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Firefly Lives - New Comics in 2008
gambit3 writes "'Serenity: Better Days' will be released as a 3 part comic in early 2008. The series is a step back in time to the early years of the Firefly crew, and the fledgling gang's turbulent attempts to cope with success after they pull off their first successful heist. It features the same creative team as Those Left Behind, with the story by Joss Whedon and Brett Matthews, art by Will Conrad, and Adam Hughes providing all three covers this time." Ironic, considering today's brand-new poll.
I liked Buffy, I loved Firefly. I like comics. I make comics (okay not for a living thank gawd but that's not the point). The Buffy comics, in my opinion, are nowhere nearly as good as the series was. Could be pacing, could be the layouts (they don't help), could be the fact that one issue of the comic seems to cover a bizzaro combination of a quarter of an episode and half a season. Whatever it is, it's lacking.
So, meh. I don't want an artist's attempt at facsimiles of Mal and Jayne - I want more Nathan Fillion and Adam Baldwin. With shows like BTVS and Firefly, my enjoyment doesn't come from the script. The script is corn. My enjoyment comes from the actor's execution of that script. In comics, you don't have an actor giving a performance - you have a penciller (and then an inker, then a colorist) executing their impression of what they think the writer is trying to convey.
I hobby in comics, I've done bit parts in short films and web serials, I've made my own shorts - a great - or even a good - actor can make a passable pulp script a cult phenomenon. Anthony Stewart Head and Nathan Fillion are great examples of this. You cut down the creative team (as opposed to scale UP the creative team), and something gets lost in the process.
It's one thing to turn a comic book into a TV series or a movie - going the other way has always felt like a giant step backwards - not only do you lose the acting, you lose the cinematography and the editing, And even if all of that wasn't an issue, there's the fact that individual comic issues are as saturated with ads as a nuclear reaction chamber is with radiation - and with comics, the shift in visual style between comic content and ad content is even more jarring than it is with television ads or movie previews.
So, it might be good but as far as I'm concerned it won't actually be Firefly. If I'm lucky it'll be available in trade paperback by the time I'm finished with my reading list of comics that only exist as comics (currently plugging through The Invisibles as the spare change permits).