Reviews: Star Trek

On these pages, admitting that you are a Trekkie is not a mark of shame; it's more like admitting that you are a carbon-based life form, which is true of almost all of us. I watch every movie. I've seen every episode of every series. And as my wife will tell you, I scream "F*** you Rick Berman!' during the credits every time I see it. So when JJ Abrams got a crack at a reboot, I was hopeful. The short review is that I liked it. Keep reading; I'll keep the spoilers down to a minimum. (Continued below.)

The movie is a total reboot. And yes, it features time travel. While normally this is a giant red flag, in this case I don't think it's too bad. Especially when you want to make giant, universe-altering changes without pissing off the continuity nerds.

Star Trek starts off with a big action sequence that holds no surprises. You'll immediately notice a few dramatic stylistic changes in the camera work. This movie owes more to the pseudo-documentary style of Firefly or BSG than the traditional pristine look of the last few decades of Trek. Space is pretty silent (although it somehow gets noisier as the movie continues), and they even do the cool thing of making sure that everything in space doesn't share the same Z-axis. Minor, but I love it. The intro ends with an emotional note that resonates strongly; it could have been cheesy but it works. So, they reboot the universe. We get some Kirk/Spock back story, and some brief moments at the academy. Wacky events occur, leaving most of our familiar characters aboard the Enterprise. We witness each of them rise to their known rank and positions. It's all very wink-wink. Occasionally a bit overly cutesy, but ultimately fun. I found the scoring a little weak (Abrams uses the same composer for everything), but many of the sound effects echo the original sources. The effects are just great: I would expect nothing less than perfect, and I got it. I particularly liked the Vulcan architecture. Yes, the new bridge looks like an Apple Store, but the glass and white looks modern. It might not age that well, but it's cool. The costumes look forward and backward at the same time. We have mini-skirts on the bridge and familiar color coding. It all works. The Enterprise itself feels HUGE inside. Engineering isn't just a room with a console; it's massive. It has weight. I love it.

I'm not going to go into the story. It's convoluted, but frankly it's really not the key to this movie: this is a roller coaster movie with new actors playing parts we love.

So, let's talk about the most important thing: the characters. They basically nailed everyone. Uhura and Bones are used a lot in the early bits. Chekov and Sulu each have a few nice moments. Scotty shows up late in the game and steals almost every scene he is in. But as the movie goes on, it becomes almost entirely Kirk and Spock, which really is how it should be.

More so than anyone else, Kirk is an impression. But ya know what? I buy it. The Kirk we knew is older. This one is younger with bigger balls and swagger. This kid will chase the skirt instead of just knowing she will come to him. I could certainly see someone thinking they took Kirk too far, but I buy it. He has charisma and some great lines.

Quinto's Spock is great. I resisted the urge to make Sylar jokes (mostly). He's reserved, subtle, and when the need arises, emotional. It works. He's the best casting in the film. Since Nimoy gets to reprise old Spock, we're given the ability to stack the two Spocks up right against each other. And it's just great. I totally buy it.

Eric Bana is the big bad. He seems almost totally superfluous. He does just fine, but I just don't care either way. This movie is about our heroes. Bana's Nero could have been a robot or an entity or whatever. He's a plot device used to press the universe reboot button, and to give us a ticking clock.

Two of the "humorous" sequences go a bit far. You'll know them when you see them. It's like they were inserted to keep 12-year-olds giggling. I expect this in a Disney film, but I wish I didn't see them here. Another action sequence in the middle serves no purpose except letting us have a giant monster chase Kirk. Abrams probably wanted to toss some work to his Cloverfield monster-making buddy.

But here's the thing: Star Trek is entertaining. It has problems, of course. It won't make everyone happy. But by the time Scotty gets into the story, there are so many moments of unbridled joy that you can't help but feel giddy. I don't know if Abrams will stick around or if this cast will be back for more, but if they are, I know I'll be in the theater again. And you should be there too. Now. You're a carbon-based life form who reads Slashdot. You owe it to yourself.

Comments

Good, but

[FredFredrickson]

This movie was definitely the best (least cheezy) movie made from the star trek franchise. That being said, I have a few qualms:

1. The villain was lame. He was a nobody with stupid motivation. Could it happen? I suppose... but come on! Such small fish. (Forgive me, I'm just looking for a deeper plot.. not just a crappy summer action flick.

2. I prefer TNG over TOS for a few reasons: Kirk is clearly an action-based fly by the seat of his pants type guy. Makes for a great action movie like this. But please please please don't forget we're watching Star Trek for the philosophical questions that arise as well in the star trek universe. I loved Picard because he was the opposite. He drank hot tea on a regular basis. He thought about things, and thusly, I thought about things. Remember: We're not watching star wars, we're watching star trek here...

3.There was a moment when young spock had kirk by the neck. I seriously expected him to slice open kirk's head with his finger.

All in all, I loved this movie, and anxiously await the next in this version of the franchise, but please please please don't forget the parts of star treck that make it so awesome (and not star wars), and balance it well with action!

Re:Good, but

[Smidge207]

This movie was definitely the best (least cheezy) movie made from the star trek franchise. That being said, I have a few qualms

Bah, turn in your geek card. Now. Yes, the story is a bit convoluted, but I think a lot of that is necessary for the reboot they wanted to accomplish. There is a lot of story telling in there, but it's sprinkled around and not played up in most parts. If you're looking carefully, you see it in several spots.

Maybe I was just not distracted because I haven't seen a lot of the other shows that these actors played in, thus I was not experiencing the "Agent Smith" phenomenon.

I thought Spock was well done, very much in line with what I remember of Spock from TOS, Vulcan with enough Human in him to drive him in ways other Vulcans could never grasp. Kirk was very much a young bulldog just coming into his prime, full of testosterone and bravado, but with enough brains to see what no one else seemed to be able to.

This doesn't tear apart the foundations of Star Trek so much as it sweeps aside most everything built on those foundations: Honor, fear in the face of death, duty in the face of insurmountable odds, there is no such thing as a "no win" solution--those are still there. Even when beings die by the planet-load (Hopefully that's not too much of a spoiler), all is not lost and with perseverance, the good guys can still win and the universe can still be saved.

=Smidge=

Re:Bleah. Not impressed

[SnowDog74]

Much has been made about the lens flares but it is possible for indoor scenes that the lens flares were natural. If there were numerous lighting sources (and consider the bridge is, in fact, very brightly lit) just above the rim of the lens, the Panavision 2.39:1 anamorphic optics naturally produce substantial flares that stretch horizontally.

It's a stylistic choice, and not necessarily a good one... but in the case of space there would actually be a hell of a lot of glare. If we are meant to be observers with a camera, the resulting glare from numerous bodies either directly emitting light or albedo would result in substantial haze and flares. The intensity of celestial light not occluded by an atmosphere is so great that astronauts in spacewalk wear helmets thinly anodized with 24k gold to avoid sunburn and blindness.

Re:DARMOK!

[LanMan04]

That's the only episode of Trek of any stripe that made me....get a little dirt in my eye, or something...