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5 Years of RIAA Filesharing Lawsuits
NewYorkCountryLawyer writes "David Kravets of Wired.com, who provided in-person gavel-to-gavel coverage of the Capitol v. Thomas trial last year, takes stock of the RIAA's 5-year-old litigation campaign, concluding it is 'at a crossroads', and noting that 'billions of copies of copyrighted songs are now changing hands each year on file sharing services. All the while, some of the most fundamental legal questions surrounding the legality of file sharing have gone unanswered. Even the future of the RIAA's only jury trial victory — against Minnesota mother Jammie Thomas — is in doubt. Some are wondering if the campaign has shaped up as an utter failure.'"
Take a position not shared by 90% of your customers, and you're guaranteed failure. It really doesn't matter what the law says is right. It's economics, and the RIAA has failed or will fail, one way or the other.
You do not have a moral or legal right to do absolutely anything you want.
... thanks, not only for the objective insight which permeates much of your postings, nor the informative summaries that accompany your submissions, nor even for the occasional comedic relief provided by your dry wit, but for writing a summary that *doesn't* end in a rhetorical question.
(seriously, though, WTH do all the damn summaries end with rhetorical questions or even just plain rhetoric?
"Some are wondering if the campaign has shaped up as an utter failure."
Some?! Wondering?! To date they've convinced the internet audience they so desperately wanted that the entire music industry, most telecoms companies, and quite a few governments are a parade of cash-guzzling corporation-fellating litigation-whores, and done absolutely nothing to peer-to-peer file sharing itself. Where is there any room for doubt as to its failure? It's like trying to give a guy CPR, but realising after hours of effort that you've brutally beaten the guy and his entire living bloodline to death with their own shoes instead.
No kidding!!! What do you say at this point?
Not sure how you could measure it by anything but a failure. All of the various ways of measuring it given by RIAA itself pretty much indicate failure.
If they meant to reduce file sharing, total failure there as there's been no slowdown. If they meant to give back to the artists, failure on their part as any winnings/settlements has only gone to fund more litigation. Not only that, they only have one substantive win which may be declared a mistrial as the judge reconsiders his orders to the jury.
The campaign is a failure. This would have been money better spent on actual innovation on distributing music.
Depends on your perspective... definitely not a failure for the trial attorneys billing by the hour.
Light a fire for a man and he'll be warm for a day. Light a man on fire and he'll be warm for the rest of his life.
It never was about getting more money to the artists, and the article now confirms it.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
Some are wondering if the campaign has shaped up as an utter failure.
Hmmm...nothing's changed in 5 years, RIAA has no slam-dunk victories to show for it, thousands upon thousands of customers pissed off to the point of not buying music at all anymore, only a few million bucks extorted from victims, despite claims of billions lost....
Well, I'm NOT wondering if it's an "utter failure".
Pavlov wouldn't be so famous if he'd used a can opener instead of a bell.
RIAA is merely whinging about market losses where this is a situation of an industry that has systematically refused to give the customers what is most practical, what intelligent customers want. Experimental computerized music synthesis of the 1970s (e.g. trying to *imitate* Bach or Beethoven as patterns) should have been a wake up call that computers and music could be cohabitating in the near future. The arrival of the music CD (80s) even as an anolog should have been a wakeup call to even the brain dead. The arrival of, say Sound Blaster 16 (1992), was the technology at the gates.
RIAA members have deliberately and directly avoided properly serving their customers for well over a dozen years. They have actively engaged in a campaign of tampering with both the laws and the laws' execution. They actively attack and extort those members of society least able to defend themselves, including total innocents, with ridiculous claims similar to common street thugs. One wonders what RIAA is going to do if avoidance or legal confrontation are replaced by outright vigilantism. I've seen this in other countries and the history books in other situations.
...if you view their goals and their audience accurately.
I argue that they didn't want to stop file sharing. Or they did want it, but didn't expect to succeeded at such an endeavor.
The purpose of this was to make filesharing seem like a small scale threat that could easily be dealt with by a campaign of lawsuits. Most of the investors in the RIAA have no idea how the recording industry works let alone why the internet is such a giant threat to it.
These lawsuits were a smokescreen to stop shareholders from realizing the record label's business model had failed. Any survival at all would involve massively reduced profit margins. If they had realized that, shareholders would have bailed from the recording industry en masse.
The goal of this legal campaign was to buy a few extra years for the the Hillary Rosens and the Jack Valentis of the world to quietly divest themselves of recording industry stock.
So good job guys! May you successfully avoid shareholder lawsuits!
both van halen and heart have written the mccain campaign, more than once in the case of heart, that they do not wish their songs used to further the political campaign of a person they disagree with.
it's too bad that all these artists don't have some kind of professional organization to represent them. you know, it could collect dues from its members, and then stand up for them in cases like this, where their hard work and creativity is shamelessly co-opted as a marketing gimmick by those in direct and diametrical opposition to the artists themselves on any issue of importance.
like, an association of american industry recordists, or a recording association of american industry... something...
They will never stop until somebody makes the
Perhaps I talk to others, but here's what I'm getting:
Bastard child in the family - Obama was a bastard
DUI 20 years ago - Chappaquiddick
Tried to get earmarks for town - Duh, that's what mayor's do.
Investigation into trying to get her BIL fired - By all accounts he SHOULD have been fired and was being improperly protected.
Trying to paint her as a hypocrite is similar to criticizing her experience - the more the Dems do it, the more they open themselves up. They won't lose votes over it, but they WILL do wonders for the conservative/evangelical turnout in November. The press is doing Palin's job for her, and I'm not even sure they know it.
"As God is my witness, I thought turkeys could fly." A. Carlson
Here's an analogy:
A carpenter becomes well known for his excellent chairs. He is approached by a salesman who offers to duplicate these chairs in a factory and sell them all over the world. The carpenter agrees to this plan when told that he will receive $1 for each chair sold. And of course, he can continue making chairs by hand for people who want a more personal performance.
Years go by, the carpenter makes some money, but realizes that the salesman is making millions for doing virtually nothing.
Then one day, someone figures out how to make identical copies of his chair and posts plans for it on the Internet. Now anyone with a saw and some wood can make a perfect copy of the chair. Those who don't have the time can still buy it from the salesman or pay a bit more to get one from the carpenter.
The chair made by the carpenter is like a rock concert.
The chair from the salesman is a CD.
The chair you make yourself is a digital copy from the Internet.
There is no way this would be considered wrong, illegal or immoral if we were actually talking about some chair design like an Adirondack or even some fancier newer design like an aeron. Nor would providing plans for others to make copies be considered illegal since there is no loss to the carpenter. His inventory is not short, his supply stock is not depleted.
But the salesman would be pissed, because his revenue is dependent on need and achieved with virtually no effort on his part. Now, there is less need through no effort on the part of the consumer. This is direct competition so the natural response is to petition the government to make this illegal and protect his business.
We have a long history of protecting businesses through regulation. It's anti-competitive, anti-consumer, tends to create monopolies and is basically a bunch of corrupt politicians taking money from thieves who would like the barn doors left open.
The only way to hasten the demise of an organization like the RIAA and its member companies is to stop buying content that you can either copy yourself or acquire directly from the artist. Support your artists, go to their concerts and if they sell direct, buy their albums. But we need to stop buying anything distributed through the channel and starve these guys until the music distribution model becomes more like chair design and construction.
These opinions guaranteed or your money back.