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Breaking Into Games Writing?
An anonymous reader writes "One of the biggest complaints I hear from 'discerning' gamers is how few and far between well-written games are. Titles like Mass Effect and the Black Isle series just appear far too rarely. Writing and storyboarding are aspects of the industry that have always appealed to me — I'm an enthusiastic hobby gamer with a real passion for well-developed games. But there's very little guidance out there on getting exposure as a writer in this world. I'm interested in working in the field, freelance/part time initially as I break in, then with an eye to professional employ after a time. My questions to you are: How can I get involved in writing for the game industry? Are there any game startups out there with good design but weak story that could use writing help from a college graduate? How do the big guys get people to write for them — am I just going to the wrong booths at the job fairs? What kind of degrees or relevant experience in the field are they looking for? Should I just put on my Planescape t-shirt and stand outside in the rain?"
Bioware has repeatedly had contests where they've asked the community to open up the NWN toolset, write some dialogue and send it to them. The proof is in the pudding.
And it should be noted that writing typical fiction or exposition is different from writing threaded dialogue in a game, hence that is why they ask people to submit basic mods made in their toolset.
http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
Then buy a photocopier.
Then buy one of those automatic card shuffling machines.
Next, photocopy the cliche book and use the shuffling machine to introduce "originality" to your creations.
Seriously, WTF? What writing is there for games that isn't complete (literary, not computer-y) hackery? You're not exactly competing with Dickens. You're not even competing with Dick.
You see? You see? Your stupid minds! Stupid! Stupid!
I don't think the issue is so much that games companies can't find good writers, it's more they won't pay for it. So you get some designer/coder throwing shit together at the last minute.
Bioware is one company that I always seem to see writing positions open for... now whether you take that as a good thing or a bad thing I guess depends on your perspective. They usually have a written component that you can submit (ie an original story set in genre X or based on Bioware game X) which, they say, can override any educational qualification.
Austin, Texas
Edmonton, Alberta
Yes, believe it or not Bioware is actually a Canadian company.
I say don't drink and drive, you might spill your drink. Before you get behind the wheel just stop and think.
You get a job with a game company the same way you get any other job:
First, you find companies that actually do what you're trying to get into doing. Don't apply to companies that aren't using writers for their games if you want to be a writer for games.
Second, you put together your portfolio. In the case of games, you'll want to have some dynamic media - sketched storyboards (art shouldn't matter too much, so keep it simple), play or movie scripts, and/or, ideally, game mods that have your name in the writer: line.
Third, you have to work hard, get lucky, make friends, and generally be very nice to people who often deserve it but sometimes do not.
Write. Write often. Then forget games and get into movies and television.
Now I do database programming. Better hours, better money. I use that money and free time to tinker with games.
There aren't a billion other people who want to write games. The people who write games are usually freelance writers who are at the right place at the right time when a job opens up on Craigslist. Then they're given a crappy cliche sci-fi story that they have to fill in with dialog and they have a few weeks to do it. That's in the lucky occasion that they hire a writer at all, and not have the game designer throw some copy together over the weekend. Writing just isn't really on the radar in the games industry. There are a couple of companies where that's their bread and butter like Bioware or Bethesda, but other than that writing is tacked on as an afterthought. If there were a billion kids out there whose dream is to write for games, don't you think there would be better writing in games?
Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
Whatever you do, DO NOT join up with some "game design" course. They are a complete was of time and money. You will learn how to make a script for Spongebob Squarepants, not Bioshock.
Writing for games definitely seems to be the one place a lot of developers are willing to half-ass completely. They don't seem to realize how ONE semi-competent writer could basically go through and make every line at least better than cringe-worthy.
Valve seems to get this. Look at Left 4 Dead, a game with a two word story (ZOMBIES! RUN!), and how much they actually focused on dialogue and characterization for these four random survivors. Portal, too. They hired a long time industry writer specifically for that game. They get it. A little good writing goes a long way.
The problem, I think, is how little it takes to go that extra distance. Games are not novels, not most of them anyway. The fact that it only takes one good writer to work over a story for entertainment value and consistency means that, for most games, the writer's market is microscopic.
However, I think one potential way to get involved in this aspect of the industry might be MMO quest design. MMOs generally rely on massive amounts of inordinately boring quests made interesting only by the addition of a few paragraphs of clever description. Here there's at least a demand for written content that will last beyond the game's first six hours. Bioware and Blizzard both had some promising quest-design job offerings in the past, although the postings usually vanish before I can read them.
Just get used to the idea of never really owning your material. That's one of the big hitches that I see with writing in the gaming industry. Once you write it, it's no longer yours. With films, there's the script, which someone owns and gets royalties on. With network series, I'm not exactly sure who owns what, but the writers are at least entitled to royalties when their work is used. As the Writer's Guild fought for recently.
I'm pretty sure the Writer's Guild hasn't touched the games industry. My understanding is that, with games, you don't own the writing unless your work existed before the game did and they pay you to use it, which is rare enough to be excluded to most non-bestselling authors.
Watch moderators waste their points on your post
In case you haven't figured it out yet, Anonymous Cowards always post at 0. Since a post can only go down to -1, only one point is required to squish your post. And plenty of people are now getting 10 points in a single round of moderation, which makes it even easier.
But thanks for playing!
Damn_registrars has no butt-hole. Damn_registrars has no use for a butt-hole.
Try to find a Mod out there - one with a team who is actually building something - and pitch them a few missions, maybe a story vision.
:)
It's a little different writing well for a game, because you need to have you're fleshed out story-arc, which meshes with the gameplay, which can be brought in often enough that it moves the story forward, all without annoying the user. You're not writing a Novel, remember...
You'll probably get turned down at first at a lot of places (lots of people want to help with mods, but can't code/model, so they try to be writers...), but if you're actually any good then you'll find a crew.
Good Luck!
Should I just put on my Planescape t-shirt and stand outside in the rain?"
No, you should write your heart out and send it to as many people as possible. No degree in writing means anything if you can't prove you're what someone is looking for.
I personally would not hire anybody for a creative job if the main focal point of their application was a degree. That basically sends the wrong message.
The proof is in the pudding and like all games related jobs, see if you can get involved in open source projects first, so you have some direct prior work.
I record my sleeptalking
http://en.wikipedia.org/wiki/All_your_base_are_belong_to_us#Game_transcript
These posts express my own personal views, not those of my employer
Desire and drive will get you further than talent. That is a fact. If this guy has the desire to do this, who are you to say he can't...or shouldn't.
More power to him, I say.
Others have mentioned just writing.
But for writing (and programming) a *game*, possibly writing a text adventure would be good practice. For example, using Inform (http://en.wikipedia.org/wiki/Inform), you can write games that practically anybody with any computer/PDA/etc. ever made can play.
I think there is still at least one yearly contest (with a relatively tiny prize) for the best interactive fiction game.
As a writer and designer currently in the game industry, let me show you my pokemons.
I started off writing and designing pen-and-paper role-playing games, and writing a column for RPG.net. This helped me build a portfolio and greatly expanded my contact list. When the time came to enter the video game industry as a writer, those samples and references helped me get in.
In my spare time I did as much writing and design as possible, in whatever areas I could get my hands on: news writing, graphic design, web design, and the creation of a fake fast-food franchise run by ninja named Ninja Burger ( http://www.ninjaburger.com/ ). Again, when the time came to get into video games, all that experience helped immensely. Design is design; writing is writing. The more you do of each, the better you get at it. I wrote about games, I designed games... I even co-wrote and co-designed a MUD ( http://www.iconoclast.org/ ), but my time spent designing church bulletins, editing news columns, writing copy for a comic book catalog and doing technical writing all helped me learn not just the ropes, but all the knots as well.
In the end, breaking in for me came down to being in the right place at the right time. A friend of mine worked for a game company, and she got me the interview, but at that point it was up to me to close the deal, and my portfolio, references and samples were what did that.
In short, you can't wait by the stream for the ship to come in. You need to build your own raft, and when the ship sails by, you need to paddle yourself out to it.
Get ready by reading some books on game writing and design. I've reviewed a bunch of them for Slashdot over the years:
http://games.slashdot.org/article.pl?sid=08/11/25/0046222
http://books.slashdot.org/article.pl?sid=07/01/31/1445235
http://books.slashdot.org/article.pl?sid=07/12/05/1420215
http://books.slashdot.org/books/06/02/27/1445214.shtml
http://books.slashdot.org/article.pl?sid=08/06/18/149246
http://books.slashdot.org/article.pl?sid=08/09/09/0527214
One of the biggest complaints I hear from 'discerning' gamers is how few and far between well-written games are. Titles like Mass Effect and the Black Isle series just appear far too rarely. Writing and storyboarding are aspects of the industry that have always appealed to me -- I'm an enthusiastic hobby gamer with a real passion for well-developed games. But there's very little guidance out there on getting exposure as a writer in this world. I'm interested in working in the field, freelance/part time initially as I break in, then with an eye to professional employ after a time. My questions to you are: How can I get involved in writing for the game industry? Are there any game startups out there with good design but weak story that could use writing help from a college graduate? How do the big guys get people to write for them -- am I just going to the wrong booths at the job fairs? What kind of degrees or relevant experience in the field are they looking for? Should I just put on my Planescape t-shirt and stand outside in the rain?"
You don't write well enough. Go re-read Strunk. You should be writing at least this well:
Well-written games are few and far between. Mass Effect and the Black Isle series do have good writing, but they're exceptions, not the rule.
Writing and storyboarding appeal to me. I'm an hobby gamer with a passion for well-developed games. But there's little guidance on getting into the game world as a writer. I'm interested in freelance/part time work as I break in, then professional employ.
How can I get into writing for the game industry? Are there game startups with good design but weak story? How do the big guys find writers? Am I going to the wrong booths at the job fairs? What degrees or experience are game companies looking for? Should I just put on my Planescape T-shirt and stand outside in the rain?
You need a tough English teacher, or a tough editor, to make you tighten up your prose.
I got multiple job offers after writing Dreamcatcher, including Bioware. Valve also encourages people to develop mods, and have hired many of the more successful people.
That being said, being published in other areas can help as well, though I still feel that writing for games is a very different skill set than typical writing.