Inside the ESRB Ratings System

Gamasutra has a lengthy piece up today looking at the ins and outs of ESRB ratings. There are a lot of misconceptions about the process, and ESRB president Patricia Vance took some time to set the record straight: "Q: What do raters receive or know about a game before the video arrives? Do raters receive information on the game along with the video? For example, could a publisher send along promotional or explanatory material for the rater? A: Along with the video, the only other information that might be provided to raters is a script or lyric sheet provided by the publisher for the game being evaluated. Capturing language and dialogue on the video submission, particularly in context, can be tricky. So sometimes, instead of having a video with a montage of several instances of foul language (including the most extreme), the raters review the scripts and lyric sheets to gain a better understanding of the dialogue and frequency with which profanity and other potentially offensive language occur."

Comments

They May Have the Best Intentions...

[cromar]

but I still don't trust them.

Mirrored the MPAA

[A Name Similar to Di]

If anyone hasn't seen This Film is not yet Rated which the Gamasutra article's title alludes to I would recommend it as an eye opening look into the ratings process.

Just like the MPAA the ESRB is using an anonymous group of individuals with no clearly defined lines between ratings to effectively censor content (since many consoles will not even play AO content similar to many major studios refusing to release NC-17 content).

And here's the quote that the summary should have included in my opinion:

Do raters apply their own moral standards (on subjects like violence, substance abuse, and sexuality) to guide their rating recommendations? Or, are they merely to apply a standard that the ESRB has set out for them?

PV: It's really a combination of both. Rating games is an inherently subjective practice in the sense that content is always going to be interpreted in different ways by different people. So part of the equation is the raters' own views on content, but as I said, parity and consistency play important roles as well.

Re:Mirrored the MPAA

[coolhandlucas]

"Rating games is an inherently subjective practice in the sense that content is always going to be interpreted in different ways by different people."

Yep, and the rules we use to frame the arguments about this crap change very quickly, just as they have with movies. Look at "Barbarella" (1968) - full frontal nudity on a number of occasions with a PG rating; no modern movie could get away with that (I remember there being some brouhaha about one tit shown in "Titanic"). 40 years later and we've gone through many iterations of subjectivity in the MPAA ... it's no shock that the relatively young ESRB would have some issues. The real problem here is the level of import placed on these scores in political circles when they are intended simply be used as a guideline for a concerned parent, at which they more or less succeed.

I am, however, going to enjoy looking back in 39 years and saying "Can you believe they tried to ban Manhunt 2?"

Re:How would she know if the ESRB is doing it's jo

[moderatorrater]

That's bullshit. They've got six raters total; how diverse is that? If you were to divide people based on age (above/below a certain age so there's 2 groups), gender, and whether they're a parent or not, you would need eight different people to get each perspective. Adding more dimensions and more granularity (eg more age categories, age/number of children, race, etc), you're going to need more and more people to represent those groups. For her to say that they've got diversity when there's only six freaking testers total and only three from each game is, frankly, ridiculous.