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Why AnywhereCD Failed

An anonymous reader writes "In an obituary for AnywhereCD, which closes in one week, founder (and MP3.com founder) Michael Robertson chronicles how at least one record label wanted him to embed credit card numbers of buyers into songs. A fascinating story about how at least some of the labels still don't get it and why AnywhereCD is about to be buried."

5 of 184 comments (clear)

  1. AnywhereCD ??? by fishybell · · Score: 5, Funny
    I think I can offer a better reason why this company failed:


    Raise your hand if you both a) have heard of AnywhereCD and b) purchased anything from them.

    --
    ><));>
  2. Seemed like a good idea... by bteeter · · Score: 5, Interesting

    I'd never heard of them until today - and I practically live online. They must not have been marketing all that much for me to have not even heard of them.

    In any event, it sounds like AnywhereCD had a pretty decent business idea, except maybe that it should be the CD as the "addon" instead of the downloads.

    I wonder if Apple or any of the other major retailers will ever offer an option like "buy this digital album for $x and for $y more get a CD copy". I don't see why not. CD's are so cheap you could sell them as add ons for say $5 dollars more than the download and make a nice profit. Plus the buyer will have the permanency of the CD.

  3. Re:All about control by Gr8Apes · · Score: 5, Interesting

    And this is where the music industry as it stands fails to see the logical end to their model: If it is more profitable for them to pull out of an aggregating portal site and run their own, then what's to prevent artists from doing the same? Why should artists remain with them in this scenario? Artists could, gasp, make their own deals with iTunes or the like. Odds are that artists will wind up with agents that manage that for them in return for a fee.

    I would not be surprised to see this develop to their logical conclusion where there are distribution sites that offer a range of services to artists to distribute their work but do not "own" the distribution or copyrights to those works. This can only help artists in the long run, although the conversion to that environment will mostly likely have some short-term hiccups as marketing etc is worked out.

    --
    The cesspool just got a check and balance.
  4. Re:All about control by king-manic · · Score: 5, Insightful

    And this is where the music industry as it stands fails to see the logical end to their model: If it is more profitable for them to pull out of an aggregating portal site and run their own, then what's to prevent artists from doing the same? Why should artists remain with them in this scenario? Artists could, gasp, make their own deals with iTunes or the like. Odds are that artists will wind up with agents that manage that for them in return for a fee.

    At the moment the Labels still have control over traditional media. So While you could theoretically make a living via web distribution it still requires people be aware of who you are. Word of mouth can do it but traditional media has the power of hype. Word of mouth is a natural hype. Traditional media brokers in an artificial hype.

    I think it's inevitable that the internet replaces traditional media but it means the death of the super star. We'll go back to more regional artists with few cross region cross overs if there is a lack of a artificial national hype machine like the labels.

    I think that may be a good thing. You don't' need millions to produce good music and may mean that instead of a lottery mentality in artists you'd have more of a real natural industry. Instead of 90% going to the super stars and 10% divided over the desperate numbers of struggling artists you might have a profession where you could actually live off playing music without having to be a superstar or have a second job.

    --
    "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
  5. Thanks for all the feedback by Lindows.com+Michael · · Score: 5, Interesting
    A couple points I might add:

    - Until 9/30 most all of the CDs are $7 which includes a physical CD and 192K MP3 files loaded nicely and permanently into your locker.

    - One poster complained you can't download the MP3 file without installing an application. That's inaccurate. You can download all the tracks individually directly from the locker - no application install required. Just click on the triangle in the flash UI and select "download".

    - We do provide several different applications for your convenience all of which work on Linux as well as the other PC OSes. There's an Album Downloader which will with one click download any new purchases and load into iTunes or your fave media player. There's also Locker Sync 3.0 which will sync your entire music library from locker to PC. So lots of different options.

    - Slashdotters might be interested in our API (see: http://mp3tunes.com/api). My vision is all your music goes into your personal locker and then with a click can be streamed or synced to ANY device in the world. It's a very open view of the world and of your media. We have 100,000 lockers and a great list of devices coming by this holiday season all of which talk directly to a locker. We're even having a contest to spur developers for $10,000 to come up with new music devices/interfaces: See http://mp3tunes.com/contest

    -- MR