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New Developments In NPG/Wikipedia Lawsuit Threat

Raul654 writes "Last week, it was reported that the UK's National Portrait Gallery had threatened a lawsuit against an American Wikipedian for uploading pictures from the NPG's website to Wikipedia. The uploaded pictures are clearly in the public domain in the United States. (In the US, copies of public domain works are also in the public domain. UK law on the matter is unclear.) Since then, there have been several developments: EFF staff attorney Fred von Lohmann has taken on the case pro-bono; Eric Moeller, Wikimedia Foundation Deputy Director, has responded to the NPG's allegations in a post on the WMF blog; and the British Association of Picture Libraries and Agencies has weighed in on the dispute in favor of the NPG."

14 of 345 comments (clear)

  1. Pictures versus digital photos... by MadCow42 · · Score: 4, Insightful

    I fully agree that the paintings are in the public domain, but it does NOT mean that the digital photos are. If he created his own photos, he could post them. The only question is whether or not a straight copy of a work can be copyrighted on its own... which is why the museum is arguing that artistry went into creating them.

    Having done museum copywork in the past, I can assure you that getting high-quality images of paintings is NOT simple - lighting is critical to capture the texture, color, and avoid reflections and shadows. It's not just point-and-click. I'd side with the museum here, sorry!

    madCow.

    --
    I used to have a sig, but I set it free and it never came back.
    1. Re:Pictures versus digital photos... by Hope+Thelps · · Score: 3, Insightful

      Likewise, while it may not be easy to photograph one of these works, you are certainly not adding anything to the actual content of the image; indeed, you are actively trying not to. Technical expertise went into creating them, yes. Artistry, no.

      That's like claiming that you're not adding anything when photographing a person. Realistically, we know that in either situation the photographer is applying their creative skill and making choices and judgments about what aspects to capture. The photograph will NOT be exactly the same as the original - it's a representation. Capturing the texture and the qualities of the canvas, deciding what lighting to use (and let's face it that affects the colour, the perception of the texture, everything), the angle to use... there is every bit as much creativity in applying these choices to photogrsphing a painting as in photographing anything else. Pretending that it's eqivalent to chucking something on the photocopier and pressing a button is silly.

      Yo may "try not to" make any artistic choices in photographing a painting just as you may "try not to" when photographing a person but realistically you have to. And in either case the photographers are exercising artistic skills.

      --
      To summarise the summary of the summary: people are a problem. ~ h2g2
    2. Re:Pictures versus digital photos... by blackraven14250 · · Score: 5, Insightful

      Against an American in America posting to an American website.

    3. Re:Pictures versus digital photos... by Martin+Spamer · · Score: 3, Insightful

      However the US is a signatory of the Berne Convention.

      The Berne Convention requires its signatories to recognize the copyright of works of authors from other signatory countries.

      Recognising the copyright of a work created outside the the US is a different set of circumstances to refusing to grant a copyright to a digital photo created in the US.

      A court might consider a work created and copyrighted outside of the US differently to a work denied copyright in the US under Bridgeman Art Library v. Corel Corp.

    4. Re:Pictures versus digital photos... by mrchaotica · · Score: 4, Insightful

      I think we'll have to agree to disagree on whether there's any artistry in photographing a painting...

      On the contrary, you're just flat-out wrong -- at least for the sort of photography (for the purpose of archival/preservation/digitization) we're talking about here. The artistry in photography is expressed by the choices of the photographer, but no choices were made! Did the photographer choose the subject? No, he's just systematically shooting each painting in the gallery. Did the photographer choose the composition? No, it's rigidly defined to be orthogonal to the painting and cropped at the edge. Did the photographer choose the lighting, colors, effects, etc.? No, he just used whatever lighting and camera settings would best preserve the color gamut of the original (and "best" isn't his choice either; it means minimizing the measured, mathematical difference). It's a mechanical process, not a creative one!

      Now, there can be artistry in photographing a painting, but the photo would have had to been made for some purpose other than digitizing an existing work. For example, this photo (that I found randomly from a Google image search) is copyrightable because it was creatively composed. For another example, this one from one of the images being disputed, perhaps even this would be copyrightable (even though the original is certainly not) because whoever did the cropping had to creatively choose what to focus on -- and the copyright would belong to the cropper, not NPG.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    5. Re:Pictures versus digital photos... by vadim_t · · Score: 3, Insightful

      I disagree.

      I don't care how hard it is, the result is not creative because you're not trying to express yourself, you're just trying to work around the limitation of that the painting can't be taken off the fall and fed into a scanner.

      The desired result is an accurate reproduction of the painting, and that's precisely why it's not creative. How hard you have to work to get there is completely irrelevant, the fact is that the end result looks as much as the painting as possible, and any other photographer given the same task would attempt to produce something that looked similar.

      Otherwise I could easily obtain copyright for a copy of anybody's work, I'd just have to do it by a laborious method.

    6. Re:Pictures versus digital photos... by Kehvarl · · Score: 3, Insightful

      I think the point being made is: the photographs were created with the intention of being as faithful to the original paintings as possible without adding any new creative input. Doing that in photography is hard work, an incredible amount of time and expertise goes into the setup for the picture.

      In the US, such a faithful duplication of a work that is in the public domain is also considered part of the public domain. The point isn't that the duplication was necessarily easy to perform, but that the duplication was performed with the minimum possible amount of new creative input so as to remain as faithful to the original as the duplicator could manage. This doesn't mean that any image that incorporates source material from the public domain is automatically impossible to copyright, but it does mean that in order to copyright it the new work would have to be something other than a maximally-faithful reproduction of the original.

      You're right, the creation of the copies likely involved a significant expenditure of time and effort and requires a great deal of skill. However, in the US, the amount of effort required to do something has never been part of the test for whether a work can be copyrighted.

      The fact that the portraits are in the UK, and the work was done by a UK photographer at the behest of a UK organization means that, in the UK, those works may be considered copyrighted. However the contention thus far has been: in the US they're not considered copyrighted.

    7. Re:Pictures versus digital photos... by mrchaotica · · Score: 4, Insightful

      Did the photographer choose the lighting, colors, effects, etc.? No, he just used whatever lighting and camera settings would best preserve the color gamut of the original...

      Sounds like a choice to me.

      Sure, in the same way that answering "four" when asked "what is two plus two?" is a choice. Or, for a less "trivially easy" example, how solving a crossword puzzle correctly instead of incorrectly is a "choice." Or in other words, it's really no choice at all -- it's either right or it's wrong, and you don't get to decide which is which!

      The fundamental error in your thinking is that you think it somehow matters whether the thing was easy or hard to create. Here's a hint: it doesn't. Not even slightly! I could spend six seconds scrawling stick figures on a napkin and it'd still be copyrightable. Or I could spend 50 years painstakingly weighing every individual grain of sand in a jar and recording it into a database, and it still wouldn't! Creativity and effort are orthogonal; copyright depends only on the former.

      Oh, and by the way: my girlfriend is an artist and has had to photograph her work before, so I do know how difficult it is. But that still doesn't give the photo it's own copyright separate from that of the original!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  2. Re:This isn't a Robin Hood story by Fittysix · · Score: 5, Insightful

    That depends on the reader being at or near the geographical location of the painting. When reading an article about the Mona Lisa on Wikipedia, I expect to see a photo of the article in question for purpose of discussion, not "to see this painting, please visit the Louvre in France"
    I'd simply go elsewhere to find a picture.

    --
    *.sig
  3. McKinnon ring a bell? by Anonymous Coward · · Score: 4, Insightful

    UK resident.

    Working on a UK machine.

  4. Re:UK Law is not unclear by ray-auch · · Score: 5, Insightful

    I seem to recall that people from the UK have been extradited to the US and charged, for things they did in the UK that the UK authorities decided were legal (or at least things that they should not be prosecuted for).

    And a certain Russian programmer was arrested and jailed in the US for things he did in Russia that were legal there... remember that one ?

    Why should the reverse not apply ?

  5. Re:This isn't a Robin Hood story by thejynxed · · Score: 5, Insightful

    No, the better solution is for both groups to compromise. NPG already offered lower-res versions of the same photographs for Wikipedia to use free of charge. I think to retain good-will for all, and not appear to be selfish asstards, Wikipedia should take them up on the offer. The representatives on all sides could then present this as a workable solution to similar future situations without involving courts and lawyers. Everybody wins, including the public.

    --
    @Mindless Drivel: 100% of Twitter posts ever Tweeted.
  6. Re:NPG = Free Entry by srealm · · Score: 4, Insightful

    There is a difference. Your photograph was still within it's copyright period.

    Copyright extends to 70 years past the author's death (in the UK). Since you are still alive, any photograph you take is obviously still within it's copyright - with one caveat.

    The caveat is exactly what is at issue. You cannot claim copyright on a direct copy of someone else's work. You CAN claim copyright on a DERIVATIVE work. So the question here is was the photograph of the painting a derivative work?

    The goal of the photograph was to reproduce the painting in digital form exactly as it was meant to be viewed in the gallery. No changes were made, and the painting was not used as the basis for a new work (even a person standing next to it within the shot is a 'derivative' work). Which would mean the photographs in question were NOT derivative works, but merely digital copies of the original, and not copyrightable in and of themselves (they would piggy back on the original copyright).

    Which means any digital image of a painting that is in the public domain, is also public domain - as it is not a derivative artwork. And you cannot steal something that is public domain.

    In your case, yes, someone stole your art work, because it IS within it's copyright. And regardless of whether they stole a print, the digital image, or any other faithful reproduction of your photograph, it would still be counted as illegally copying of your work. But 70 years after you die, anyone and their dog can take your image with impunity. They can even take the image of someone else's photograph of your image on a screen (as long as it's not altered in any way).

    So as someone else said, yes, it might take a lot of technical expertise to faithfully capture these images to do them justice, but that does not suddenly give the person taking them copyright on what is, essentially, a faithful reproduction of the original artwork not a derivative.

    By way of example, how about we take the works of Shakespear. Originally released in manuscript form. Someone took that manuscript and typed it into computer text files. Does that mean that person now has copyright on the resulting text file? It certainly took a lot of effort to transcribe the text - but it doesn't matter. Just because it took a lot of effort to do something (it takes a lot of effort to paint a forgery, too) does not infer copyright - if the text is identical to the original shakespear, then it is just a faithful reproduction on another medium and still int he public domain.

  7. Re:UK Law is not unclear by shutdown+-p+now · · Score: 3, Insightful

    You miss GP's point. The problem isn't that UK will extradite people to Iran (it doesn't). The problem is that UK will extradite people to US, because US demanded that, and a corresponding treaty was signed; however, US will still not extradite people to UK. That's where the hypocrisy is .