What, Me Worry? MAD Magazine Going Quarterly
theodp writes "MAD Magazine is about to put out its 500th issue, but starting with its April publication, the mag is cutting down to only four issues per year. The feedback we've gotten from readers,' quipped Editor John Ficarra, 'is that only every third issue of MAD is funny, so we've decided to just publish those.' MAD Kids and MAD Classics are ceasing publication entirely. Keep up the what-me-worry game face, Alfred!"
being as their mascot, and their mascot's philosophy, just left the white house
intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
Given the amount of time we (by that I mean "I, and I assume everyone else is like me") spend online actually interacting with other people interested in a similar subject to ourselves it's no wonder we don't spend money on magazines any more. Unless the mag can survive on ad revenue alone, on transition to an online format that affords it's readers some interactivity then it'll die off. Obviously some titles, like Old Person Weekly or Luddite News, that cater for a non-tech-savvy audience will weather it better because their audience won't jump ship, but even those ones will be at the mercy of advertisers wanting to push their costs down.
I see a future without hardcopy magazines at all.
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One of the things I always enjoyed from MAD was the fold-in images (they have a name, but that escapes me right now).
I found this overview - very interesting: http://www.nytimes.com/interactive/2008/03/28/arts/20080330_FOLD_IN_FEATURE.html
Since Obama said OK to Warrantless Wiretapping it kind of put a kink in the whole Spy v. Spy thing permanently. Now it's just sorta ___vs. Us.
I stopped reading Mad when Don Martin died. His cartoons were pure, unadulterated, fun. He had that rare insight that humor must be fun, it needs not always carry a transcendental message...
It's unfortunate that a staple of American culture has gone in this direction. For years, Mad Magazine was one of the last holdouts to not run ads, but now they do.
Since then, the quality of the humor has dipped significantly, but it's still better than other junk that passes for comedy these days. They're even now recycling classic "Lighter Side Of..." segments in their issues.
Whomever tagged this "nothing of value was lost" needs a history lesson. Mad has its original roots as a satire of horror comics today. Mad Magazine still exists, and so do a lot of your tenets of free speech with comics and video games, because Bill Gaines stood up to those who wanted to censor horror comics, against those who were "thinking of the children." Does that sound familiar to anyone else?
60 Minutes has several profiles on the writing staff over the years. There are numerous books by the same writers about working at Mad and Bill Gaines.
If Mad Magazine goes under, we lose an American icon.
You never expect irony, do you?
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I loved Don Martin's stuff as a kid, but it's aged beyond relevance. Husbands don't come home and hang their business hat, (business hat??) and say, "Honeeeey, I'm Hoooome!" anymore. The whole psychological connection of the strip is lost. It didn't age well.
Spy vs Spy suffers from the same thing. The cold war is OVER. --Once brilliant, that strip is about as relevant and engaging today as Beetle Baily. (Which also once connected with people in a relevant way but which has become meaningless and prosaic.)
The only guy who still has the chops to fit today is Aragones. His "Side Lines" and basic style still shine.
I can't even remember any of the other guys doing stuff in Mad, but the collection of that bunch all at the same place and time was what floated Mad Magazine. The last issue I looked at, a couple of months ago as it happens, was just a bunch of re-tread attempts by no-name artists to copy old formulas.
It read the way the new Kermit sounds. False and without spark or meaning.
Sorry, but artistic collectives must die or change with their creators passing. The only way Mad could shine again would be if they hired on a bunch of luminary geniuses versed in comic observation and satire, (of the Jon Stewart caliber), who also happen to be able to draw in awesome, engaging styles. Not only that, but the editors would have to be willing to allow such new talent to re-invent the whole look of the magazine so that it reflected themselves. --Because anybody willing to copy a dead format and a dead style which last-gasped sometime around the 1980's is certainly not going to be particularly luminary. Any real genius would have been driven mad (ahem) over the restrictions and left asap.
And Intelligent cartoon satire hasn't vanished. There are new guys doing awesome things which don't try to be Kermit, but which are unique and genuinely exciting. XKCZ, for example, is fresh and new and. . , bloody cynical. (Imagine; there was a time when Beetle Baily was just as electric!) The big difference today is that the luminaries aren't all gathered in one convenient place anymore, and certainly not exclusively on paper. You have to go looking. --That's the part which I find most difficult. I enjoyed concentrations of work which I knew everybody else was experiencing. There was something tribal and culture-defining about it which I really drew energy from as a reader. These days, it's easy to feel disconnected.
Thank-goodness for Slashdot, eh?
-FL