Amazon Delaying Public Domain Submissions On Kindle
I own and run one of the primary contributors of new public domain e-texts on the web: sacred-texts.com. I am (was?) in the process of converting all of the 2,000+ e-books at sacred-texts into Kindle editions. I use a homebrew preflight Kindle filter to construct the Kindle binary from my master files, which we have invested nearly a million dollars into creating. We spend thousands a month in-house doing legal clearance, scanning, OCRing, and proofing, often by domain experts. So we are hardly a fly-by-night operation. In fact, many of the PD texts floating around on the Internet and on the Kindle were originally done at sacred-texts at great investment of labor and time. Our Kindle return rate is close to zero.
I just received the following email from Amazon:
Dear Publisher,
We're working on a policy and procedure change to fix a customer experience problem caused by multiple copies of public domain titles being uploaded by a multitude of publishers. For an example of this problem, do a search on "Pride and Prejudice" in the Kindle Store. The current situation is very confusing for customers as it makes it difficult to decide which 'Pride and Prejudice' to choose. As a result, at this time we are not accepting additional public domain titles through DTP, including the following:
The Unknown Life of Jesus Christ
The Aquarian Gospel of Jesus the Christ
Traces of a Hidden Tradition in Masonry and Medieval Mysticism
The History of the Knights Templar by Nicolas Notovitch
...
If you believe that we have wrongly identified this title as a public domain title, and you are the copyright holder or are authorized to sell it by the copyright holder, then please reply to title-submission@amazon.com with appropriate documentation of your e-book rights.
Thank you, Amazon.com
One key point is that Amazon has applied this ban completely non-selectively. Established publishers such as myself and others who have never had any quality control issues whatsoever, and give good value for the price, have all been tarred with the broad brush of "Public Domain Publisher — do not post."
By banning new public domain books from the Kindle, they are making an implicit decision as to which books people should read. You can argue that "you can get these texts anywhere," but by excluding high-quality Kindle books from the nascent Kindle marketplace, Amazon is implicitly deciding what is a valid part of our culture and what isn't. This trend does not bode well for the future of e-books.
Let me get this straight, amazon sells PD books while Sony has free PD books powered by google and epub support. Yikes. Happy I didn't get a kindle now.
-- dieman - Scott Dier
wrong. Someone who had rights to 1984 uploaded it and started selling it. However, those rights didn't cross all international borders.
There was a three year period between 1995 and 1997 where some works passed into the public domain due to copyright expiration (falling under the 75 year term of the Copyright Act of 1976), prior to that it was 1975 (under the 28 or 56 year terms of the Copyright Act of 1909). The next time something might fall out is in 2018 (under the 95 year term of the Copyright Act of 1998).
He effected a bored affect.
There are alternatives to the Kindle. Why would anyone use a device where someone else, without your permission or prior knowledge can remove things. Screw that.
Your reply seems a little harsh and your points made me think of a valid objection to the "elimination of duplicates," which is what to do about variant editions. In the history of publishing, many texts have been published as a single volume only to be changed at a later time. Sometimes the changes are corrections to the text such as spelling corrections. However, in some cases the revisions are much more substantive. Charles Dickensâ(TM) Great Expecations has two endings. William Faulkner's As I Lay Dying had significant changes from its first publication.
Sometimes "duplicates" are not really "duplicates" and the existence of these various versions can have notable effects on interpretation, reception, and cultural history.
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