YouTube Filtering Is On-Line
ghostcorps writes "After months of promises to IP-holders, the long-awaited filters system for YouTube has gone online. The new system will make it easier, the company claims, for copyrighted clips to be removed. 'YouTube now needs the cooperation of copyright owners for its filtering system to work, because the technology requires copyright holders to provide copies of the video they want to protect so YouTube can compare those digital files to material being uploaded to its website. This means that movie and TV studios will have to provide decades of copyright material if they don't want it to appear on YouTube, or spend even more time scanning the site for violations.'"
I guess that's the sad thing though, it's no longer the people that made this stuff that own the copyrights. It's huge corporations. This goes for sound and video. Do you think any of the big studios care about artist exposure? They don't care about building a fan base, they care about profit margins.
I personally would like to see Google help users approach and push the limits of fair use of sound and video. I think that a lot of artists would be open to their work being displayed in a tasteful manner without the full work being put online. I also think that the usually low quality of YouTube is a good reason to allow this and that if copyright material is found, they should investigate either shortening it or degrading the quality so that viewers get a taste. What's more, putting a link to sales of the item would be basically free advertising.
I feel especially sorry for the people who build movie montages with unpopular songs for I have watched many of them and purchased a DVD & CD from seeing the two. After watching that particular video, I rediscovered the genius of Sergio Leone after a fan posted that video with one of my favorite bands, The Arcade Fire. Sure, it's just anecdotal evidence but I still view that as original art & innovative.
It's truly a shame that copyright holders are throwing away what could be a beautiful & profitable relationship with fans.
My work here is dung.
Presumably they are creating fingerprints from the original material and comparing those against uploads. It would be interesting to know how well this copes with different codecs and frame rate changes.
Or do they wait for the uploads to be flagged as infringing and then do a dumb binary compare to prevent deleted files being uploaded again.
Any sufficiently advanced bug is indistinguishable from a feature.
1. A filter that shifts 70% of pixels one pixel to the left.
2. A filter that munges the rows of pixels around the frame area, distorting the video fingerprint without affecting viewing quality.
3. A filter that randomly inserts the Goatse man for a Fight Club-like single frame.
4. A utility that uploads the clip backwards, and then a browser-player that automatically time-remaps it forward for playback.
5. A watermarking process designed to distort the video fingerprint while remaining invisible to non-AI viewers.
Okay now -- code it.
These stories are free but worth money.
I, for one, welcome our new media-holding overlords.
There's a lot of money to be made with this material, besides searching youtube. Even without releasing it.
find -name "*base*" -exec chown us {} \; ; ln -s
You might have missed out on imeem.com or at least ignored them ever since they changed from being a client/IM based p2p network to being a social media site about 2 years ago. But for the last 6 months they've been using automated content filtering for the music that people are posting to the site. Some of the people who register their content are have deals with imeem which allows the free sharing of their music - labels like Warners, Sony, BMG, Nettwerk, Beggars etc etc, and of course there are a few labels who have their tracks reduced to 30 second samples.
It should be noted that imeem announced all its big deals after turning its system on so presumably the content identification system helped make those media deals possible.
Not just that, but it is going beyond what the DMCA is requiring (by making the takedown request method easier than required).
There are additional implications (as recently reported on /.) which I think will be worsened by this... for instance, a Viacom or an RIAA "clicking" takedown requests on a lot more content (that isnt theirs) now that it is much easier to do so. This is already a growing problem - I predict it will just worsen now that it is even easier for them.
StarTrekPhase2 - The Five Year Mission Continues!