Achewood Creator on NPR
On my drive in to the office today, I heard an interview with a comic creator. Since I started the car mid-interview, it took me just a few moments to figure out who it was: Chris Onstad from Achewood (NSFW some days. Possibly including today, depending on your W). He's plugging his book The Great Outdoor Fight. Since his comic is one of the favorites here, I thought you all might enjoy hearing the interview. Today's comic is especially amusing given that it will likely be read by a great number of those NPR types unfamiliar with the strip.
I suppose I could write it off to being old and jaded, but I swear I've seen about a dozen strips on the internet with the same general theme and lack of humor.
Just not for me, thanks.
The only way to understand and really dig on Achewood is to read it from the beginning. Character development is a lot more important than gags here, and not every strip has a punch line, but it's generally rewarding in the end. Achewood is one of the few web comics I can stand. It's up there at the top with Space Moose for me.
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Here's the thing about Achewood: it has a very large cast of characters with very distinct voices. COMPLETELY distinct. These characters have been developed in ways that comic strips running for decades have not managed.
It's not uncommon for me to read a whole archive of webcomics in a single sitting. I read all of "MacHall" on Saturday. By the time I went through all four years of strips, there were only two characters I could identify as having distinct personalities. Everyone else spoke with the same voice.
That's how most comics are. Someone says something stupid or controversial. Drinking or violence ensues.
Achewood is the opposite; the characters are so fully realized that they BLOG in their distinct voices. The interview touches on this with the two main characters, but it extends to literally all the characters in the strip.
Achewood's humor is wry and absurdist. It's not the humor of a newspaper comic strip and it's not the humor of a typical webcomic. It's off in a space of its own. It's a bit like watching the best bits of Seinfeld after a 24 hour marathon of Golden Girls. Some people say that Achewood isn't funny, but all I can say to them is that there's a 1982 Subaru Brat waiting for them when they get to hell.
-- I wanna decide who lives and who dies - Crow T. Robot, MST3K
Yeah, I don't get it either. Can someone explain to me how today's strip is supposed to be funny?
When is NPR going to interview XKCD?
Give me Classic Slashdot or give me death!
In other words, you like Cyanide and Happiness and a bunch of comics where someone says something snide about video games every day.
-- I wanna decide who lives and who dies - Crow T. Robot, MST3K
When is NPR going to interview XKCD?
Not before XKCD develops such as huge following that Randall Munroe can quit his day job and publish a book of collected strips. Which is what prompted the Achewood interview.
I too find Achewood unfunny. (When I pulled up the NPR story, I was surprised to discover that the link to achewood.com was gray, indicating I'd browsed it recently. Must not have made an impression.) But I can see where it would appeal to people with a certain kind of evil sense of humor. Let's avoid the Slashdotter Fallacy ("What I like/need/approve of is what the world revolves around"), shall we?