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Gene Simmons Blames College Kids For Music Industry Woes

drcagn writes "Gene Simmons has blasted 'college' kids and claims that they have destroyed the music industry, with the labels also to blame for not properly suing them out of existence when they had the chance. When asked about Radiohead and Trent Reznor's recent support of a different direction in music distribution, he says "that's not a business model that works. I open a store and say 'Come on in and pay whatever you want.' Are you on f---ing crack?" When asked about music being free and making money off of merchandise, he says, "The most important part is the music. Without that, why would you care?" even though earlier in the interview he brags that he believes that KISS's merchandise is more profitable than Elvis's or the Beatles.'"

5 of 860 comments (clear)

  1. amusing by mgabrys_sf · · Score: 5, Interesting

    Someone who was always about the merch and not the music would complain. Unless of course he's missing his weekly coke-money that came in from his risiduals which have all but dried up. Or perhaps the band just sucked and the kids have moved on 30 plus years later. I love the fact that industry that made most of it's money on the backs of the youth market has all but watched that market not only walk away but become outright hostile when sued (imagine that).

    In other news of the worthy for Gene and his ilk - water is wet amazingly enough.

    1. Re:amusing by ravenspear · · Score: 5, Interesting

      Indeed, I find it fascinating when labels or musicians insist on trashing college (and high school) kids on their music purchasing preferences, suing them, or otherwise treating them like crap when most of their revenue comes from this same audience. That sort of policy will certainly encourage them to give you more of their money. :rollseyes:

      The industry's only hope of recovering is to realize that their model needs to change to reflect current trends. I am in college and while I have downloaded music for free occasionally, I know a lot of people that do not. What I have also noticed is that regardless of whether people I know download or not, very few buy new music on CDs anymore. Some just listen to old (70s, 80s) music, and others I would assume can't afford to buy it. But whatever the reason, the younger generation seems to be saying to the industry "hey industry, we are no longer interested in the product you are offering and/or the way that you are offering it".

      So, instead of attempting to find out why this has taken place and shift their focus to offering a product that the market does want and will pay for, they have instead attempted to force continuation of the antiquated distribution mechanisms through litigation. This is a strategy that will ultimately end in failure, for obvious reasons which are too numerous to list. The real question is whether the industry will realize this and adapt before they go totally bankrupt. I suspect they will not and it will thus take the dissolution of the current structure before any permanent future strategy can be designed. It may have already been realized to some extent with the current increase in non-DRM digital outlets, although I am not sure if any of the current ones represent the final form of what the market is demanding.

      Of course, there is another more insidious element of the industry's "kicking and screaming" approach and that is the efforts they have taken to buy off the legislature. If they can succeed in getting their non-economically viable business models made mandatory by forcing them upon us as the law of the land, then it will take significantly longer for the questions of future distribution models to be worked out.

  2. Re:Music's dead? by rolfwind · · Score: 5, Interesting
    What is interesting is that Simmons puts the greatest argument against records in that article himself:

    There is nothing in me that wants to go in there and do new music. How are you going to deliver it? How are you going to get paid for it if people can just get it for free? I will be putting out a Gene Simmons box set called "Monster" -- a collection of 150 unreleased songs. KISS will have another box set of unreleased music in the next year.
    2 boxed sets of unreleased music - at best second rate crap that was not good enough to put out the first time - coming. All to just make money as he admitted in the first sentence was his main motivation since making music for it's own sake or attracting new fans isn't enough by itself.

    I don't know what motivates musicians, but knowing enough young visual artists, when they start out, most of them are ambitious, just want to make an impact on the world, and make their living doing what they love which doesn't necessarily mean making a fortune. Making an impact seems to be especially important to them -- although I don't know if that's just intended as a road to money.
  3. Re:Well, he's over 40. by tacocat · · Score: 5, Interesting

    Rather than blasting Simmons as being an irrelevant wanker, I think there's a more useful observation.

    The business model of music distribution is changing. It's not really a debateable issue anymore. It's just a fact. But changing to what?

    I think Radiohead went overboard. There is not a valid business model when you say, "Pay whatever you want". If you disagree with this conclusion than consider how you will respond when your employer or customers decide they will start paying you whatever they want to and if that's not enough for rent, too bad for you. It's no way to make a living.

    But what is important here is the Radiohead has demonstrated that you can make a lot of money selling CD's for really cheap once you manage to get rid of the pimp-ish middleman known as the record industry. The record industry used to have a stranglehold on all things related to radio play, music sales, concert promotions, and other product sales (shirts and posters). But so far, the internet has demonstrated a means for the bands, with a little effort on their part or someone far less expensive than the RIAA, to provide music sales and product sales via the internet. Now all they need to do is set up a means of doing concert promotions and (most importantly) radio play. Without the radio play, they have a hard time getting anything else going.

    The Recording Industry must realize by now that their original business model is a bust. This is supported by their efforts to sue rather than change or adopt. But they are also losing a lot of the legal battles. You can analogize this to Monopoly busting or even Union busting.

    The future of the Recording Industry may look something like this: A much smaller industry in terms of people employed with a more passive role of providing the framework for bands to connect to concert halls, stores, and radio stations and allow the radio stations, concert halls, and stores to determine their own purchase volumes and schedules. More like the NYSE in that people bid/buy resources based on demand in their geophraphic and demographic areas.

  4. Gene Simmons is a dolt (proof) by raidfibre · · Score: 5, Interesting

    If you're unsure that Gene Simmons really isn't an idiot, read this transcript of his interview with Terry Gross on NPR:
    http://www.rof.net/wp/carriep/TERRYGRO.HTM

    Terry Gross: Are you trying to say to me that all that matters to you is money?

    Gene Simmons: I will contend, and you try to disprove it, that the most important thing as we know it on this planet, in this plane, is, in fact, money. Want me to prove it?

    Terry Gross: Go ahead.

    Gene Simmons: The first thing you need -- besides air, which so far is free, and by the way if you went scuba diving, you're paying for air -- the other thing besides that is food, it's what we need to survive. I don't know what other tool I would use besides money to buy it. Although, as a woman of course you have the ability to sell your body, then get the money, and then, with that, get food. But ultimately money is part of it. And so --

    Terry Gross: [laughs] You -- you -- you are weird.

    Gene Simmons: Really? How do you get food?

    Terry Gross: Well, not by selling my body. But --

    Gene Simmons: But that's a choice you have that I don't. But getting to the money part, money is the single most important thing on the planet, including the notion that uh, love gives you everything. That's a lot of hogwash. Because although I subscribe to the romantic notion of life --

    Terry Gross: Well, let's cut to the chase. How much -- how much money do you have?

    Gene Simmons: Gee, a lot more than NPR.

    Terry Gross: Oh, I know. I -- you're very defensive on money, aren't you?

    Gene Simmons: No, I'm not, I'm just trying to show you that there's a big world out there, and reading books is wonderful. I've certainly read, well, perhaps as many as you have, but there's a delusional kind of notion that runs rampant in --

    Terry Gross: Wait, wait, could we just get something straight?

    Gene Simmons: Of course.

    Terry Gross: I'm not here to prove that I'm smart --

    Gene Simmons: Not you --