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Musicians Have Many Money Options Online, Says Talking Head
Time Slows Down writes "Scottish born musician and former record label owner David Byrne says the future of music as a career is wide open and identifies six different distribution models now available to musicians in an article in this month's Wired magazine. At one end of the scale is the 360, or equity deal, where every aspect of the artist's career is handled by producers, promoters, marketing people, and managers. At the other end of the scale is the self-distribution model, where the music is self-produced, self-written, self-played, and self-marketed."
movies
seriously, the internet is seriously fucking with the music and movie industry in some really important and earth shattering ways
i for one look forward to a fracturing of culture: where before there were a few number of portals where people can find new music/ movies (a few radio stations, a few movie houses), now we will see a million online portals for all sorts of subgenres
in a way its interesting how this will also reshape culture and a sense of identity: you belong to group a, because everyone in that group shares your interests and knows the same media you consume. everyone knows seinfeld jokes, everyone knows star wars references. whereas in a more fractured world, more subcultres are created, and more borders between groups of people not knowing commonalities between each other evolves
interesting time folks. i look forward to it
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
Not exactly it's easier than it ever was which is a double edged sword. Now almost anyone can release an album. That severely dilutes the market. I saw this happen in independent film. Low budget horror films virtually turned into a non profit industry because everyone with a video camera started making them and Blockbuster and other vendors starting accepting crappy ones because they could pick them up cheap. I used to be a fan of the genre but I don't even bother to rent them anymore because they're all bad. It used to be that if you were going to shoot a film you needed half a mill to a mill so you had to maintain a certain quality or no one would touch it. Now large numbers are made for 10K to 50K and a 100K to 500K are considered real budgets. It's going to get harder and harder to get recognized as the market floods. Lets says there are 10X as many bands that now can get their music out there. In five years it'll be 100X and in ten years it'll be a 1000X. There are tens of thousands, probably hundreds of thousands, of garage bands in this country alone. How many hours a day do you have to listen to music? Yes some of the good ones will shine through but the irony is it probably just got radically harder to succeed. People may find it easier to hear your music but it's going to get harder to make a living at it and instruments and recording equipment cost money.
David Byrne's article is well thought out, but quite unimaginative. There are many other ways to produce music and make a living with it.
For instance, since 2001, Einstuerzende Neubauten has been exploring new ways to produce records and interact with their public while producing the album. Their last 3 albums were produced by a subscription (like Mozart used to do in the 19th century!). As supporters, we could attend the recording sessions via webcam, chat online with the band members, or use the forums to discuss about the directions taken by the band ; we obtained early versions of the songs, and attended private concerts. Unanimously agreed as a great experience!
They've been fairly successful so far, though they still want to polish their formula. There is a nice interview about their latest album and the issues they face in going "label-free".