Slashdot Mirror
Apple Sends Cease-and-Desist To the Hymn Project
Troed writes "Tools for removing DRM from iTunes-purchased songs (myFairTunes7, QtFairUse6) have been available from the Hymn Project Web site for some time. These are legal in many countries. But on the 20th Apple sent a Cease and Desist note to Hymn's ISP, forcing the site admins to remove all download links. It is speculated that this is due to a new tool being created (Requiem) that attacks Apple's FairPlay DRM through cryptographic means instead of by copying the unprotected music from memory while it is being played. But since the tools are no longer available (after several days there are still no public mirrors), discussion around this topic has died out. Many users buy music from the iTunes store and rely on DRM removal to be able to play the content on their mobile phones. Apple may be on dangerous ground here, since those users might now start checking out competing services."
Now tell me how is this not evil and not unlike Microsoft?
I assume that anyone who has the original installer could upload it to the pirate bay as a torrent, right?
512 MB RAM, 20 GB disk, 200 GB transfer, five datacenters. $19.95/month.
Apple on dangerous ground? They may lose .01% of their market! People who crack the DRM on iTunes (and their purchase hinges on that) are a tiny part of the market. I can understand both sides here (Apple kinda has to do this or the record companies, who don't like Apple enough as it is, will get even more pissed, but the crackers want fair usage of their music), but saying that Apple is on "dangerous ground" is more self-important internet crap.
Yes, the evil pirates are ruining iTunes by not using it to buy their mus-wait, what?
Try more along the lines of buying coke from a small grocery store and then pouring the coke into a big jug so it takes up less space in your fridge, then discarding the cans.
The Yasashii Syndicate ||
I will have be forced to stop using the iTunes store if the Hymn project disappears. I don't own an iPod—I don't *want* an iPod—but I do want to play my music on the Linux-powered media box in my living room. Is that really too much to ask?
Your analogy is flawed. A better analogy would be walking into a store and buying a coke. When the coke is bought you find out that it is, in fact, chained to the store and you have to drink it inside. Hymn is the glass you pour the coke into in order to be able to chill outside where you want to be.
we come in peace / shoot to kill
So, what part of the United States do you live in?
I don't care why you're posting AC
The only dangerous ground apple is in is with record companies if they don't aggressively pursue DRM faults/breaks/violations. I'll bet you dollars to donuts that apple has clauses in their contracts with these companies that force them to maintain their DRM updated, track offenders and litigate where necessary.
This is not to say that apple is blameless. They aren't. Apple, at this point, has had the chance to shame record labels (at least them. It appears we are doomed to repeat this nonsense with video) into changing their contracts. They took the opportunity to sound like a white knight in copyleft circles for a few weeks and did nothing. Maybe this was because companies were intransigent in negotiation. Maybe it is because apple's commitment to DRM free media was less than sincere. Probably both.
Part of what is allowing this silliness to happen is the dMCA itself. These folks can be send a CnD because they might be cryptographically breaking DRM, but regular old listening and rerecording is ok. The anti-circumvention clause allows companies to litigate in the absence of real infringement. That is the problem.
What's more convenient? Software removing DRM in a matter of seconds from songs that I paid for, or CD burning, which not only takes several minutes but also uses a CD? I think these smart kids you refer to know what the right answer is.
Apple is not under threat, they still sell bulk music, people still durn their own CDs etc. The difference here is that cracking DRM via an attack on the cryptography is illegal in most countries, while other, simpler methods, are in a grey area.
There was an unknown error in the submission.
I don't think that is two-faced. Jobs position has always been that DRM on music is counter productive and a flawed concept. His position has also been, that it is a necessary evil if you want to do business with the RIAA cartel which controls the music distribution in the US. First he pushed for the most user friendly and unrestrictive DRM of any company reselling RIAA music. Then he pushed to get them to sell some music with no DRM, for a slightly higher price.
Sometimes you can not agree with something, but still have to put up with it to do business.
If you were to download a song or software program off of a p2p network, you haven't prevented the bits from being sold to other people, the business is no better, or worse, off than it would have been had you chosen to not use it at all. In some ways, the company might even be better off for you having done it, because if you've downloaded an installed their program in that manner you haven't joined a competitors install base, and they can use the install as an indication of prevalence anyways.
I wish trolls like you would come up with a better set of analogies, because this is just as tired as it always was, and it isn't even logically consistent.
I don't personally agree with downloading content without respecting the licensing agreement and paying any relevant fees, but it really undermines the interests of the content producers to have trolls like you trying to make analogies which are as severely distorted as this one is. This isn't any different than any other situation where you have free riders using a resource without contributing to its creation or upkeep.
And I thought
Actually, your analogy is flawed. Downloading music is more like walking over to a barbershop, taking notes on the hairstyle of a person walking out the door, then going home and giving yourself an identical haircut. Uploading is walking out of the barbershop after you've purchased a haircut, and screaming "ANYONE WHO WANTS TO LOOK AT MY HAIRCUT IS WELCOME TO".
Today's lucky number is: 09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
/. kids are smart enough to know that transcoding decreases the sound quality, and burning to CD is a waste of money.
But judging from the other comments here, while they're self-righteous enough to bitch about DRM, they don't have the fucking backbone to just not buy DRM'ed music.
Your analogy is also flawed. Because the fact the Coke was chained to the store was no secret. It's not something you didn't find out after you bought it. It's more like you bought the Coke knowing full well it was chained to the store but also knew that if you bought this special Hymn glass you could take the Coke outside, and you assumed you'd always be able to do that. But suddenly Apple came along and sent a C&D to the company making Hymn glasses.
But....have I deprived someone else of payment? I prefer some forms of music that I prefer. However, my preference isn't $15 strong per CD. If I couldn't get the music for free (or at heavily reduced price), then I would choose to have it unavailable. Their price isn't worth it to me; my next choice would be radio and streaming audio, by which I would also be "deriving someone else of payment".
It is pitch black. You are likely to be eaten by a grue.
I used to use Hymn to make copies of my legally purchased iTunes songs. It was only because I *could* make m4a files out of iTunes downloads that I purchased music from Apple in the first place.
Now that Amazon is in the mp3 business I've been buying all my music from them. I've bought more music from Amazon in the last two months than I did in the last year from iTMS. iTunes was great when there was no other legal way to get a large selection of artists. That's changed now.
-EvilMagnus
The hair-cut analogy is a one-to-one example of a service-delivered to a single customer. Of course, everyone understands that when someone performs a service, that they should be compensated for it by the person receiving said service. Hair cuts work very well because the value of the barber's time is about the same as the value of the haircut to the person receiving it.
But, what about services with a lopsided value, where the "cost" (in time, training, materials) to the provider is way in excess of the value of the service to an individual? Those type of services will then generally not be available in the general market, because there are no customers. Unless the service can be performed once, and be sold to many customers. In those cases, a group of people split the cost among themselves. Like in the case of a theatrical performance. There is no way an average person could afford to hire an entire acting troop for one private showing. But by selling that showing to several thousand people that show up at the theater, it all works out.
But what about the person who sneaks in. Assume there are a few unsold seats. That individual isn't depriving the theater of money from a paying customer, since there are still seats available. But I would still say that individual is committing a theft of service, even if there is no way that he would have paid for a ticket even if he wasn't able to sneak in. Yes, the legal term may or may not be "theft of service" in this case, but he is still enjoying the fruit of someone else's labor without paying his fair share (and potentially causing other customers to pay more in the long run).
Apple isn't in the business of profiting from song/movie media creation. It is a reseller. It is a retail store. WalMart doesn't really care if you bootleg Britney Spears, as long as you don't shoplift the CD. Similarly, Apple doesn't care "financially" that you use some FairPlay track outside of its studio designed license.
However, Apple has legal contracts with the studios that assure them that it will work in good faith to preserve its DRM in such a way that iTunes remains a store and not a source for widespread bootlegging and Internet distribution. This is somewhat silly because every CD sold is more of a source of unrestricted copying than a FairPlay song, and Apple would just as soon sell its tracks DRM free. That would mean Apple doesn't have to police a system that exists to keep honest people honest with some inconvenience, and try to prevent thieves from stealing, which is somewhat impossible anyway.
However, reality means that Apple does have to stop flagrant activity designed to facilitate theft. The iTunes license specifically outlines how songs can be used. The fact that Hymn allows users to violate their contract with Apple at the time of sale does not redefine the contract terms. It does however force Apple to put pressure on Hymn so Apple won't be sued or abandoned by its studio partners for failing to uphold its own resale license.
Anyone crying about iTunes restrictions should be buying CDs. There's nothing more that can be said about that. Nobody has a right to redefine the licensing terms of a product unilaterally just because they want to use it in a different way than it is being offered. If you disagree, remember how butt hurt you get when you read that TiVo or Microsoft whoever is violating the GPL.
If you support the idea of free software enforced by GPL/BSD/MIT style licenses, you have to also respect the licensing rules offered by commercial vendors, and either chose not to use them or use them in compliance with the terms of the agreement.
But there's no honor among thieves, as this thread demonstrates.
Lessons from the Death of HD-DVD
Is Apple Shedding its Final Cut Pro Apps at NAB?
Anytime you end up with something you didn't pay for, it's theft. Everyone focuses on the method of obtaining...[and not the lack of payment]
/any/ images, am I "stealing" from all the sites with banner ads? If I'm browsing with Lynx (and thus can't display images), is it still stealing? What if I display the images and just choose to ignore them?
I imagine you'd feel that blocking advertisements with a proxy or similar would be stealing. If I don't install Flash, am I "stealing" from sites that have Flash-based ads? If I choose not to display
Do you ever borrow a book, CD, or movie from a friend or the library? THIEF!
Do you ever skip the previews (aka commercials) on a DVD? THIEF!
Do you ever get up to use the bathroom during TV commercials? THIEF!
Do you ever pay your credit card bill in full, thereby depriving the CC company of any interest for their loan? THIEF!
Have you ever walked by a street musician without dropping money in the case? THIEF!
Have you ever written a research paper in which you cited material you did not personally own? THIEF!
Have you ever sung "Happy Birthday" and forgotten to pay the royalties? THIEF!
Jeez, by your flawed definition of "stealing" (that any time you "deprive someone else of payment", you've stolen from them), Linus Torvalds has stolen millions of dollars from Microsoft for all the lost customers. And GM better watch out before they get arrested for stealing from Ford!
Backpedalling begins in three... two... one...
It's always a long day... 86400 doesn't fit into a short.
It doesn't have a car in it.
Weaselmancer
rediculous.
coke and super mario didn't have an OS. so yes that is free advertising. OS2/Warp is old, so who cares. Isn't BeOS free? Apple DID have an os, and one of the major 'cool' factors was the aqua interface. So when you made icons for xp that in essence makes it 'look' like a mac, apple thinks 'crap, customers will see that you can get mac os coolness on an xp, we might sell x less machines.....serve them!' now, i don't agree with the letters they sent you, but you have to understand why they did it.
There, fixed that for you.
> but also knew that if you bought this special Hymn glass you could take the Coke outside, and you assumed you'd always be able to do that. But suddenly Apple came along and sent a C&D to the company making Hymn glasses.
A real world analogy might be more like if you bought a special cup at a store that gave out free refills. As long as you use the cup, you can get all the Coke you want - but if you want another kind of drink, you have to buy a different special cup. Also, the cup is chained to the store, so you can only have the Coke in the store. Hymn is the product that allows you to cut the chain and take the cup out of the store. Really fine if you just take the coke out of the store and drink it at home, but bad if you take the cup out of the store and loan it to all your friends so they can go and get all the free coke they want. Since Coke is sugar water, it is pretty cheap and they can afford to give free refills to each customer- the store makes money by selling the cups to different customers. But if everyone is using the same cup, the store won't make any money. It sucks that you can't take the Coke out of the store, but the store sees it as their only level of protection. I would rather unchain the cup in this scenario, and not share it with my friends. Sure maybe you could give your friends a drink once in a while, but if they really want all the coke they can drink, they should buy their own cup.
Anytime you end up with something you didn't pay for, it's theft.
That is such a sad, negative viewpoint. How much do you pay for air to breathe? Monthly bill for rain and sunshine? When wildflowers bloom spontaneously on your yard, or the birds sing a song, who do you send a check to? Free prize? Quantity discount? Traffic ticket? Christmas, birthday, wedding, going away, welcome back, happy anniversary or graduation gifts must all be out of the question, too.
Most musicians actually want people to hear their music because that tends to make it easier to get an audience at live performances, which is the only place we've ever made any money and probably always will be.
Most of us were also taught to share. Mysteriously, everyone only wants to listen to the three percent that didn't learn this lesson.
Most musicians actually want people to hear their music because that tends to make it easier to get an audience at live performances, which is the only place we've ever made any money and probably always will be.
There are musicians who never play live. It happens on all levels. Many, many techno, trance, house artists never perform their art live. Led Zeppelin just performed live for the first time in many, many years, believe me, I've been waiting for it. Pink Floyd only play a few shows every time they tour. And yet, many of these artists (hopefully Zep, someday) still write and record and sell new and old releases.
You may well be in the minority these days. I know musicians want more people at their shows. But I also know that any musician would love to make a living playing music. And let's face it, there are many cities in this country without adequate places to play live for those musicians who can't leave their day jobs for a tour. Most medium sized cities have maybe one or two venues for any particular type of music.
Most musicians actually want people to hear their music because that tends to make it easier to get an audience at live performances, which is the only place we've ever made any money and probably always will be.
It's a fact that just a decade or two ago, playing live was a marketing mechanism geared towards selling albums. Most tours actually *lost* money, and the few tours that made money were the over-the-top tours, like the Stones or Pink Floyd. The vast majority of tours were losing money. And it wasn't limited to bar bands, these were arena and stadium shows losing money. There were many bands who signed a record deal, the record company fronted the money for them to go on tour, the tour lost money and wound up in the hole. In fact, many of the bands I listened to back in the 80s are now broke for precisely that reason. Tours were money-losers. Go back and check the numbers, it's a fact.
Nowadays, ticket prices are through the roof. There are many arguments as to why. It could be that tours cost more, gas costs more, labor costs more, venues charge more, taxes are greater, ticketmaster costs more, etc. It could be because artists are feeling the bite of music sales being compromised by free downloads. I don't think anyone has any solid numbers on that. I suspect it's a combination of all of the above. But it is true that the industry has flipped from being an album-based or single-based system to an event-based system.
Think about it this way. In the 80s, I could buy an album for about 10 or 12 bucks, on the high side. How much to see that same band live? 10 or 12 bucks. I have the ticket stubs to prove it.
Look where we are now. I recently paid $68 a ticket for the cheap seats. And that's very reasonable. I've seen shows advertised for $120 for the cheap seats.
And how much to buy a new release? That price has actually gone down. At its peak, CDs were being sold for about $18 on average. You can now download some full releases for 10-14 bucks. Just like one song by the band? It's not released as a single? Not a problem, just download that one song for $.99. That's something we always wanted in the 80s and 90s. Don't like CDs? Not a problem. Record old style to tapes from what you downloaded (but why?). Or put it on your mp3 player. The fact is, the fan has more options these days than ever before, and the quality is fantastic (no scratches, skips, warps, dust problems). And yet with all those options, many fans are complaining, more loudly than ever before. The fact is, although they were late to the party, the recording industry has done a great deal to at least try to accommodate listeners by providing more formats and options. It's in their best interest to do so. But read the comments for this article. Have listeners actually even considered the recording industry's side? Have they tried to meet them halfway? No, they want free downloads, period, r