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Battlestar Galactica's Last Days
bowman9991 writes "If your country was invaded and occupied by a foreign power, would you blow yourself up to fight back? If someone pointed a gun at your head and threatened to pull the trigger if you refused to sign a document you knew would lead to a hundred deaths (and you signed!), would that make you ultimately responsible? Does superior technology give you the moral right to impose your will on a technologically inferior culture? You wouldn't expect a mainstream television show to tackle such philosophically loaded questions, certainly not a show based on cheesy science fiction from the '70s, but if you've watched Battlestar Galactica since it was re-imagined in 2003, there has been no escape. The final fourth season is nearly over, and when the final episode airs, television will never be the same again. SFFMedia illustrates how Battlestar Galactica exposes the moral dilemmas, outrages, and questionable believes of the present as effectively (but more entertainingly) than any documentary or news program. It's not hard to see parallels in the CIA and US military's use of interrogation techniques in Bush's War on Terror, the effects of labeling one race as 'the enemy,' the crackdown on free speech, or the use of suicide bombers in Iraq."
I was a kid when the original BSG was on in the late 70's, and so remember it fondly (I can still remember how sad I and other kids were when they cancelled it). And when I heard they were bringing it back as a miniseries, I was skeptical to say the least. My first thought was "Jesus, can't Hollywood come up with ANYTHING original anymore?" and my second thought (after hearing that Starbuck and Boomer would be female) was "Oh great, and they've made it politically correct too, even better." At that point, I vowed I would never waste my time on it.
Then a funny thing happened. I was flipping around and caught a bit of the miniseries, a way into the first night (just after the nukes hit). It was the scene where Helo and Boomer put down on Caprica for repairs and are faced with a mob fleeing for their lives. It was one of the most powerful and dramatic scenes I had ever seen on television. The contrast with the original, where the colonials seemed to forget that their entire civilization had been wiped out almost immediately after it happened, was just stunning. And the obvious connection to 9-11 was immediate and visceral (I don't think this series could have been made before 9-11, certainly not with this kind of gritty realism).
From that point on, I wasn't a skeptic.
And just when I thought I had seen the best it could offer, along comes the first season and it somehow managed to get even BETTER. The premiere episode of that season ("33") was absolutely brilliant, "Hand of God" was touching and dramatic, and "Kobol's Last Gleaming" bordered on an almost mystical experience (the opening to that two-parter has to be the harshest montage to ever grace a television screen).
Now, the series has had its ups and downs since then. They've never again equalled the quality of the miniseries and first season, IMHO (though individual episodes like "Flight of the Phoenix" have come close). But even at its worst, this is still the best thing on television.
This skeptic will miss you greatly. Nothing else even comes close.
SJW: Someone who has run out of real oppression, and has to fake it.
Yeah, that's called "realism." People in real life often rarely grow sufficiently large backbones to "do the right thing" either, particularly when they're threatened and running for their lives.
And, as for secrets, is there any one of us who doesn't carry a TON of those around with them? Do you wake up every day and tell your wife that she's become a fat, bitter shrew and that you don't want to be married to her anymore because you want to go find a cute younger woman who isn't a fat, bitter shrew? Do you tell your kids that you're disappointed that they're not as smart or handsome as you'd hoped they'd be? Do you tell your boss he's a fucking idiot and that you think you could do a better job than him? Do you tell you mother that you don't want to visit her or call her because you're too different from her now to have anything to talk about? Do you tell yourself that you're not the hero of the story, just another loser in a world full of losers?
SJW: Someone who has run out of real oppression, and has to fake it.
I've thought a lot about this situation, and on reflection I think the way it went down was probably (as horrible as this sounds) a best-case. Nuclear weapon technology was coming. The soviets were going to have it eventually, we got to it first and we dropped the only two we had.
If we hadn't done that, imagine how many might have been mass produced by the WW2 industrial war machine. Now imagine a world where no example existed of how incredibly mind blowingly horrible these weapons are. Imagine an exchange of dozens or even hundreds of these weapons launched by clueless political idiots who had no idea what they were playing with.
Those victims in Japan are heroes on the stage of history. Their deaths, and the suffering of the survivors, is all that stood between the humanity and the long winter.
Or at least, thats how I look at it.
The world you experience is only a close approximation of reality.