The Technology of Neuromancer After 25 Years
William Gibson's Neuromancer was first published 25 years ago. Dr_Ken writes with an excerpt from an article at MacWorld that delves into the current state of some of the technology that drives the book: "'Neuromancer is important because of its astounding predictive power. Gibson's core idea in the novel is the direct integration of man and computer, with all the possibilities (and horrors) that such a union entails. The book eventually sold more than 160 million copies, but bringing the book to popular attention took a long time and a lot of word-of-mouth. The sci-fi community, however, was acutely aware of the novel's importance when it came out: Neuromancer ran the table on sci-fi's big three awards in 1984, winning the Hugo Award, the Philip K. Dick Memorial Award, and the Nebula Award.'"
160 million sounds like.... a lot.
BBC tells me Da Vinci code sold 30 million (back in 2006). Wikipedia refers me to this article from 2006 which says Neuromancer sold around 6.5 million copies - which seems a bit more believable.
That's called "immersion". A good writer will make it easy by slowly introducing the words and concepts to you so that you have a good idea of the environment by the time the story really starts moving. Anathem was excellent in this way. Even though it had a lot of made-up words and a totally different society, the concepts were introduced so that you could easily follow them. Now if only the story had been a bit better...
Of course, some authors prefer to just dunk you into the midst of everything.
The later two are pretty tightly intervowen, but Neuromancer really is more of a stand-alone work that the later books only vaguely reference. All three are definitely not a single work.
Try reading it in poor translation. I just finished reading it in Spanish, and at some points I had to translate the Spanish to English, word for word, to work out what it meant.
'The sky was the perfect untroubled blue of a television screen, tuned to a dead channel' - Neil Gaiman, Neverwhere (yes, of course it's deliberate).
But then, has there been anything in science lately that warrants any kind of gee-whiz fiction based on it?
I might suggest you have a look at pretty much anything written by Greg Bear (Blood Music, Darwin's Radio, Eon et.al - see Wikipedia on Greg Bear). I'm not sure if 10 or so year old stuff fits your criteria for "new", but there is no question that this is real science fiction, based on extrapolations of scientific discoveries - not D&D with ray guns (not that there's anything wrong with that). From your post I think you might like him.
Do not mock my vision of impractical footwear