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Beatles and iTunes At Last?

rjshirts writes "Ars Technica is reporting that the Beatles and Apple have signed a reported $400 million dollar deal to bring the entire Beatles Catalog to iTunes. From the article: 'As of today there is no time frame as to when the catalog will appear online, but it seems to just be a matter of time. McCartney himself even said in November that the catalog would be making its way onto the the store some time in 2008. While we have heard this sort of thing time and time again, this might just be the real deal. Prepare yourself — Beatlemania is coming to iTunes.'"

3 of 246 comments (clear)

  1. Re:Hmmm by Tackhead · · Score: 4, Interesting
    > Guess that means i'll have to buy the white album again

    It's taken 30 years, but the irony is that the $400M is still cheap compared to the costs to everyone of relitigating the original lawsuit against... Apple Records, originally owned by none other than The Beatles.

    The case in question is one of the landmark cases whereby trademarks can be deemed non-infringing, so long as there a "reasonable man" wouldn't be confused. In 1978, there was absolutely no confusion that the "Apple" that computers wasn't the same "Apple" as the one that made vinyl discs.

    In the 80s, when computers started to be capable of producing sound (and especially when "Apple" computers started to talk MIDI), the "Apple" vinyl disc company tried again, and as a side effect, killed the Apple ][.

    Every few decades, Apple Records tries to fuck Apple Computer out of a few million more bucks, and yes, they did it in response to the Mac, and in response to iTunes. It was only a couple of years ago that it was finally laid to rest.

    For $400M in exchange for an agreement whereby Apple Computer can finally start selling the products of the Beatles (which, unlike the past few times, might actually be a win-win for both Apple and the Beatles), this had better be the last time this lawsuit rears its ugly head.

    But much like the fact that the Beatles want to sell you the White Album every few years, this case will probably show up again.

  2. Re:400 Million? by meringuoid · · Score: 4, Interesting
    At $1/track they'd have to sell more than one track to every man, woman, and child in the US to recoup it.

    Who buys only one Beatles track? Let's say one person in ten buys music legally, and only half of those like the Beatles - one in twenty overall. If you like the Beatles, you'll download at the very least Revolver, Sgt. Pepper and the White Album. That's 57 tracks; you're looking at not far short of three tracks sold per capita.

    The problem really is that the planet is saturated with Beatles music. Who in the world doesn't already have those albums on CD?

    --
    Real Daleks don't climb stairs - they level the building.
  3. Re:5 more years by MightyMartian · · Score: 3, Interesting

    In 2013 the sound recording copyrights expire..


    On the earliest recordings from 1962. It's going to take until another seven years for the bulk of the catalog to expire.

    But let's also remember that there is a substantial amount of unreleased material sitting in the vaults, by all accounts hundreds of hours of alternate takes. That probably won't help with the early stuff (1962-1964), but by 1965 they were doing a lot of studio work, and that probably means all sorts of alternate instrumental and vocal takes. You can be damned sure that we're going to start seeing new versions of songs from Rubber Soul right on through Abbey Road. There are still a few unreleased songs that didn't appear on the Anthology series as well.

    Now I may be wrong, but I'll wager if you pop out a new mix of I Am The Walrus or Dear Prudence with previously unreleased recordings, you're probably going to reset that clock. And, Let It Be Naked aside (which I understand didn't sell so well), this kind of stuff still sells quite well. Look at Love.

    I don't think they would ever make the kind of money they made during the real heyday of successful Beatles released and re-releases during the 60s and 70s, but it's my understanding that Anthology alone refilled Harrison's and Starr's coffers, and even made Pete Best (whose drumming appears on a good part of the first Anthology set) a moderately wealthy man.

    There's still gold in them thar hills. And that's not assuming that Parliament doesn't reverse itself and give has-beens like Cliff Richards a bazillion year extension.
    --
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