when their next monthly payment is due or on Oct. 19, whichever comes first. The store advises customers who have purchased downloads to back them up to CD and re-import them as MP3. It used to discourage such DRM-evading tactics.
Well, there's a hole that will need to be filled.
How about they provide non-DRM mp3 downloads so people can dump their collections before their lost, rather than making more lossy copies?
I haven't used Virgin's store, so I'm not familiar with the license that users signed. But isn't it reasonable to expect that Virgin has to provide a more direct method for users that have paid for their downloaded content to obtain a permanent copy of it? "Burn it to CD and rip it back" seems arduous and probably not even feasible for the level of computer literacy they should expect from their clients.
Would such an argument even hold up in court?
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Okay.
... the gigantic building?
So they have this huge stockpile of music, and they're incapable of simply posting it and running a credit-card outsourced solution?
The artists get the 8 cents per sale, right? So the rest pays for
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That is, another proprietary format.
If anyone runs into authorization problems for those songs, especially on the computer where they were originally purchased. "Pay money to buy a song and we may revoke your access at some unspecified, arbitrary short time" is not a valid contract term. Going CD-RW -> MP3 route is not a solution since the company previously claimed that it would be illegal.
This is why software/content as a service is bollocks.
I don't get it. Why can't they just make available a program that strips their DRM from the music files, and let their subscribers download and use said program? This would be much easier than burning and ripping. Plus, you don't lose any more quality than you already have.
eMusic no traction? They are the second largest digital music retailer. The #1 largest DRM-free retailer and probably the only major digital retailer with (recently updated) Linux support. It's a great resource for slightly older music or anything even remotely off the beaten path (my main interest).
Quack, quack.
Most people are not serious enough audio listeners to notice any difference between re-ripped stuff and the originals. You have to remember the equipment most people use to listen to music is not that great either.
"There is more worth loving than we have strength to love." - Brian Jay Stanley
The subscription services do what they do very well for a certain portion of the music listening audience. If you are the type that would pay $15 / month for access to nearly every single song ever recorded and don't give two shits if you 'own' it or not, subscription services work fine. People who pick subscriptions view music the same way they view the Internet. They want it there, they want access to it all the time, and if one day their service goes under they just go out and get another one. Sure, all your music is 'gone'... except for the fact that you can merrily go and redownload anything your cared about in a day or two's time with a new service. If you are the type of music listener that goes through piles of artists each month and like to listen to anything that might catch your fancy, subscription services are a steal.
If on the other hand you are the type who has a narrow focus in music, like just a few artists, listen to the same albums over and over, listen to music rarely, or get your rocks off collecting things, than clearly a subscription plan is not for you. Most of the services that offer music subscription services offer both models for the very reason that while the average human has one testicle and one fully developed breast, the average human is not who you are trying to sell to. It makes perfect sense to sell single songs and albums to the type who get off on that sort of thing, and to sell subscription plans to those who get off on that.
For me personally, the subscription works very well. My interest in music is far too casual to justify researching music before I buy it. My tastes wander too quickly, and they are far too fickle. I don't often listen to musicians more than a few times, and I enjoy the exploration of different genera and artists far more than I enjoy listening to a few tried and trued favorites. For me, a music subscription works wonderfully. I get full access to any song I could want to listen to, and I nothing about downloading something and listening to it because I have already paid a flat rate.
If the only option out there was iTunes style pay-per-download, I probably would not bother buying music at all. I might be the minority, but Rhapsody is getting my buck while iTunes isn't simply because they offer it and iTunes doesn't.
The DRM issue is a whole different can of worms. Access controls on subscription services make sense. Access controls that can be killed for things you pay a buck per pop for is just downright stupid. You are a moron if you pay for DRMed single shot music. The whole point of BUYING the music instead of just subscribing to it is the assurance that your collection will always be there.
Personally, I think you take your chances when you buy DRMed music with the expectation of keeping it forever. iTunes, Virgin, Rhapsody... whoever, if they DRM the music, than they ultimately have control of that music. If you are paying for control of that music, you damn well should make sure you actually have it.