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Nielsen To Offer Web Copyright Protection System
J053 writes "The Nielsen company, along with Digimarc, are planning to offer their digital watermarking technology to web content providers. According to Information Week, the system will provide 'a way to quickly discover unauthorized content on sites. To do that, the system would leverage Nielsen's existing watermark technology, which is used on more than 95% of TV programming distributed today. The watermarks are used by the meters installed in people's home to identify the programs they watch.'"
Which is impossible with an automated system.
It's "impossible" in the sense that once the cost goes above a certain threshold, no company will ever bother implementing it unless mandated by a court or if it is under watch by a regulatory body (e.g. banks watched by the SEC).
So implementing it is politically unacceptable for a company whose mandate is to maximize profit for its shareholders (like most for-profit companies) but only real product/course of action is to control the means of distribution. The "rights" of the end users are the least they care about. If they could get away with it, they would charge for every pair of eyes and ear every time one "experiences" the content.
I'm not trying to demonize them; but a lot of actions of "content companies" make sense if you take the view that maximizing profit is their main driver. What we need to truly defeat it is either find an alternate (legal) business model for artists or other "content providers", and find ways to (legally) make "content distributors" irrelevant. Of course the latter will fight toe and nail and use every political mean they have to keep their paychecks, like some corporate version of Luddites.
The ENIAC Demo Competition
Well so what? If it's fair use it can be defended. I object to DRM because it prevents me from using the product I've purchased in fair ways and even worse, it prevents me from ever really owning what I've bought - never knowing when it will be taken away from me by a company's failure or a change in technology. But watermarking does none of that. If it doesn't interfere with my enjoyment of the product, then I have no problem with it. I think I even approve as a means of keeping down piracy will encourage companies to sell me products in a way that I want - i.e. as downloads.
Personally, I encourage watermarking.
Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
The record industry put a lot of work into trying to make watermarking work. The article claims the system is an audio only watermarking system too. If Nielsen really had a system that worked their first customers would of been the RIAA.
By the time they get "watermarking" to work what they'll have is a pattern matching machine that can match tv shows to youtube clips. They are a long ways from doing that though due to the amount of content it would have to work through in a timely manner.
I always find it amusing when people like yourself make this statement - no, you're by no means not the only one.
But why would you buy such a product in the first place? I like movies and I love my music but absolutely ***NONE*** of it is stuff I wouldn't do without if it was too highly priced or too encumbered by DRM. I don't understand these people who need a movie or a piece of music ***SO BADLY*** that they're prepared to put up with being treated like shit by the manufacturer.
We consumers need to start maturing in the way that we do things. We need to stop blindly falling for hype and advertising, we need to research our purchases more and we need to only buy things when we are happy that we're getting value for money. Once we start doing that, then we demonstrate to the record & movie companies that if they want our money then they have to give us value for money and what we want.
It's the mindless sheeple buying everything they're told to buy in a glossy magazine that make it bad for everyone else.
Gentoo Linux - another day, another USE flag.
Most of the world doesn't believe that people can control the distribution of content once it's out there. Remember, copyright is a fairly recent invention, and popular support for it is limited to some Western countries. Content-makers can find plenty of way to pay the rent and feed their family without controlling what I do with my computer.
FWIW, the genre of music I enjoy, contemporary art music, doesn't generate much of a profit for a record label even if every single disc is sold; it's mainly funded by state arts subsidies. And we've already read here before about how in Asia, where copying of media is rampant, the music industry has already found new models to survive and even prosper. Instead of delaying the inevitable by hassling individuals, the American content industry would do well to change its business methods fast.