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WB Took Pains To "Delay" Pirating of Dark Knight
Jay writes "The L.A. Times is reporting on a new studio tactic — not to prevent piracy, but to delay it, as was the case with special tactics used with Dark Knight. 'Warner Bros. executives said the extra vigilance paid off, helping to prevent camcorded copies of the reported $180-million film from reaching Internet file-sharing sites for about 38 hours. Although that doesn't sound like much progress, it was enough time to keep bootleg DVDs off the streets as the film racked up a record-breaking $158.4 million on opening weekend. The movie has now taken in more than $300 million. The success of an anti-piracy campaign is measured in the number of hours it buys before the digital dam breaks.'" You know what else helps to have a big opening weekend? Making a good movie.
Here in Spain what you call piracy is LEGAL if you don't earn money with it. And so it was on your countries not so long ago. We just preserved our rights.
It's a pretty well known tactic for games. (Basically, making the copy protection tedious to crack rather than simply hard.)
Big budget games make the bulk of their sales during the first month, so if you can avoid getting cracked while the hype is still going, it can have a big impact.
So, my point here is, that this is not without precedent, and I'm sure it has some kind of impact on movies too.
I'm unwilling to pay box office prices for crappo movies - I often watch bootlegs instead.
When movies are supposed to be good, however, I'm happy to give the theatre way too much money for tickets, popcorn, etc. I love going to movies and all of my fellow "pirates" do too.
I drove 40 minutes and waited in line for over an hour to see The Dark Knight at an IMAX theatre ... and it was *AWESOME*
I was happy to pay for WALL-E too.
Keep making movies that *DON'T SUCK* and people will pay to see them ... keep making pieces of sh*t and people will download them or wait for DVD.
All of the movies that I've watched bootlegs for ... either: ... I simply wouldn't have watched it, had the bootleg not existed ... *maybe* I would pay to rent the DVD
1) the movie rocked, so I went to see it in the theatre after watching the bootleg
2) the movie sucked
^ all hypothetical, ofcourse ... i've never _actually_ seen one of these so-called 'bootlegs' ...
Cam: recorded with a camcorder with indirect audio (using the camcorder's built in mic)
Telesync (TS): recorded with a camcorder (although TS's are often recorded with a higher quality camera) with direct audio (audio typically from a headphone jack for the hard of hearing)
Telecine (TC): A telecine machine copies the film digitally from the reels. Sound and video should be very good, but these are fairly uncommon (expensive machines)
Screener: A DVD or VHS copy sent to various places for promotional use. Many times they have timers and/or serials numbers. Quality varies, but DVD screeners should be excellent if the person ripping it isn't an idiot.
R5: Usually made with a telecine machine from an analog source. Unlike a TC the digitization is performed by the studio itself with very professional (and expensive) equipment. The purpose is to beat the pirates to the market in 3rd world-ish areas (Russia, Africa, etc).