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Pirate Party Wins At Least One European Parliament Seat

reeeh2000 writes "According to TorrentFreak, with half of polling stations now closed in Sweden, the Pirate Party has at least one guaranteed seat in the EU Parliament. Currently, the party is sitting with 7% of the vote. Depending on how the remaining districts voted, the Pirate Party could win another seat, for a total of two." Reader lordholm adds a link to an article about exit polls in Sweden (link in Swedish) indicating that the Pirate Party will score two seats, writing "According to the polls, the pirate party is the largest party in the 18-30 year age category of voters. The final counting of votes (including around a million postal votes) will not be done until later next week."

64 of 674 comments (clear)

  1. Bravo! by siloko · · Score: 5, Insightful

    A fantastic result. It seems that democratic representation means something even to filesharers! Who would have thought that they're not all teenage hoodies checking out of society!

    1. Re:Bravo! by alexhard · · Score: 5, Insightful

      I think that in the next 5 years the PP will focus more on presenting these issues to older people, as well. Singing to the choir will only get you so far..

      I think this has a lot to do with the way the party is represented by the media: when older people hear that the PP is "for the legalization of file sharing", they obviously don't think this is an important issue. If they knew the extent of the damage being done to personal liberties and privacy, they would be more willing to vote for the pirates.

      --
      Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
    2. Re:Bravo! by Darkness404 · · Score: 5, Insightful

      Sure, but the point of the party isn't really to become a "real" party but to force other parties into taking strong stances in making copyright weaker, protecting the fair use and the right to personal filesharing along with actually giving a crap about privacy. Perhaps it will take more than one or two elections, but 30-40 years down the road, the Pirate Party will most likely become obsolete as the other more "mainstream" parties will have taken up the pirate cause and then people will vote based on the economy, etc. because everyone will care about allowing filesharing and increasing privacy.

      --
      Taxation is legalized theft, no more, no less.
    3. Re:Bravo! by fishbowl · · Score: 5, Insightful

      >18-30 year-olds? So in the next EP election, the PP will be the favoured party of 18-35 year-olds.

      No, once they are over 30 something clicks and they become more interested in preserving their own wealth than in idealism, so they become conservatives.

      You would think that the counterculture generation of the 1960s would behave differently now that they are the dominant force in government and business, but look at the reality.

      --
      -fb Everything not expressly forbidden is now mandatory.
    4. Re:Bravo! by cliffski · · Score: 2, Insightful

      I agree 100%, but you are already moderated troll.

      I'd be happier if the pirate party re-branded itself the 'lets kill off the digital entertainment industry' party, because that is the upshot of their 'policies'.
      I'm a very liberal voter who supports freedom of information, and strong consumer and individual rights and freedoms and privacy...

      However, I can't possibly equate that with some crap about 'copyright being evil'. Copyright is a totally different issue to freedom and privacy. An attempt to wrap up the 'lets all take stuff for free' ideology with some cuddly stuff about privacy is simplistic and silly. It's sad so many people fall for it.

      --
      DRM-free indie games for the PC and Mac: Positech Games
    5. Re:Bravo! by hanssprudel · · Score: 5, Insightful

      The current Swedish government has rushed through a number of privacy encroaching laws regarding the Internet, which have been deeply unpopular with a large part of the population, and yet have had the support of all the mainstream parties. These have included:

      - Unlimited wiretapping with court order of all International data traffic for the intelligence services (and remember that in a country of 9 million, a lot more traffic is international than say in the US - in fact a lot of domestic traffic is routed internationally!)

      - Forced data retention laws for ISPs, forcing them to keep information about all incoming/outgoing email as well as TCP connections.

      - Laws enacted to help the music/movie industry allowing them to demand ISPs reveal the identity of Internet users with little court oversight.

      These things, much more than the takedown of the pirate bay, has influenced people to vote for the Pirate Party, who have presented the only political opposition to them.

      In fact, my 58 year old mother just called me to tell me she voted for PP (and I didn't even ask her to). I promise that she has never torrented anything in her life - yet she doesn't like the government spying on her more than anybody else.

    6. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      I'd be happier if the pirate party re-branded itself the 'lets kill off the digital entertainment industry' party, because that is the upshot of their 'policies'.

      That's a pretty ignorant interpretation of their policies. The digital entertainment industry in its current form might depend on copyright, but abolishing copyright would result in a new digital entertainment industry that separates producing content (their job) from making copies (not their job).

      I'm a very liberal voter who supports freedom of information

      But not, apparently, the freedom to share information. So what "freedom of information" are you talking about -- the freedom for information to exist? The freedom to own information and stifle the speech and actions of anyone else who wishes to use or share it?

      Copyright is a totally different issue to freedom and privacy.

      Only if your definition of "freedom" excludes freedom of speech.

      --
      Visual IRC: Fast. Powerful. Free.
    7. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      In other news, car-jacking is to be called 'motor-car scrumping', hence making it seem socially acceptable.

      If "scrumping" means making a copy of a car while leaving the original untouched and fully functional, then it already is socially acceptable (it's just not possible). If you manage to invent a device that makes "scrumping" as easy as copying songs, you'll win a Nobel Prize and put an end to poverty and hunger.

      I won't hold my breath, though, since if you can't even imagine a business model that doesn't depend on copyright, I doubt you're going to be coming up with any revolutionary technology anytime soon.

      --
      Visual IRC: Fast. Powerful. Free.
    8. Re:Bravo! by lupis42 · · Score: 2, Insightful

      Right... just like mix tapes were theft, and recording tv shows was theft.

      I admire the efforts you made to reach out to the people pirating your games, and (hopefully) reminding the people who download whatever, whenever, that someone put effort into creating it, and that someone does deserve some kind of reward.

      But File-sharing does not mean theft, it means exchanging files. Every computer I own is running at least one piece of software which I obtained from P2P sites at the direction of the copyright holder. They do this because it saves them distribution costs, which is very important when you aren't charging for it.

      Equating file-sharing with car-jacking is exactly the attitude that makes people decide that the pro-copyright side of this debate are a bunch of idiots, and the perpetual insistence that each and every copy should be a sale doesn't help credibility either.

      If you believe that Life + 70 years is a reasonable term for copyrights, that the patent system works perfectly, or that privacy is not a right, than you are disagreeing with the pirate party (Their statement of principals can be found here: http://www.piratpartiet.se/documents/Principles%203.2.pdf). If you continue to approach the copyright debate by calling everyone who disagrees with you "nothing more than a bunch of college kids who want shit for free" than you shouldn't be too surprised if you find yourself pushing people who might otherwise defend copyright away.

      I support the right of creators to get paid for what they produce. I don't pirate games, but I do give old ones that I no longer play to friends, and accept their old games in return. When you insist that I am a "teenage hoodie checking out of society", and that "violating artist rights is what the PIRATE Party wants", you tell me that you do not support my rights to content that I have obtained legally. That's not helping your case that other people should support your ownership rights.

    9. Re:Bravo! by superwiz · · Score: 1, Insightful

      Or my fucking right to not be put in jail for 8 years like I'd murdered someone when I share a song with a friend?

      To own something is to have the right to restrict its use to others. I can lend a car to my friend. He can lend to someone else. But because it is my car, I can take back from that someone else and the fact that my friend said "it was ok" will change nothing. As long as copyrights give ownership of intellectual property, you don't have the permission to give it away anymore than you can sell someone else house without their knowledge.

      Should copyrights exist? Absolutely! But for much shorter periods of time than they do now. Essentially, the only role the government should have in estimating the appropriate length of the copyright period is "how long does it take for the material to become part of general culture". Certainly, phrases from Casablanca are part of the standard English idiom today. Yet, Casablanca is still copyrighted. The same goes for Elvis, Beatles, etc. But without copyrights, there would never had been either Casablanca nor the Beatles.

      If you land your friend a song and you keep a copy for yourself, you are taking from the song's author's his right to copy. It's not even all about the money. You are violating his right to his creation.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    10. Re:Bravo! by Demonantis · · Score: 5, Insightful

      This site is as much pro-piracy as a site demanding the closure of Guantanamo bay is a pro-terrorism site.

    11. Re:Bravo! by schon · · Score: 4, Insightful

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      Just hope for donations? There's a guy with a guitar on the corner of my street who does that. It doesn't seem to be working all that well for him.

      Interesting conclusion you've drawn there - if it wasn't working all that well for him, why does he keep doing it? Have you tried asking him, instead of drawing illogical conclusions?

      You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?

      Mu. This is an old argument, and regardless of how much you want it to be so, sharing is not stealing.

      Perhaps you should do some reading - freedom of speech is not the same as freedom of original speech. Think about this: it's possible for copyright to prevent you from (or possibly punish you for) criticizing the government.

      Copyright is the antithesis of free speech.

    12. Re:Bravo! by lupis42 · · Score: 2, Insightful

      I'd be happier if the Democrats and Republicans re-branded themselves as Mommy Government and Daddy Government, but they aren't going to because they (as far as I know) actually believe that there exist issues in this country and in public policy, and they have ideas about how to solve them. I think many of their ideas are stupid and wrong, and I disagree with their solutions, but they are attempting to resolve social issues.
      So is the pirate party. The issues they are attacking start with copyright, and include along with that consumers rights, privacy, and patents. If you have better ideas, let's hear them, this is a discussion forum. If you don't think copyright needs any reform, can you make a case for that?
      The digital entertainment industry only needs copyright for the business model "produce something, and then sell copies". WoW doesn't really need copyright to survive, musicians have been around for several millenia before copyright, and there are more examples. Would it affect digital entertainment negatively if copyright disappeared? I'm sure it would, just as I'm sure it would put a dent in novel sales. Would digital entertainment survive if copies were only valuable for 5 years and there was no effective way to prevent people violating that copyright? Almost certainly, after all that isn't that different from the way things are now, although I would be able to get copies of a bunch of old games that are copyrighted but not for sale anymore.

    13. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      No, it's informed speculation. ;)

      In every other market, where you have (1) people who are willing to perform a service in exchange for money and (2) people who are willing to pay for that service, those people manage to come together and exchange money for services in a way that benefits both parties. Even when the law explicitly forbids it (drugs, prostitution, assassination), the market still operates.

      So if you're claiming that this won't happen with "digital entertainment", which is perfectly legal and for which supply and demand are well-established, I think the burden of proof is on you to show why it's an exception.

      What makes you think the same market forces that successfully provide every other service will fail when applied to creating music, movies, software, or other intellectual works?

      --
      Visual IRC: Fast. Powerful. Free.
    14. Re:Bravo! by turbidostato · · Score: 4, Insightful

      " For people who supposedly pride themselves rational thought, have you ever taken a step back to look at your own views?"

      Yes.

      "And how do they get paid if anyone can replicate their content for free?"

      By-Some-Other-Means.

      Yes: it's as simply as that. It is on the side of the one that want to make some money the burden of finding the ways of it, nobody else's.

      But if you want some examples, Michelangello produced some nice forms of art. How? By finding someone wanting to pay him for that. But, hey, maybe you don't think that example to be representative since Michelangello didn't produce music. So be it. J.S. Bach, maybe you heard about him, made a live out of composing and playing music. How was that possible? Well, by finding someone wanting to pay him for that. What would have happened if nobody wanted to pay Bach? He simply would have find another way to earn for a living. If distributing media is a bussiness no more, just find a different bussiness.

      As simply as that. Really.

      "You really think that the "freedom" to steal an author's or musician's work is the same as the freedom to criticize government policies?
      You're acting like a child."

      Crab mentality... Humm, I think I like that concept.

    15. Re:Bravo! by brit74 · · Score: 3, Insightful

      And how do they get paid if anyone can replicate their content for free?

      How about payment for work done? You know, like nearly every other industry. Or should plumbers demand a payment every time you have guest use your toilet?

      Yeah, and those guys who rent places - they demand to get paid every month! What a racket!

      Seriously, though - when people create copyrighted material, they sell it for FAR less than the production cost. There might be hundreds of thousands of man-hours put into a project. Then, they turn around and sell it for $10 or $50 or $100. You're paying a small fraction of the actual development cost. Hopefully, the [Profit Per Sale * Number Of Customers] is larger than [Development Costs] for them, or else they're going bankrupt.

      So, would you rather make $40,000 / year (up front), or spend a year creating something that has a market for 5 years and earns $20 per day (supported by copyright)? You might argue that you can sell your copyrighted material an infinite number of times (theoretically). But, the reality is that you can't. The reality is that $20 / day * 5 years works out to only $36,500. You'd be better-off getting your money upfront, despite your assumption that copyright = cash cow. Copyright allows us to earn a living, and it's not some rich crazy amount of money we're earning.

    16. Re:Bravo! by turbidostato · · Score: 4, Insightful

      "without copyrights, there would never had been either Casablanca nor the Beatles."

      And that you know... exactly how?

      Without copyrights there is Illiad, Oddissey, Eneid and all ancient literature. Theater never needed copyright to work out, nor novels by chapters like those of Dumas.

      Films during the 30's, 40's, 50's... still needed complex infrastructures in place for delivering and show so I don't see why couldn't Warner produce Casablanca in order to show it on Warner's cinemas all over the country and protect the reels not by copyright but by simple physical means: no other cinema could get a decent copy of Casablanca unless they bougth to Warner or steal (which is punible by itself) from it.

      And what about the Beatles? Do they need any copyright to protect their ability to play their songs in concerts? Certainly others could play their songs but others are *not* The Beatles (The Real Thing TM). And certainly it was not copyright what gave us Bach, Vivaldi or Mozart.

      The world being the way it is doesn't mean that's the only way the world could be.

    17. Re:Bravo! by Opportunist · · Score: 4, Insightful

      I blame day time TV ("afternoon talkshows", the celebration of loudmouth stupidity) paired with evening shows showing that being a disfunctional family and generally unfit to live a social life earns you a slot in a "reality show", from TV sponsored parenting councelers to family swapping shows that also seem to pick the stupidest of the herd (or maybe you have to be really stupid to participate in something like this altogether).

      I give you, though, that closed-mindedness is treated like a virtue here. Else our right wing populists wouldn't be so insanely successful. It kinda saddens me to see a party historically backed by large corporations and big money managed to become the spokesperson for the proverbial "little guy"... or rather, that they managed to tell the little guy that they were, and he belived it.

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    18. Re:Bravo! by Ethanol-fueled · · Score: 5, Insightful

      Every Slashdotter, deep inside, knows that piracy is wrong and that it screws hard-working people over.

      Metallica spend an hour recording tracks for their latest album. Then they leave and go out for hookers and blow while sound engineers spend the next 2 weeks cutting, pasting, and pro-tooling the hell out of the riffs and the cobbling the mess into something which resembles an album. Profit.

      "Hard-working" may have been true 20 or even 10 years ago, but piracy caught on just as quality and craft of Big-label music took a nosedive. If I were an actually hard-working and gigging artist then I'd encourage so-called piracy of my tracks and make money selling CD's. I've frequently seen local bands in different cities give away stickers and CDs just to get their name known.

      Shit, was I just troll'd? ;)

    19. Re:Bravo! by superwiz · · Score: 2, Insightful

      And that you know... exactly how?

      Because they were produced by for-profit corporations whose business models relied on copyrights. I am not saying that other artistic forms would not have existed. Just these particular ones -- the ones that were distributed by for-profit corporations. There is plenty of good indie bands out there. Beatles were before cassette tapes. I simply don't see how they could have risen to the same level of popularity (through what mechanism) other than a mass-distribution chain that studios provided. I am not saying other methods of sponsoring arts don't exist (they do, in fact... through direct sponsorship, for one... as was the case with most classical musicians). I am simply saying that this is one of them. And this is only one that gives artists ownership of their art. I think this is just an outgrowth of general dislike for the excessive power of corporations. Well, that's a different issue and shouldn't be mixed with basic ideas of what it means to "own" something.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    20. Re:Bravo! by brit74 · · Score: 4, Insightful

      Paying directly for production would end up working the same way in most cases. Instead of finding one customer to pay you $40,000 for a project, you'd more likely find a thousand customers who each pay $40.

      That simply doesn't work for any project with a large number of users. Further, there are all kinds of problems with the "pay up front" model - it takes years before you get your product, you don't know what the quality will be (it could be a total lemon), the creator will only get a small fraction of the people to pay, people will have an incentive to not join in paying for something (choosing, instead, to freeload after its release). Do you think that you could get millions of people to pay up-front for the production of X-Men 4 even though it won't come out for years? How would you even organize such a thing? And Windows Vista? I'm glad I didn't have to pay up-front because once I saw the reviews I didn't want it. So, I don't have to pay. I don't even want to think about trying to make a first product - nobody knows who you are, or whether you create good software. You don't have the money to spam millions of people who *might* be interested in what you are creating.

      The difference is that you don't have to "hope" that your gross revenue is greater than your development costs. Your gross revenue is set by you as an asking price, and you don't incur any development costs until you already have customers lined up to pay for development. So if there isn't enough interest in your project for it to be profitable, you can spend your time on something else.

      That wouldn't work. First of all, let's say that you want to make a product. You think about 1 million Americans would be interested in this product. You spam everyone you can possibly find. About 1/300 people who hear about your product think it's a good idea and agree to buy-in. If you could contact all 300 million Americans, you could get your 1 million customers. But, you can't. You only contact a million people (and that was expensive and difficult). So, you've got only 3,333 customers. Nowhere even close to 1 million. Now, you just give up because you can't make the funding work -- even though, theoretically, it could work.

      Copyright solves all kinds of these problems. I really don't think we should try to go back to a pre-modern method of funding things because we'll be taking a big step backwards.

      Abolishing copyright is a big step backwards.

    21. Re:Bravo! by Mr2001 · · Score: 4, Insightful

      That simply doesn't work for any project with a large number of users. [...] You think about 1 million Americans would be interested in this product. You spam everyone you can possibly find. About 1/300 people who hear about your product think it's a good idea and agree to buy-in. If you could contact all 300 million Americans, you could get your 1 million customers. But, you can't.

      You seem to be assuming that the artist is on his own here. But lone artists can hardly expect success under the current model either! You can't single-handedly get a CD (or any other product) into every retail store in the country; that's why you have an arrangement with a distributor.

      Likewise, if you want to sell your services to a million customers, don't try to contact them all yourself. Make an arrangement with someone else who'll help with promotion, handle the transactions, and deal with customer support in exchange for a cut.

      Further, there are all kinds of problems with the "pay up front" model - [1] it takes years before you get your product, [2] you don't know what the quality will be (it could be a total lemon), [3] the creator will only get a small fraction of the people to pay, [4] people will have an incentive to not join in paying for something (choosing, instead, to freeload after its release).

      1. This is true, and it may lead to a shift in the type of works that are produced. If that means fewer Duke Nukem Forevers, I don't think we'll miss much. But on the other hand, I don't think it's impossible to convince people to pay for something to be delivered a couple years later -- you just have to use a different marketing style.

      2. This same issue exists with any other service, and it's a non-issue. You don't know what the quality of your auto repair, landscaping, or surgery will be until it's been performed either, yet people pay for these services all the time. They agree on the service to be performed beforehand, and if the result is unacceptable, they take their dispute to one of the well-established venues (complaints, bad reviews, chargebacks, small claims court, etc.).

      3. The proportion of end users who pay is irrelevant. All that matters is whether the person performing the service receives enough money to make it worth his time.

      4. Again, as long as enough people pay, this is no problem. If enough people aren't paying, that means there isn't sufficient demand: every person who chooses to wait instead of paying is gambling (taking the risk that the work will never be made in exchange for saving some money), and that means they don't really care about your work anyway, right?

      Copyright solves all kinds of these problems.

      Well, yes and no. Copyright is only effective to the extent that the author can actually control the flow of copies, and as we've seen, the era of authors being able to do that is rapidly fading. If you're doing the work for free, hoping to recoup your costs by selling copies, and then pirates cut you out of the loop by satisfying the demand for copies without you, copyright hasn't solved anything -- it's made the situation worse by enticing you to work for free in the first place.

      Copyright is not free. We pay the cost in lost freedoms, foregone innovations, restricted access to past works, and limits on technology, as well as the monetary cost of law enforcement and courts. I don't believe the it provides nearly enough benefit to offset the huge costs.

      --
      Visual IRC: Fast. Powerful. Free.
    22. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      Um - what? Lots of people create things with the anticipation or hope that someone will pay for it once it's created.

      Please make up your mind. Are you talking about the world as it exists today, where copyright law makes it illegal to sell someone else's content without permission, or a hypothetical world with no copyright, where there's no incentive to work for free anyway?

      Your objection seems to be that with no copyright, people would still create works for free and then get exploited, but that's utterly irrational. Why would anyone write a book for free, hoping to sell it to a publisher, when he knows that there's no reason for anyone to buy publishing rights?

      Different incentives lead to different behavior. With no copyright, the behavior of working for free would not be rewarded, and thus would not occur except when money isn't a motivating factor anyway.

      How is the artist being "smarter than you give them credit for" going to stop Walmart from printing up copies of music, books, games, and software?

      Because those music, books, games, and software don't exist until someone writes them, and a sensible person wouldn't write them for free if he's expecting to get paid for his writing.

      You seem to think artists will create all that stuff for free, and then be surprised at the last second when Walmart sells copies without paying them. In other words, you seem to think artists are incapable of planning ahead or predicting how other people will react. I disagree.

      --
      Visual IRC: Fast. Powerful. Free.
    23. Re:Bravo! by erroneus · · Score: 5, Insightful

      I think you seriously misunderstand what "the Pirate party" is really all about. The name itself is merely a persistence of the misnomer that copyright infringement was given by copyright interests in order to make their case more dramatic. But lately, it is more than just copying things. There is a great deal of injustice going on surrounding the issue of copyright and government laws and action put into place as a result. It has gone too far and has harmed many innocent people.

      Furthermore, many copyrighted works that would have, and should have, been in public domain and in the hands of the people have instead disappeared without a trace simply because the holders of the copyright or those licensed to publish aren't interested in making more copies for distribution. And keep in mind the agreement behind copyright is that eventually, the content would be released into the public domain but the copyright interests have managed to extend the term of copyright to virtually indefinite terms and have locked up content inside the media it is distributed in to prevent people from moving the content into storage that will stand the test of time and remain accessible if and when it EVER becomes public domain. It represents a breech of that agreement to have extended copyright beyond the original duration. And it is simply obscene that they do so 70 years after the death of the creators? If the creator is a corporation, then what? "FOREVER?" It is completely unreasonable.

      This has never been about artists. Artists have invariably suffered at the hands of publishers and their deals. The artists who have done well, whether musical or otherwise, are the ones who have managed to operate independently and create their own labels and publishing.

    24. Re:Bravo! by shentino · · Score: 2, Insightful

      Digital works are a lot like pharmeceuticals.

      Massive capital expenditure, minimal marginal cost.

      And if the RIAA gets its way, soon to be intertwined with government regulation.

    25. Re:Bravo! by Mr2001 · · Score: 5, Insightful

      The quality of trolling on this site has really taken a nosedive over the last few years...

      I'll say. The old "misunderstand your opponent's position and harangue him for something he never posted" troll is so passe. Try to be more original next time. ;)

      WTF are you talking about? The way the content industry works is you create content and then you sell copies of it for profit. If everybody copies your work and distributes it for free, which is the way you seem to be suggesting the content industry should be working, there is no profit and hence no money to pay people for work done.

      You're mistaken: he isn't suggesting what you think he's suggesting (nor am I). That would indeed be silly. Let me break it down for you in the traditional Slashdot business-model format.

      The current model:

      1. Artist makes content for free.
      2. Artist sells copies of content.
      3. Profit!

      What you seem to think we're suggesting:

      1. Artist makes content for free.
      2. Artist gives away copies of content.
      3. ???
      4. Profit?

      What we're actually suggesting:

      1. Artist finds people who want content made.
      2. Artist makes content in exchange for money.
      3. Profit!
      4. Artist gives away copies of content.

      Notice that money changes hands -- or at least, an agreement is signed -- before any content is available to the public. By the time anyone has a chance to copy it, the artist has already been paid.

      So if we had king sized Star Trek type replicators [...] to, say... replicate cars, car manufacturer's coffers would still be filling up to the brim with all the imaginary goodwill dollars they'd be getting from all you and all the other people who pirate-copied their cars in these replicators without paying real world money for the privilege?

      Not quite. Car manufacturers would be obsolete, because manufacturing would be something anyone could do at home, without needing a factory.

      Car designers, on the other hand, would still earn a living as long as the public still wanted new car designs. That's because you can't manufacture a new kind of car until someone designs it, and if the designer says "I'm not designing anything until you pay me", your only choices are to pay him or to keep using the old designs.

      In other words, cheap replicator technology would force the auto industry to separate design/engineering (their job) from manufacturing (not their job), just like P2P will force artists to separate creation (their job) from making copies (not their job).

      --
      Visual IRC: Fast. Powerful. Free.
    26. Re:Bravo! by bzipitidoo · · Score: 2, Insightful

      Your arguments have a few problems. Seems you haven't fully appreciated the difference between tangible goods and ideas. And you might be confusing copying with plagiarism.

      I think what you are trying to get at is that ideas can be shared without incurring physical cost (something that isn't true with tangible property)

      This is exactly what we are getting at. Sharing an idea is very different from sharing a tool such as a shovel. As Jefferson put it, "he who lights his taper at mine, receives light without darkening me."

      The law should not treat ideas as if they were physical goods, and we shouldn't allow these foolish self-interested conglomerates to trick, brainwash, bully, and push us into such a stance. Every time someone sincerely uses "stealing" to describe sharing, is another small victory for those who wish to turn our civilization into a narrow, mean, petty ownership society where anything of any value whatever is treated as property and assigned to some owner, where charity will be suspect, where no one will believe altruism makes any sense.

      Ideas are far more flexible than that. We only hurt ourselves and severely limit our potential when we try to treat them like physical property. We may never know how many answers to how many problems were buried and left to rot thanks to arguments over "property" rights, and how many people that killed. We do know many people have died of AIDS who need not have, thanks to the greed of Big Pharma. One of those people could have been the next Einstein. We'll never know. Hundreds of disparate groups could be, and probably are, sitting on a pile of patents that collectively cover every aspect of dozens of pieces that are all needed to realize a new and far more efficient transportation system, one that could replace the automobile and thereby save our civilization from Global Warming. But out of a practically religious devotion to property rights, we will not be able to put it all together and use it and may not even learn of it until it is too late.

      These are the kinds of dangers I see. Alarmist, perhaps? Unlikely, maybe? Improbable that any stance whatever on what might seem a relatively minor issue could have such a huge impact? Our excessive devotion to intellectual property rights weakens us. So long as we don't face any test that requires all our strength, we will be fine, and we can afford this foolishness. Maybe Global Warming isn't as dire as feared, or maybe we will be able to solve that despite being weakened over intellectual property red tape. But if we are faced with some overriding, all-consuming problem that we just might be able to solve only if we all pull together, it would be criminal if we failed because we couldn't resolve our issues over how to treat ideas.

      What problems might we face? If not Global Warming, perhaps an asteroid strike. Or there is intelligent life out there, and these aliens at last choose to interact with us. Can you imagine beaming a book to aliens and telling them they aren't allowed to copy it? They might think we are insane! And if they feel that the galaxy is a better place without insane intelligences running amok....

      But without copyright any film operator could have secretly made a copy and sell it to a competing studio.

      No. That could be plagiarism. Your example isn't clear. Do you mean that the film operator attempting to sell to a rival studio is trying to claim that he is the author? Or that the rival studio is willing to pay for material they know must be plagiarized? Or is willing to commit plagiarism themselves and try to sell copies of that copy as their own work? With a decent digital notary system, it's really quite easy to prove plagiarism. No copyright is needed for that.

      --
      Intellectual Property is a monopolistic, selfish, and defective concept. It is "tyranny over the mind of man"
    27. Re:Bravo! by superwiz · · Score: 1, Insightful

      Blah, blah, blah. The point is some companies saw a way for a profit where others (i.e. me) didn't.

      You are still comparing apples to oranges.

      I already gave examples of how such a profit could be made.

      I've already shown that the model in that example doesn't work.

      "So without copyrights, artists would only have the ability to negotiate pay for future work."

      I can basically agree on that point. So what?

      ...

      I can *say* I own your soul, and certainly if you believe me I could use that as a negotiation tool.

      Well, deciding on whether or not artists owning their work is morally equivalent to you claiming ownership of my soul is, actually, a choice of value system. I have to confess, I don't think these two claims are of equal merit in my value system. I don't think they are in your, either.

      As to the larger "so what" question, you always get a better (on average) product if you get to negotiate purchase of something after it's been made. But, this again, is beginning to but into volition vs coercion. To avoid philosophical entangling, I'll just say that empirical evidence shows that art produced with intent to sell to those who have a choice of not buying it tends to be of better quality than art that was commissioned. For example, I would assert that break-out bands are better than label-crafted bands.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    28. Re:Bravo! by Kjella · · Score: 4, Insightful

      Copyright is a totally different issue to freedom and privacy.

      In theory, yes. In practice, no. Between digital media (CD, DVD, BluRay), reproduction (copy-paste) and distribution (Internet) it's trivially easy to share. Have you paid no attention to what the "solutions" copyright holders present? It's either to penalize you without due process aka "graduated response", demand settlements under threat of a 150,000$/song lawsuit or demand that ISPs do mass surveillance. Quite direct threats to your freedom and privacy.

      You sound exactly like the discussion was in Sweden five years ago, where copyright was something they argued could be protected by reasonable methods. And each year file sharing grew and each year the countermeasures became more and more unreasonable. Even if it's 'lets all take stuff for free', you can't fight a lesser evil with a greater evil. They're not even remotely close to stopping file sharing and already people refuse to let their rights be violated for the entertainment industry's sake.

      What you have not seen is the turn in politics of the other parties. So blatant, so completely void of any other politics like economics, environment, foreign policy and whatnot that the Pirate Party is, those 7% are really only the tip of the iceberg. They're leaders that can rally friends in other parties like greens and liberals and demand change. Right or wrong, the people won't accept the cost of protecting copyright much longer.

      --
      Live today, because you never know what tomorrow brings
    29. Re:Bravo! by superwiz · · Score: 2, Insightful

      By the way, this was one of the most disgusting posts I have ever seen on slashdot. It is "big pharma"'s greed that saved the life of everyone who got AIDS and didn't die from it within a short period that the disease kills an untreated person. Pharmaceutical companies are the reason that cancer survival rates went from under 5% in 1960 to over 60% today. Pharmaceutical companies are the reason AIDS is not an automatic death sentence anymore. Pharmaceutical companies find a way to provide employment for the brightest of scientists to produce cures or treatments for disease and conditions that shills like you cannot even name. To use a slur when referring to the best of people is to equate yourself to the worst of people. You, sir, have done just that.

      --
      Any guest worker system is indistinguishable from indentured servitude.
    30. Re:Bravo! by brit74 · · Score: 2, Insightful

      - Not every creator is Metallica. You're argument devolves into "*this* musician makes too much money, therefore, we must eliminate copyright to make sure they (all musicians) make a lot less money". It might "solve" the problem of overpaid musicians, but they're only a small fraction of all the people working.

      - Metallica did NOT spend an hour making their latest album. I know people who are musicians. Recording music takes a lot of time. Repeating everything to perfection, laying down multiple tracks, paying to rent the studio, paying people who work there. There's an awful lot of work and effort that goes into it - not only by Metallica - but by a lot of studio people to balance and mix everything together.

      - The copyright system doesn't just cover musicians. It covers everyone from software developers to film-makers to artists and photographers.

    31. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      And I've already explained that your system is unrealistic.

      Apparently you think a new model has to exactly duplicate the status quo in order to be "realistic". I find that unrealistic.

      You simply aren't going to be able to find people to pay up front in nearly the numbers that you can find to pay after you complete the project (under a copyright system). I'd be amazed if, for example, Killzone 2 could bring even a fraction of their $70 million development costs before they even began development. ($70 million was their development cost.)

      Well, that's a lot of money, but I don't think it's impossible to raise that much up front. Just difficult (especially considering how the first Killzone was received).

      But look. Suppose Killzone 2 wouldn't have been made. So what?

      The goal isn't to find an alternate way to fund the production of every single thing we see on shelves today, it's to find a way to fund the production of intellectual works that (1) still works in an era where copying is easy, cheap, and unpreventable, (2) doesn't rely on restricting speech or technological innovation. Like the AC said, if you make substantial changes, you'll get a different outcome... but different doesn't mean worse. What we lose in Killzone 2s not made, we gain in new works being made that would be impossible to release today, as well as restored freedoms.

      And don't forget, for every project that turns a profit (if indeed Killzone 2 has turned a profit yet, which isn't clear), there are several projects that never recoup their development costs. We don't expect people in other fields to treat their work as a lottery; why should we expect that of artists?

      The costs of finding those people in the first place would add millions of dollars to the project (and that's money that has to be paid even if you decide not to do the project at all).

      That isn't new overhead, it replaces the corresponding overhead in the copyright model. Putting a game onto thousands of retail shelves isn't free.

      It's almost like you're so in love with a copyrightless world that you're willing to go to any length to justify it.

      It's almost like you're so in love with a few blockbuster titles like Killzone 2 that you're willing to give up your rights and mine -- as well as all the other titles we'll never see because of copyright, and the technological innovations we'll never see because they offend copyright holders -- in order to get them.

      --
      Visual IRC: Fast. Powerful. Free.
    32. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      Yes, and when that "market" consists of people taking and distributing stuff for free, there is no exchange of money. Does your informed speculation take that into account? No, it doesn't.

      Actually, it does.

      You see, in order to "take and distribute stuff for free", that stuff has to exist first. You can't copy a song that hasn't been recorded; a musician has to create the song before anyone can copy it. And that musician can demand to be paid first.

      The "service" you claim people are willing to perform, is seeding a torrent, not producing content.

      No, you've misunderstood.

      The service that people are willing to perform is producing content. People are, in fact, willing to record songs in exchange for money -- otherwise there would be no "recording industry".

      I'm claiming you're dreaming up a magical market solution that lacks the necessary market functions to actually work.

      I'm sorry you think that; I know you've had a hard time understanding this proposal. I hope I've clarified it for you. Let me know if you're still having trouble.

      --
      Visual IRC: Fast. Powerful. Free.
    33. Re:Bravo! by turbidostato · · Score: 2, Insightful

      "So you want back the times where many artists were financed by nobility. Where did that money come from again? Taxes - so you want a music creation tax to pay for your free music. It's as simple as that."

      So I want back the times where many artists were financed by rich men. Where did that money come from again? Profit - so I want a music creation payed by those that can allow it. It's as simple as that.

    34. Re:Bravo! by Mr2001 · · Score: 2, Insightful

      Sorry to make it two replies, but your last paragraph can largely apply to zero copyright too (except for more access to past works and fewer court cases).

      Er... I think you left something out. How exactly would abolishing copyright result in lost freedoms, foregone innovations, or limits on technology?

      The only one of those I can imagine an argument for is foregone innovations, if you think copyright holders produce new things thanks to copyright that wouldn't have been created otherwise -- and that those outweigh the innovations that people are currently unable to pursue because of copyright. But I don't think it's fair to assume people motivated by copyright are any more innovative than people who are paid directly for their work, or people who work for their own reasons without being paid for it.

      Your problems seem to have more to do with abusive expansion of copyright law, which I think anyone here has problems with.

      No, my objection is to copyright itself. I believe it's fundamentally wrong to tell anyone "you can't say these words, they belong to someone else".

      Information doesn't work like physical property; it shouldn't be subject to that sort of ownership at all. And we shouldn't encourage artists to gamble their livelihoods on the fading chance that they can prevent other people from making unauthorized copies.

      --
      Visual IRC: Fast. Powerful. Free.
  2. Biggest party in Sweden for voters under 30 by BlackCreek · · Score: 5, Insightful

    http://www.thelocal.se/19928/20090607/

    Among voters aged under 30, some 19 percent are believed to have cast a vote for the Pirate Party.

    "They are the biggest party among young people, bigger than both the Social Democrats and the Moderates," said politics professor SÃren Holmberg.

    As I was just telling my girlfriend, one way or another, it should be the first time the EP gets people who actually understand present day computer technology.

  3. One great big.. by castrox · · Score: 5, Insightful

    This is one great big middle finger to the big parties who have ignored the privacy issues. Just this past month it's been very clear that the large parties are trembling because of the massive streams of voters who abandon them for the Pirate Party just because of these important issues. I really hope they will get with the program and realize that they can't dismiss the privacy debate and say that it's just a loud bunch who don't get it (the so called "pirates").

    --
    Fight for your digital freedom, join the EFF *now*: http://www.eff.org/support/
    1. Re:One great big.. by jhol13 · · Score: 3, Insightful

      It always amazes me how some people think only the "most pressing issue" may be addressed and others must be ignored.

      I do want to sound like a dick as it is a big issue and it is an issue no other party is taking seriously. Like many other electronic freedom issues.

  4. Happy and very proud! by shaka · · Score: 3, Insightful

    As a Swede, I am very proud that Sweden once again leads the way and is the first country to take an important issue seriously - wait until the next election and see Pirate Parties from countries all over Europe!

    --
    :wq!
  5. Re:Final results. by Anonymous Coward · · Score: 1, Insightful

    your name is listed at the top your post, there's no need to 'sign' it

  6. Pirate party is really Private party by Bjarne+Bula · · Score: 5, Insightful

    It should be noted that although they call themselves the Pirate party, the focus of the party is on questions of privacy and integrity. Issues where voters have been repeatedly ignored and even betrayed by the established parties.

    While one of the laws recently shoved down voter's throats, despite promises to the contrary, have been aimed towards curbing piracy, the real outrage has been against the privacy and integrity issues with this and other recently passed laws regarding interception of domestic communications etc. (Well, that, and giving corporations the ability to petition courts to perform searches that, under similar conditions, would not be granted even to the police.)

    1. Re:Pirate party is really Private party by TeknoHog · · Score: 2, Insightful

      Actually, a government-approved Pirate Party should be called Privateer Party :)

      --
      Escher was the first MC and Giger invented the HR department.
  7. Re:Are they a one-issue party? by alexhard · · Score: 5, Insightful

    They also want to reform patent and trademark law, but that's it. However, the issues that they are dealing with, most importantly the right to privacy, are in my mind (and obviously many others) much more important than the issue of whether taxes should be at 31% or 32%.

    --
    Infinite time means everything that can happen, will. You being you is absolutely incidental. You do not exist.
  8. Re:Fantastic! by IamTheRealMike · · Score: 1, Insightful

    What concerns exactly? That it's illegal to download copyrighted stuff? That's not a concern that will be taken seriously by anyone outside the pirate party. I mean this is the party who seriously proposes replacing pharma patents with all drug R&D being government funded. Their policies appear to be incredibly flimsy, there's not even any discussion of the content providers POV on their English website. It's just "p2p should be free, drm should be illegal, nobody needs to make money after 5 years anyway".

  9. Great. Anti-swpat MEPs by H4x0r+Jim+Duggan · · Score: 2, Insightful

    The Pirate Party have policies against software patents, so this is good news also in that respect.

    Their voting weight will be small, but they can help make the group dynamics of the European Parliament more favourable to campaigners against software patents (much as the Greens did in 2002-2005, and still do).

  10. Re:Fantastic! by Darkness404 · · Score: 4, Insightful
    Content providers are simply middlemen, they are very small in number, do an increasingly useless job, and employ tactics that most of the internet-using population hates to use their unpopular viewpoints. There are a lot of content producers such as artists, writers, etc. that applaud the Pirate Party.

    I mean this is the party who seriously proposes replacing pharma patents with all drug R&D being government funded.

    In a country with sky-high taxes, government healthcare, etc. that could very well work. Now, in a more capitalist economy such as the USA, it would fail, but in a more socialist economy such as that of Sweeden, it could very well work.

    It's just "p2p should be free, drm should be illegal, nobody needs to make money after 5 years anyway".

    P2P for non-profit use should be allowed because it eventually helps the content producers. DRM should be perfectly legal to break and should require warning labels when it is used. And really, after 5 years most of the money from most works have dried up (or releasing them to the public domain wouldn't hurt sales), however they could be built upon, expanded and generally contribute more to the world.

    --
    Taxation is legalized theft, no more, no less.
  11. Mutiny in the EU. by ae1294 · · Score: 4, Insightful

    Woah... they went from 0 to 100kph in like 1 second. If I was the other parties i'd be taking notice. One seat probably isn't going to change much but it has been amazing to watch this whole thing unfold and the threat it all posses to the other parties if they don't stop taking money and order's from big business/brother...

    1. Re:Mutiny in the EU. by Opportunist · · Score: 5, Insightful

      It's not so much this one seat, it's the 7% that should shake up other parties. 7% is a lot, especially in Sweden. Hell, it would be a lot in most countries that don't consist of just a two-party system!

      7% is something YOU want for YOUR party. And it's not like you have to turn your party upside down to incorporate the issues of what is basically a two-issue party: Privacy and copyright/patent laws.

      Those 7% are yours for the taking. Take our privacy and our concern about the harebrained copyright and patent laws serious, and they could be yours!

      --
      We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
    2. Re:Mutiny in the EU. by Kjella · · Score: 2, Insightful

      * only applicable to parties that have credibility left in these matters.

      --
      Live today, because you never know what tomorrow brings
  12. Re:Fantastic! by HappySmileMan · · Score: 3, Insightful

    ... [snip] .. It's just "[snip] nobody needs to make money after 5 years anyway".

    If you quit your job today you'd expect to still be getting paid 5 years from now I assume?

  13. Re:Pirate party for every country! by Darkness404 · · Score: 3, Insightful

    In Europe though, you guys actually have a democratic system that lets you have more than the two government determined choices. There were plenty of parties that shared the Pirate Party agenda, at the very least you could have voted to block the lesser of the two evils like we have to do in the USA.

    --
    Taxation is legalized theft, no more, no less.
  14. Seems to me like people in Europe enjoy more freed by melted · · Score: 5, Insightful

    Seems to me like people in Europe enjoy more freedoms than we do here in the US - the self proclaimed "Land of the Free, Home of the Brave".

    That's what you get with a single party system, my friends. And no, this is not a typo - Dems and Repubs are pretty much the same party with minor variations. There's nowhere near the diversity of political opinion in the US as what you'd see in Europe. We need a raving, rabid, card carrying socialists to balance the equation somewhat on this side of the pond. All branches of the government have been licking the Big Business' behind for far too long.

  15. Re:And Democracy reins... not in the U. S. of A. by DAldredge · · Score: 4, Insightful

    How does my copyright on the code that I write harm the public, culture and future history?

  16. I'm proud today by Hazelfield · · Score: 5, Insightful

    Sweden has for a long time been known as an advanced IT nation with widespread computer use, broadband connections, IT companies and so on. In the last few years that has come to change with new repressive laws like FRA and IPRED, but today we took back some of our lost pride. It's good to see that we give Europe a voice for a reformed copyright and patent law, free culture, and privacy and democracy on the Internet. Even if it's difficult for this person - most likely Christian Engström - to affect decisions directly among 735 other MPs, his presence will have two important consequences:

    1) It gives Brussels some sorely needed competence on these issues to act as a counterweight against lobbyists trying to influence decisions.

    2) It sends a message to the other parties that they cannot continue ignoring the rights of their citizens forever.

    I voted for the Pirate Party and I hope this result will be the first step towards a European Union that cares more about our rights online.

  17. Re:Seems to me like people in Europe enjoy more fr by Eponymous+Crowbar · · Score: 2, Insightful

    Yeah, that's a little deceptive. When is the last time a song was banned in the US? If you are an adult, have you ever had trouble purchasing a violent video game in the US? If you are a member of an extremist group (non-violent, at least), do you need to hide that in the US? Can you buy military style weapons in the US? You may not agree with some of the freedoms we have in the US, but they remain available.

    I could come up with a list of things that are more accessible and free in the EU. It's give and take. Each area has advantages when it comes to freedom. I don't think you can make a blanket statement that one area enjoys more freedoms than the other without qualifying which freedoms are most important to you.

  18. Re:And Democracy reins... not in the U. S. of A. by Stiletto · · Score: 2, Insightful

    If you quit your job tomorrow, would you keep getting paid until 70 years after your death?

  19. Re:Are they a one-issue party? by Opportunist · · Score: 5, Insightful

    IIRC they didn't even want to be a "real" party. They basically wanted to get enough votes so other, established, parties would pick up their issues to harvest those votes back.

    I forsee the same development we had in the 80s with the Greens all over Europe. Nobody took the "eco-loonies" serious, nobody cared about environment issues, so a party was founded and behold, it was important enough to enough people that some "fluffy treehugger party" gained enough speed to become an established party. The Greens started out as a one-issue party as well: Environment and pollution. Now they're something the "established" old parties have to deal with.

    You'd guess they should've learned their lesson from the 80s, that they should pick up other parties' issues before they become strong enough that voters don't consider it a "lost vote" if they cast their vote for them. Appearantly, parties don't learn from history more than the average person does...

    --
    We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
  20. Re:Fantastic! by Darkness404 · · Score: 4, Insightful

    I'm a content provider. I make games and sell them.

    No, you are a content producer. Two vastly different things. You make games. On the other hand a studio that does nothing but buys the rights of other games, puts them on disks and distributes them are a content provider. They provide content, they do not create it. As another example look at YouTube, YouTube is a content provider, they provide content, however they are not content producers in that they do not make videos for YouTube (well, there are a few, but not very many)

    BTW, as a content producer, I disagree that p2p helps me in an way. In fact, I strongly refute that.

    Well I suppose you either don't patch your games or require patches to be played as with servers, or have enough money that you can afford bandwidth for how many players you have. Also, have you ever released any of your older games via P2P? Having visited the site in your sig I can say that I have never heard of any of your games (well, save for the link on your sig on your /. posts). I don't know how popular your games now are, but a few good older releases can help people buy into a developer, such as with used games. I buy a used game that 0% of the profits go to the publisher or anyone other than the game store. However, if that game is really amazing, I might tend to buy more games in the future from them (possibly new).

    --
    Taxation is legalized theft, no more, no less.
  21. Re:I sure hope one seat doesn't matter much by skrolle2 · · Score: 5, Insightful

    In terms of voting power a single MEP sure doesn't contribute much, but the main benefits of having the Pirate Party represented is that there is now one person on the inside that can report on everything that threatens privacy and integrity or furthers the copyright maximalist agenda. He can expose and bring all those issues to the public eye, where other MEPs may or may not be interested in doing so. The other benefit is that he can talk, build alliances, educate and speak to the other MEPs as an equal, not as an outsider with an agenda, because he now has actual voter mandate to do so. There are also a lot of other MEPs from other parties that care about these issues, and there is now one person whose only job is to bring them all together and drive these issues in the direction we want.

    The nationalists may have gotten a few seats, but in this issue most other MEPs are engaged against them, educated about it, and know exactly that they do not want to work with them, so it's much more of an uphill battle for them.

  22. Re:And Democracy reins... not in the U. S. of A. by DAldredge · · Score: 3, Insightful

    Since shops use the police and court systems to arrest and prosecute thieves is their business model messed up too?

  23. Re:Like Communists by pimpimpim · · Score: 2, Insightful

    In the last year there was 12 Trillion dollar spent on bailing out banks. By non-communist parties. Again, who actually HAS an understanding of basic economics? Neither the banks nor existing parties in power, apparently. The worst thing is, nobody still knows how this immense amount of bailout money is going to be paid back, everybody is just trying to act as if nothing happened.

    --
    molmod.com - computing tips from a molecular modeling
  24. Re:Like Communists by TeknoHog · · Score: 2, Insightful

    What does basic economics tell about digital goods, as they have an infinite supply and a zero marginal cost of production?

    --
    Escher was the first MC and Giger invented the HR department.
  25. Re:And Democracy reins... not in the U. S. of A. by alexo · · Score: 2, Insightful

    How long do you feel copyright should be?

    Let me chip in.
    In my opinion, the length of copyrighted should be bounded such that a work will revert to the public domain while it is still somewhat useful and relevant.

    For literary works, I would say less than one generation after it was written, 15-20 years sound about right (cf. the Statute of Anne, which "created a 21 year term for all works already in print at the time of its enactment and a 14 year term for all works published subsequently.")

    (Note: with the advancements in communication and distribution in the last 300 years, the length of copyright should have decreased instead of increasing.)

    For computer programs, at most a "software generation" (to be defined). Probably 10 years or so.

  26. Re:Fantastic! by Anonymous Coward · · Score: 1, Insightful

    Excellent display of customer relations practices there, cliffski.

    Well done.

    Somehow, whenever I get curious as to whether you have managed to muster up some resemblance of manners, up you pop and demonstrate the opposite with glaring obviousness.

    Well done, indeed.

    Flame away, if you wish, thus proving the point, yet again.