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In Round 2, Jammie Thomas Jury Awards RIAA $1,920,000

NewYorkCountryLawyer writes "Well the price went up from $9250 per song file to $80,000 per song file, as the jury awarded the RIAA statutory damages of $1,920,000.00 for infringement of 24 MP3s, in Capitol Records v. Thomas-Rasset. In this trial, although the defendant had an expert witness of her own, she never called him to testify, and her attorneys never challenged the technical evidence offered by the RIAA's MediaSentry and Doug Jacobson. Also, neither the special verdict form nor the jury instructions spelled out what the elements of a 'distribution' are, or what needed to be established by the plaintiffs in order to recover statutory — as opposed to actual — damages. No doubt there will now have to be a third trial, and no doubt the unreasonableness of the verdict will lend support to those arguing that the RIAA's statutory damages theory is unconstitutional." Update: 06/19 01:39 GMT by T : Lots more detail at Ars Technica, too.

23 of 793 comments (clear)

  1. Well . . . by arizwebfoot · · Score: 5, Insightful
    Some thoughts about this award:
    • Crooked, obscene, irrational, ineffective assistance of counsel, insane, tom foolery, crooked, baseless, should have used NYCL, undeserved, excessive, way excessive, legally raped, crooked, sanctions, more sanctions, terroristic actions, bungled, inept, crooked, bad dog bad, sit in the corner, stupid, payback, legal hos, dumb award, timeout, crooked, who ya gonna call, something is rotten in Denmark, spanked, what will you do when they come for you, retrial, bought jury, bad judge, all bad, and did I mention crooked?
    --
    Beer is proof that God loves us and wants us to be happy.
    1. Re:Well . . . by Geoffrey.landis · · Score: 5, Insightful

      My thoughts about this award is that it makes it quite clear that the average person posting on slashdot does not know anything about law. If you read slashdot, you'd think that there would have been no possibility of RIAA winning because they are incompetent idiots without a clue.

      Apparently not.

      Note to self: don't depend on /. for legal news.

      --
      http://www.geoffreylandis.com
    2. Re:Well . . . by MBCook · · Score: 5, Insightful

      I think it's fairly clear she was guilty. There was some doubt, but I'm not surprised she was found guilty at all.

      I am surprised at the amount. I figured it would be reduced to be more reasonable. My big problem with all this is the damages. $18,000 per song is 900 CD sales per song at $20 a CD.

      For simple infingement (not intentional theft) I could see $100 a song, or $250 a song. But $18,000 is ludicrous.

      I was hoping the damages would be overturned as bankruptingly high and unconstitutional. I was hoping we'd get a precedent of vague reasonableness in this kind of thing.

      Nope.

      But the guilty verdict? Unsurprising.

      --
      Comment forecast: Bits of genius surrounded by a sea of mediocrity.
    3. Re:Well . . . by Rycross · · Score: 5, Insightful

      I've seen a lot of people claim that defendents in copyright infringement cases should use NYCL. Forgive my bluntness, but do we really have any evidence that NYCL is a particularly skilled lawyer? Is he more likely to obtain a favorable verdict than the lawyers that these people are using? It seems like we're assuming that he's a good lawyer because he's on our side.

      *Dons flame-retardant suit*

    4. Re:Well . . . by NewYorkCountryLawyer · · Score: 5, Insightful

      I've seen a lot of people claim that defend[a]nts in copyright infringement cases should use NYCL. Forgive my bluntness, but do we really have any evidence that NYCL is a particularly skilled lawyer? Is he more likely to obtain a favorable verdict than the lawyers that these people are using? It seems like we're assuming that he's a good lawyer because he's on our side.

      Agreed.

      --
      Ray Beckerman +5 Insightful
    5. Re:Well . . . by gnasher719 · · Score: 5, Insightful

      For simple infingement (not intentional theft) I could see $100 a song, or $250 a song. But $18,000 is ludicrous.

      Well, it's $80,000, not $18,000. However, I cannot possibly see even $100 per song as justified. As far as I know, these file sharing programs require that you distribute about the same amount of songs that you download yourself. Or, turning the argument around, the amount that others download from you is about the same as what you download, so on average any song that is made available for downloading will be downloaded _once_. Damages are at most $0.70 per song (that's what the music company makes if I download a single song from iTunes). So even if we assume without justification that these songs were downloaded from her computer ten times each, that's only $7 per song.

      I always though that statutory damages are not meant as a punishment, but as a means to give the copyright holder fair compensation in situations where the actual damage is impossible to establish. So I would agree that the RIAA deserves not the amount that they can actually prove, but a reasonable estimate of the actual damages. $80,000 in damages would be Ok if we could reasonably estimate that a song was downloaded about 115,000 times from her computer. Which is ridiculous.

    6. Re:Well . . . by NewYorkCountryLawyer · · Score: 5, Insightful

      Sorry if I phrased the question trollishly. I think a better way of putting it is this: If I were accused by the RIAA, do you think you'd be a good lawyer to represent me at trial. If so, what are your qualifications? I don't do much infringing anymore, so I'm unlikely to need your services, but I'd be interested in knowing. Its my impression that you're very knowledgeable, but since I'm not a legal expert, my impressions mean nothing. Sorry if you've already gone over this.

      I don't really think it's for me to say. And I don't think your comment was trollish in the least. You were cautioning people against retaining a lawyer just based on the fact that they like him. And when I said "agreed", I meant it.

      --
      Ray Beckerman +5 Insightful
  2. Let's think about this by JobyOne · · Score: 5, Insightful

    According to some wikipedia article the median American individual makes about $32,000/year (never mind the fact that women make $27K). Multiply that by a career lifespan of 45 years and you get $1.4 million.

    They have just judged that she should pay 1/3 more than a typical American will make in their life.

    What's wrong with this picture? Clearly she would have never spent that much on music...

    --
    Porquoi?
  3. Re:Justifying piracy by lupis42 · · Score: 5, Insightful

    Artists are now forced to take time out of doing what they want to do.

    Just like the rest of us who work for a living?

  4. Re:Come on people by Reason58 · · Score: 5, Insightful

    She lied about her hard drive, thinking it would get her off. I don't like the RIAA, but she deserved this.

    Um, no. For lying under oath she deserves to face perjury charges, not have her punishment be magnified 1000 times.

  5. right verdict, wrong result by eddeye · · Score: 5, Insightful

    As a lawyer, I'm not surprised by this outcome. I admit to not closely following this case. But from what I've read, her defense arguments were really weak. Oddly enough, Ars Technica says it best:

    A vigorous defense from Kiwi Camara and Joe Sibley was not enough to sway the jury, which had only to find that a preponderance of the evidence pointed to Thomas-Rasset. The evidence clearly pointed to her machine, even correctly identifying the MAC address of both her cable modem and her computer's Ethernet port. When combined with the facts about her hard drive replacement (and her failure to disclose those facts to the investigators), her "tereastarr" username, and the new theories that she offered yesterday for the first time in more than three years, jurors clearly remained unconvinced by her protestations of innocence. ...

    The case is a reminder that in civil trials, simply raising some doubt about liability is not enough; lawyers need to raise lots of doubt to win the case, and Camara and Sibley were unable to do so here.

    I really can't emphasize that last part enough. Winning a civil trial isn't about being "right" in any objective sense. It's about convincing normal people. If your explanations (technical or otherwise) go over their heads or seem implausible, you will lose. If the jury senses any sort of deception or dishonesty, you will lose. Sometimes if they just plain don't like you, you will lose. Clearly erroneous results can get overturned on appeal, but may cases are close enough calls that an appeal won't help.

    On the facts above, I'd have found her liable too. It was clearly her computer with a username she commonly used. That creates a reasonable inference that she used Kazaa on it. While there are many ways for her to rebut this presumption, the flimsy conjecture offered doesn't cut it. Especially if she seemed less than forthright.

    That said, the damages award is completely insane. I'd have given nominal damages, enough to hurt but not crippling (on the order of $100-500 per song - yes, below the statutory minimum of $750). It will get reduced on appeal, but not to that level. Maybe something on the order of a few thousand per song. My guess is that the jury really disliked her dishonesty and smacked her for it with huge damages.

    I won't criticize her lawyers since I don't know all the details. Maybe these were the best arguments they had. Maybe their client chose to use this defense against their recommendations. Undoubtedly the news reports distorted the story. Whatever the case, the defense was really weak. This verdict was predictable.

    --
    Democracy is two wolves and a sheep voting on lunch.
  6. Re:Seriously? by NewYorkCountryLawyer · · Score: 5, Insightful

    Where are they finding these jurors at? Where is the constitution on this one? I just recently served as a juror and I was told to look at the evidence and testimony presented then come to a conclusion based on this without bias. How could anyone come to a verdict like this given the evidence from both sides? Do these people not realize at any time they could be a victim just as the defendant, open Wi-Fi anyone? This has to be a blatant violation of her 8th Amendment rights, this is wrong on so many levels it makes my head hurt.

    On the bright side, sometimes when something so stupid happens, it forces a change in the law. And certainly, this verdict (a) will itself be set aside, and (b) gives added ammunition to the lawyers like myself who are arguing that the RIAA's statutory damages theory is unconstitutional.

    --
    Ray Beckerman +5 Insightful
  7. Re:Justifying piracy by skeptical_monster · · Score: 5, Insightful

    Didn't the artists CHOOSE to make these arrangements? If they had a hope in hell of making money on their own selling their recording on the internet without their stuff getting stolen, don't you think they would? So you are some kind of moralizing god that can tell the Artists how to run their affairs? if the money is going through a 3rd party, then it is OK to steal it, but if it goes directly to the Artist, better to pay them? I bet most people check carefully to see where their money would go before they decide to steal content, right? Let's look at a quote from a REAL artist, the fabulous guitarist Andy McKee, posting on piratebay: âoeYeah thanks a lot for uploading! It's not like I need to make a living with my music or anything. 8,676 thieves. If you really appreciate what I am doing, buy my CD legitimately so I can continue to compose music rather than work at K-Mart. I'm not Metallica. I don't have hundreds of thousands of dollars, much less millions.â So even though he is signed with Candyrat, it sounds a little like he would prefer that you BUY his music, doesn't it? Have you ever tried to make a living by driving around the country doing shows? It is, after a short time, soul sucking and demeaning. But that is the only way even a great artist with fairly broad appeal can make a living in this day and age, because of morons like you.

  8. Re:What are the lawyers thinking? by nweaver · · Score: 5, Insightful

    While it's difficult to second guess the decisions a trial lawyer makes, it is hard for me to understand why defendant's lawyers gave the plaintiffs a free pass on the MediaSentry/Jacobson nonsense, and didn't even call their own expert. It is likewise difficult to understand why the jurors weren't instructed as to what the plaintiffs had to prove in order to establish a "distribution", or why it was assumed that they were entitled to recover statutory damages (as opposed to actual damages) at all, there having been no questions or instructions relating to the essential elements of that.

    Probably because the realization that the expert witness (I read the written testimony, and I know Yongdae Kim as a colleague: he is an excellent and honest researcher and professor) can't really contribute to the defense.

    This is a civil trial, in terms of probabilities. The probability of misidentification of the computer goes way down when you remove the wireless, password protect the computer, and go from there.

    The problem is, Media Sentry's evidence is pretty compelling: Identify her IP, identify her commonly used username, identify the songs, and she wasn't offering up a defense of being a poisoner/spreading bogus files.

    As much as you'd like to believe it is nonsense, an honest expert witness for the defense would be forced to acknowledge all of this.

    Yongdae Kim's written testimony mostly covered cases which could not have occured (no wireless, etc) and which were specifically ruled out by the judge for being irrelevant possibilities, or which would be exceedingly unlikely (a trojan on the system soley for KaZaA, IP address hijacking which, if Ms Thomas's computer was on, might result in RST storms from unexpected data, dropping the hijacker, by a hijacker who anyway was trying specifically to frame Ms Thomas), and on the stand he'd have to say so.

    This is likely why Dr Kim was not put on the stand: during mock cross examination, Ms Thomas's laywer realized just how damaging Dr Kim's testimony would be in the hands of a plantiff's attorney.

    --
    Test your net with Netalyzr
  9. Re:Justifying piracy by gringofrijolero · · Score: 5, Insightful

    But it's NOT a valid perspective. I know of nobody here that says people shouldn't get paid to perform work. But that's the troll/flame that he keeps on pimping until somebody actually starts believing it. He's full of it. It is those who advocate strong copyright who want to sit on their butts and collect the rent. They are the true pirates who use guns to lock down ideas. We must not allow this to continue.

    --
    Todos mis movimientos están friamente calculados
  10. Re:Justifying piracy by Jurily · · Score: 5, Insightful

    Because it's a valid perspective?

    You can say that again. Seriously, $2M for 24 files? WHAT THE FUCK?

  11. Re:Wrong-o by squiggleslash · · Score: 5, Insightful

    Or there's another way to look at it. Thomas was caught with her pants down, she's clearly guilty, and she did everything she could to antagonize the system.

    1. Like all RIAA defendants, she was offered the chance to settle for a few thousand. She refused and goaded the RIAA into taking her to court.
    2. Once in court, she played games by lying about the circumstances behind her missing hard disk drive. She, nonetheless, continued to protest her innocence despite overwhelming evidence she wasn't.
    3. She lost in court, was given a penalty that while high, was actually on the lower end of the possible outcomes. Nonetheless she could have appealed the penalty, and would probably have had a fair hearing, but decided instead to appeal the ruling that she was guilty instead on the basis of a dubious technicality which was unlikely to change the final jury verdict.
    4. She's lost in court a second time. This time, she was caught being blatantly dishonest. The jury is almost certainly looking at this seeing someone try to mislead them, who's wasted their time with a pointless retrial over something she's clearly guilty of.

    Now, put aside your views on copyright law and the "evil" the RIAA, was anything other than a pissed jury increasing the damages award ever likely to be the outcome of this case? Short of a jury of 12 Slashdot copyright infringement advocates advocating jury nullification, I can't see how any other result was ever possible.

    --
    You are not alone. This is not normal. None of this is normal.
  12. Re:Justifying piracy by CorporateSuit · · Score: 5, Insightful

    It is, after a short time, soul sucking and demeaning

    So you mean... it's like... HAVING A JOB?!?!?!?!?
    "Artists" who think that one weekend's work and a year or two of sacrifices and chances should allow them to live luxuriously for years after get no sympathy for me. Buck up and welcome to reality. This recession's full of it.

    --
    I am the richest astronaut ever to win the superbowl.
  13. Re:Justifying piracy by Sparr0 · · Score: 5, Insightful

    I know that not paying someone for their work is wrong

    You don't pay people for there work every day. There are thousands of artists out there right now whose work you are not paying for. Artists you've never heard of.

    Why does it make a difference if you see their work or not? It doesn't affect them.

  14. Re:Justifying piracy by nine-times · · Score: 5, Insightful

    The US copyright system, which is being forced down the throats of more and more nations, was a CONTRACT, nothing more. In return for a LIMITED monopoly in the form of government imposed copyrights We, The People got in return a richer and more diverse Public Domain for all of us.

    Somehow this is what seems to get lost in a lot of copyright discussions. Not to give a complete history of the copyright, but there was a time when we had no copyright, and people wrote books, painted, composed music, and performed it because they wanted to, and often they found ways to get paid for their expertise and talent. One common way was to do work that someone else wanted them to do on commission, whether they wanted to do it or not. Though many artists wished to have control over their own work, it was just silly to expect as much. Another artist would copy your painting, or another author might rewrite your story, and that's how culture developed.

    And basically all that was fine until the the printing press arrived, and book publishers started making a fortune from printing books, neglecting to pay the authors. People recognized this as unfair and discouraging to those who might want to write a book, so they invented the idea of the copyright. The idea wasn't to ensure profitability for publishers by forcing readers to pay for the right to read a book, nor was it meant to allow authors to control the destiny of their work, but it was solely a way to help authors get a share of the huge profits publishers were already making.

    Flash forward to the present, and now copyrights are being manipulated in such a way as to have almost the opposite effect that was intended. Copyrights are being used to guarantee profits for the publishers, while the artists are being denied their fair share of the profits. If anything, the Internet should allow us to go back to pre-copyright days, since distribution doesn't really require a "publisher" in the same way.

    Now I'm not saying we actually should drop copyrights, but only that convention has twisted the purpose of the copyright and given bad expectations about what copyrights will accomplish. Now we think that people own, buy, and sell ideas. Further, that if you own an idea, you should retain ownership and complete control forever. That's just an unsustainable situation.

  15. Trouble in the air by TiggertheMad · · Score: 5, Insightful

    She is in essence, incapable of escaping poverty for her entire life. Every extra nickel she gets will be taken.

    You know, taking every last thing a person has leaves you with someone who has nothing to lose. One of these days the RIAA's laywers are going to win a punitive suit against the wrong person, and I just hope that I am nowhere near the building the lawfirm is in when it happens.

    --

    HA! I just wasted some of your bandwidth with a frivolous sig!
  16. Re:Justifying piracy by Daengbo · · Score: 5, Insightful

    Patronage was horrible. You had to compose, perform, or do nothing, all based on what your royal sponsor demanded of the evening. You art would be filled with things only to please your king. See the music of Haydn for an example of this. In some cases, a patron would even modify the work of art however he desired. It sucks.

    I realize that you were trying to contrast patronage with what we've got now, but I don't see the real difference between what you've described and being under contract to a major label.

  17. Re:Justifying piracy by Thanshin · · Score: 5, Insightful

    If you feel that you have no voice in the government, the way to change the government is not through anonymous piracy. Engage in civil protest or violent revolution -- whatever works for you.

    I'm starting to be sick of this idea you and others repeat over and over again.

    If I feel I have no voice in the government, I will do exactly as I please, just like everyone else.

    For example, I can decide that I'll only follow laws to the extent I can be forced to. Thus, I might break any and all unenforceable laws, just for the sake of it.

    And I don't really care if it's "the way" as you say.

    Creating a government that doesn't represent the people can obviously be great for its members and the people powerful enough to manipulate them (and so, it).

    Expecting everyone else to follow the rules because it's the right thing to do...