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Sarah Connor Chronicles — Why It Died

brumgrunt writes "Sarah Connor was a non-populist, meditative, complex piece of television on a smash-bang, show-me-the-ratings kind of network. The two were never going to get on. Plus: how the Terminator name proved more hindrance than aid."

30 of 834 comments (clear)

  1. The babe from Firefly? by Lilith's+Heart-shape · · Score: 3, Insightful

    It had Summer Glau in it. Jewel Staite and Morena Baccarin are the babes from Firefly. Little Summer needs to grow up a bit, and eat a sammich or two before I'm willing to call her a babe.

    1. Re:The babe from Firefly? by Nursie · · Score: 5, Insightful

      This.

      Jewel Staite is hot...

      Never did watch this Terminator series. To be honest I'm getting bored of the whole series model. The idea these days seems to be to start off as many subplots as possible and then take care never to resolve anything so that there's always room for another season. Then you string it out for as long as you can until you get cancelled. If you're lucky you get a really rushed ending in two episodes that clumsily attempts to tie up the storyline. Quite often not though.

    2. Re:The babe from Firefly? by pzs · · Score: 5, Insightful

      Quite.

      I wasn't always a fan of Babylon 5, but you have to admire the coherency of the plot. Straczynski designed the plot for the first 4 seasons before he even started making the first. He even made forward references to future seasons in the first.

      Place this in stark contrast to Lost, where it's clear that there is no long term game plan and they're just trying to keep people guessing for as long as possible. What's the point in guessing if there isn't, and never has been, an answer?

    3. Re:The babe from Firefly? by El_Muerte_TDS · · Score: 4, Insightful

      Or Prison Break.

    4. Re:The babe from Firefly? by IamTheRealMike · · Score: 4, Insightful

      Eh what? Lost is the most extreme case of forward planning I've ever seen. If you think they don't have it all planned out you're not paying attention. Did you notice that the 4 toed statue was first encountered in passing in season 2, then barely featured again until the last episodes of season 5? How about the way Pierre Chang first appeared with a prosthetic right arm in a mysterious video way back at the start of season 2, and right at the end of season 5 you see the accident in which he got that bad arm? He wasn't just thrown in randomly as "mysterious dude with bad arm" and then reintroduced later, it hangs together too well for that.

    5. Re:The babe from Firefly? by Lemmy+Caution · · Score: 5, Insightful

      What that tells me about Lost is that they do a good job of managing their prop inventory.

      I think it is likely they just mine earlier episodes for visual and (ahem) "plot" elements and then drop a subsequent reference or explanation to them in later. No foresight or planning required.

    6. Re:The babe from Firefly? by gaspyy · · Score: 3, Insightful

      Yes and no.
      They do have the overall story planned. It progresses nicely and logically. They don't have all the minor details in place; they can't even plan very well ahead as there are many unforeseen events (just look at Babylon 5 and how they had to replace Sinclair with Sheridan for example).

      When you have the story laid out correctly, you get Babylon 5 or Lost. When you don't, you get Heroes.

    7. Re:The babe from Firefly? by Molochi · · Score: 3, Insightful

      That seemed to really bother a lot of people though I never understood why. Nobody complains that Han Solo uses an 1896 Mauser that shoots some kind of energy beam that travels slow enough to visually track. But weapons that a colonist blacksmith could make, that's just crazy talk.

      --
      "The Adobe Updater must update itself before it can check for updates. Would you like to update the Adobe Updater now?"
  2. Complex? Non-populist? Meditative? by morgan_greywolf · · Score: 5, Insightful

    Oh, you mean dull. Or as Homer Simpson would say:

    B-o-o-r-i-n-n-g.

  3. more plausible by fermion · · Score: 5, Insightful

    A simpler explanation is that this show was just another attempt to increase the profits of the terminator franchise. I suspect that given the number of people involved, and the number of people that had to be paid off to gain the rights to the characters, ideas, and franchise made the show too expensive. p It seems to me that the same show could have been made with new characters at a lower cost. I am sure the network thought the fact that this was terminator meant that more people would watch it and they would recover the additional costs. Obviously they were wrong.

    --
    "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    1. Re:more plausible by WindowlessView · · Score: 5, Insightful

      terminator franchise

      Maybe the problem is with the franchise. It seems so-last-decade. Reality is so much more interesting than silver liquid robots from the future.

      I could never accept that in the two seasons barely any mention was made of the forces that are really behind robotic and large database development. It was as if DARPA, the defense industry, the "war on terror", the growth of domestic surveillance, insatiable corporate data aggregation, battlefield robots and drones in Iraq and Afghanistan, etc., didn't exist. The series had ample opportunities to be relevant and insightful about human psychology, social trends and politics. But it wasn't.

      --
      Leave the gun, take the cannolis.
    2. Re:more plausible by KeatonMill · · Score: 3, Insightful

      This.

      Heck, even BSG was able to weave some aspect of current events into the psychology and philosophy of the show.

      To be handed this great plot tool ("hey, we're going to take the premise of Terminator but not comply with the timelines") and not use its capable writing to explore present-day dilemmas was, in my mind, a travesty.

      Of course, maybe they did and Skynet (by which I mean FOX) made them change the scripts.

  4. "Non-Populist, Meditative, Complex" by RobotRunAmok · · Score: 5, Insightful

    Which is to say, "Elitist, Slow-Moving, Muddled."

    Never watched the show, but thanks for the tip; you've told me all I need to know to stay away from the torrents and DVDs.

  5. Damn! What a shame! by erroneus · · Score: 3, Insightful

    The reason I want to see the movie today is because I enjoyed the TV series.

    I have to wonder if part of the problem is the "ratings" system itself. Isn't it possible that while Neilsen families aren't watching it, college kids and others are watching it... owe WERE watching it?

    Fox and other networks are going to have to put up their OWN bit torrent shares of their TV shows and start seeing for themselves which ones are the most popular and which ones aren't. It won't stop people from looking at the TV when it's on. It won't stop people from buying the DVDs when they come out. (I downloaded every episode of the terminator TV series, bought season one and am waiting for season two on DVD so I can clear up the space on my drives.)

    These media publishers and their digital phobias... they need to USE the digital and not fear it so much.

  6. Sarah Connor Chronicles, Why it Died by Chris_Jefferson · · Score: 4, Insightful

    Why it Died: cost > income

    --
    Combination - fun iPhone puzzling
    1. Re:Sarah Connor Chronicles, Why it Died by SlappyBastard · · Score: 4, Insightful

      Not true. The vast majority of TV shows turn a profit. The case is more that Fox feels they can make more money with a different show.

      --
      I scream. You scream. I assume that means we're both acquainted with the problem. We proceed.
  7. The Real Answer by bhunachchicken · · Score: 4, Insightful

    Networks are now interested in "reality" shows where they can get a bunch of stupid, likeable-only-by-morons, "contestants" to make complete twats of themselves, and who are naive enough to be easily manipulated into becoming a corporate cash cow and puppet. That is, until the fickle audience grow weary of them; usually within a few weeks.

    A lot of TV shows have vanished from our screens because of this: Terminator, My Name is Earl, Scrubs, Frasier, Samantha Who... the list is endless.

    And when you have much of the western world swooning over a 48 year old singer who shows up to Britain's Got Talent, why the fuck would you want to pay script writers, actors, researchers, and marketers? These people cost money; they're a drain on profits.

    From the boardroom's point of view, you can't beat a bunch of teenagers with mobile phones who are willing to text 30 votes a night, at £1 per message to shove someone onto a global stage and thereby generate even more revenue when you dig them out a year later.

    This is the future of television, people; that's why I watch so little of it these days.

    1. Re:The Real Answer by whisper_jeff · · Score: 5, Insightful

      Frasier? Seriously? You're blaming the end of Frasier on reality TV? Really? It didn't have anything to do with the fact that the show had an ELEVEN year run? It wasn't about the fact that the show ran its course, as all shows do? It died because of reality TV? Seriously?

      I understand your basic point and actually agree with it in large part. Reality TV has changed the way networks view TV but to say that a show which had an exceptionally long run on TV ended because of reality TV rather than it just being the natural course of things is actually hurting your point rather than reinforcing it.

  8. You never watched did you? by Anonymous Coward · · Score: 5, Insightful

    Anyone who actually watched the show would know the plot was not like that.

    It wasn't some Kung-Fu the Legend Continues. It had a very complex plot with many main characters. Outstanding writing, acting, suspense, and plot development made this the best show on television.

    1. Re:You never watched did you? by Creepy · · Score: 4, Insightful

      But it IS exactly like that - the basic plot has not changed, ever - always exactly one "good guy" and one "bad guy" sent back in time and they duke it out for survival of humanity. As a very short synopsis, the main plot has not changed.

          Personally, I watched the first 6 episodes or so of The Sarah Connor Chronicles and completely lost interest - I didn't find the writing all that inspired or inspiring. Even the first episode was derivative - it was T3 all over, except set in a school not a veterinarian clinic. Or was it T2 all over when good Terminator saves John Connor from the bad Terminator at his house?

          I was much more disappointed with the cancellation of Life On Mars - I was actually starting to enjoy the US version (I still liked the UK version better, but the US version had merits). I can't think of a sci-fi show on TV right now that I really care about - most are uninspired or derivative (Caprica? Stargate Universe? Come on SyFy - come up with something interesting besides rehashed series and monster movies/shows [which is everything else - Sanctuary, Primeval, etc]).

  9. Written to be released on DVD by Bigbutt · · Score: 3, Insightful

    One of the reasons mentioned is the same reason I didn't like Heros and 24. If you missed the first couple of episodes, you may as well go home.

    I'm pretty good at gathering threads up just from watching a show for a few minutes (pisses off my wife who can't seem to follow along and she's watched 24 from the first episode).

    So I suspect, and the article seems to confirm it, that the show was written with an eye towards releasing it to DVD.

    My wife and I watched Heroes first season and I really like it. Enough that I wanted to watch it when it came on for the second season. But with the commercials every 10 minutes and 5 minutes of commercials at the end, I finally bailed. I'm sure I'll get the DVD for the second series and will probably like it a lot.

    24 is similar. It's written from start to finish. Like a long movie. You wouldn't come in in the middle of a movie and expect to understand what's going on.

    So we'll get Heroes as they're released, my wife'll get 24 (she already has the first couple of seasons), and we'll get SCC when it's out on DVD (if it isn't already).

    [John]

    --
    Shit better not happen!
  10. Re:going out on a limb, here ... by Richard_at_work · · Score: 5, Insightful

    I've seen every episode, and I still say the show sucked, but thats my opinion and it differs from yours.

  11. Re:Here, I'll summarize. by Golddess · · Score: 5, Insightful

    It doesn't even try to kill his grandparents.

    Considering the explanation in Terminator about why the Terminator killed those other Sarah Connors, I don't believe Skynet would have even known where to begin with trying to kill John's grandparents. And anyone who knows timetravel knows you don't just go back and kill everything in sight. Skynet could end up ensuring that it never gets created.

    --
    "I'm not sure I like the fugnutish tone you used in your post!" -RogL (608926)-
  12. Re:Complex? Non-populist? Meditative? by Loco3KGT · · Score: 5, Insightful

    I'm not sure why this got marked as 'troll'. He's absolutely right. I love me some sci fi TV, but this show was best watched in Fast Forward on my DVR.

    It wasn't complex. It wasn't meditative. It wasn't non-populist either. It was crappy, though.

    Just because something has a shoddy storyline that barely pieces together doesn't mean that it's complex or meditative.

    --
    Blessed be he who reads this post, Cursed be he who tells my boss.
  13. Re:Here, I'll summarize. by JoeMerchant · · Score: 3, Insightful

    I've jumped around watching a few TtSCC shows from hulu, and from that perspective it's just as full of the same high-school coming of age / romance angst as the rest of teen television (see: Buffy, Roswell, 90210, and a dozen others I'm sure...)

    The real question is: What's Summer Glau's next psycho chick series role going to be?

  14. Very simple reason it failed! by p51d007 · · Score: 3, Insightful

    The execs at fox (or whoever sets the schedule) put this show on a FRIDAY evening. I don't know how it is now, but when I was a kid, we didn't stay home (especially during a school year) to watch tv. We were out running around, going to the movies, on a date, raising hell. If the people who produced this show were to somehow relaunch this show on another network, say USA or Sci-Fi, and stick it in a good time slot, it would do better. Sticking a show on a Friday evening is like sticking nails in a coffin.

  15. Touched By A Terminator by mariox19 · · Score: 4, Insightful

    I have a slightly different take. I thought Season 1 was pretty good and showed promise. The best episodes were on Season 2. Of course, the most god-awful episodes were on Season 2, also.

    During Season 1, I remember telling a friend of mine that I like the show, but that I worried it would fall into a cliched formula: meet a new character each week who was there for only the one episode, solve that character's problem, and then forget about the whole thing. Sadly, Season 2 had a lot of this "Touched By A Terminator" nonsense.

    The last half-dozen episodes, tying up the whole Riley thread and all, were very, very good. But, the show died because it deserved to. It could have been a good show. Unfortunately, it was a very uneven effort.

    --

    quiquid id est, timeo puellas et oscula dantes.

  16. Re:I[t]'ll be back.. by portnoy · · Score: 4, Insightful

    They gave Dollhouse another season because although the people watching the show live were pretty low, the number of people watching the show on DVR, iTunes, and Hulu were big and kept growing. More importantly, Joss convinced them that he could do the show for less money, and had an episode that he'd basically put together for free to seal the deal.

    Everyone says it's because Firefly turned out to be huge after the fact, but I doubt that would have swung the guys at Fox if they weren't able to see a real increase in the bottom line.

  17. Re:going out on a limb, here ... by ppanon · · Score: 3, Insightful

    Oh, sure! Blame Heinlein!

    --
    Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde. - Voltaire
  18. Re:You left off the second half of that. by TheRaven64 · · Score: 4, Insightful
    In the '70s, Doctor Who was shown in 20-25 minute episodes. At the end of each one, it was not unusual for The Doctor to be in some seemingly-hopeless situation, which he would usually escape within the first minute of the next episode. One reviewer commented:

    We don't watch to see if he survives, we watch to see how he survives

    It's the same with a show like this. We know the protagonist isn't going to die, but we watch to see how he manages it.

    --
    I am TheRaven on Soylent News