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Provider of Free Public Domain Music Re-Opens

Posted by kdawson on from the music-wants-to-be-free dept.

Chip Zoller writes "This community took note when the International Music Score Library Project shut down last October, and when Project Gutenberg stepped in to help three days later. I would like to alert you all that our site, IMSLP, has re-opened to the public for good after a 10-month hiatus. All the news updates in the interim can be found linked to the main page. We take great pride in re-opening as it demonstrates our willpower to make the masterpieces of history free to the world; and moreover to make manifest that we will not be bullied by publishers sporting outrageous claims of copyright in a country where they clearly are expired."

11 of 142 comments (clear)

  1. Fantastic by apodyopsis · · Score: 4, Interesting

    Fantastic.

    I, for one, would like to thank and congratulate.

    There is no reason why anybody should not be able to download and print copyright free works from 150 years ago, I do - and I am very grateful indeed for the opportunity. Quite apart from that this is a matter of principle - to fight the insidious attempts by labels and corporations to extend copyright and hence earn money even after the original artist is sadly no longer with us.

    Now, if only my piano skills were more up to some of the music. Sigh.

  2. Lilypond by ageforce_ · · Score: 4, Interesting

    Sad they do not promote Lilypond more. Many PDFs on the site have been typeset using Lilypond, but only the PDFs are available.
    Lilypond: http://lilypond.org/

  3. Re:I have to say it by wrook · · Score: 5, Interesting

    I don't think anyone can really claim to own Bach's Brandenburg Concertos written almost 300 years ago.

    You'd think so wouldn't you. But what they do is get an "expert" to reinterpret the score every few years. They write notes, modify some things, etc, etc. I'm not musician, so I can't really comment, but some musician friends of mine really believe that the "new" scores have value.

    Anyway, these new reinterpretations have valid copyright. Yes, you can play the ones from 100 years ago, but as one of my friends said, "Why would you want to. They're horrible." Again, I can't really comment either way except to admit to "not getting it".

  4. Re:I have to say it by hairyfeet · · Score: 4, Interesting
    Sadly,we might as well enjoy it,as they won't be getting anything else as Public Domain is dead. They will simply keep extending the copyrights when it looks like something worth having is close to expiration. By all rights we should be able to listen to Hendrix,Elvis,Joplin, and share them all for free. But as it is now my nephews will be in the ground before any of it even has a chance at expiration,which will never occur. And it is kind of hard to "make your voices heard" and "vote the bums out" when both sides are on the take.


    You know,when I first read the right to read I thought it was a paranoid fantasy. I now believe like Orwell and Rand RMS has given us a glimpse into the future. I believe that the big desktop PC will eventually go the way of the 8 track,replaced by "media appliances" in the same way that cell phones are phasing out the landlines. When everything ends up hooked to the Internet it won't be hard to have a "WGA" style check done on all your media to check your usage rights,and sites like IMSLP will be relegated to content so old that Henry Ford was still making his Model T and talkies was still a popular name for a movie.


    I truly hope I am wrong,I really do. But with the huge warchests the media corps have to buy our laws,and with the US pushing hard for trade agreements that come with DMCAs for everyone,I honestly don't think I am. But I truly wish them luck,for with the unrivaled greed of these large media companies I think they will need it. And as always this is my 02c,YMMV

    --
    ACs don't waste your time replying, your posts are never seen by me.
  5. Needed: Cheap Sheet Music Viewer by jimmyhat3939 · · Score: 5, Interesting

    This is what we really need. Yes I know there's software out there for a laptop, and yes I know there are $800 devices for this, but there should be a OLPC type device with a decent sized screen that you can put on your piano or music stand or whatever and grab music off a shared drive or flash RAM card. One of these days people will figure out that people really do want single-purpose devices, like the Tivo or iPod, but for other, less pervasive, uses.

    --
    Free Conference Call -- No Spam, High Quality
    1. Re:Needed: Cheap Sheet Music Viewer by somersault · · Score: 3, Interesting

      I was going to say that there isn't enough market out there for that type of thing, but actually, there is. Current eBook/ePaper readers are probably too small. I still don't think you're likely to see an A3 sized ePaper device for cheaper than $800 for quite a few years though! You can't have your cake and eat it as they say. That kind of device really would be awesome though, you could even have a foot control to turn the pages, or have the device turn the page for you when it detects the music has reached that part of the page..

      In the meantime, I think a laptop with a 15" or larger screen would do a decent job, and you could pick up a second hand one pretty cheap. Wouldn't have anything like the battery life of an ePaper device though obviously.

      --
      which is totally what she said
  6. PRS by slim · · Score: 4, Interesting

    My house was a licensed premises in a former life, and yesterday I received a letter from the Performing Rights Society (UK), explaining that if music was played on the premises (whether recorded or performed live) then I was obliged to pay them for a license.

    The letter strongly implies that ALL music is in scope. I just have to decide whether I have the energy and inclination to enter a debate with them about out of copyright works, or works with a permissive license.

    This would all be for my own entertainment. Any suggestions?

    1. Re:PRS by MathFox · · Score: 4, Interesting
      Pleas, for our amusement, publish your correspondence with the PRS. (Blacking out your address and if you're in a friendly mood that of the PRS too.) If you don't mind to infringe copyrights, you can publish the letter from the PRS completely.

      Then, publish the URL on Slashdot, so that we have another target for a good slashdotting.

      --
      extern warranty;
      main()
      {
      (void)warranty;
      }
  7. Re:New editions of old music by grizdog · · Score: 5, Interesting
    Everything oboeaaron says is true, but it's more extensive than that. I manage the Gilbert and Sullivan Archive, and we have had to put a low priority on sheet music. The only way to be really safe is to go to wherever the original or another uncopyrighted copy is located (in our case usually either the British Museum, the Yale Rare Books Library, or the Morgan Library in NYC), and copy it yourself. This is tedious, and even if a publisher hasn't really added anything substantial to their own copy, they will claim copyright.


    Providing parts and scores would be a useful service for our site to provide, but it's going to remain on the back burner for a while. Along the lines of another thread, it would be great if there were a standard, open format for sheet music. That would provide much more of an incentive for me to pack up my laptop and get some of those parts copied and available.

  8. Re:I have to say it by Anonymous Coward · · Score: 3, Interesting

    We just need to retroactively extend copyright back to the time of the brothers Grimm and we'll see a few corporations change their tune.

  9. Re:Royalty-free music! by dbc · · Score: 3, Interesting

    It's interesting that you should pick on "Camptown Races", by Stephen Foster. Foster was pretty much the first person to attempt to make a living as a writer of popular songs. It was a tough slog, mainly due to the fact that his work was widely "pirated" by music publishers. It is in part because of his efforts in the early days that songwriters today actually can make a living writing music.

    BTW -- if you want an intelligent, well-researched, non-corny, sensitive, and exquisitely recorded selection of Stephen Foster works, go here: http://www.joeweed.com/ and look for "Swanee - The Music of Stephen Foster". (Disclaimer: yes, Joe is a friend of mine. My opinion of his work wouldn't change if he wasn't -- just google for some reviews.)