Typewriters, Computers, and Creating?
saddleupsancho writes "Today's NY Times reports that Cormac McCarthy is auctioning the 45-year-old Olivetti manual typewriter on which all his novels, screenplays, plays, short stories, and much of his correspondence were written, to benefit the Sante Fe Institute where he is a Research Fellow. What would happen decades from now if, say, Richard Powers or Neal Stephenson attempted to auction their desktops or laptops? Setting aside completely any comparison among the three authors, is there something more intrinsically interesting and valuable, less ephemeral and interchangeable, about a typewriter vs. a computer as an instrument of literary creation? Or is the current generation just as sentimental about their computer-based devices as McCarthy's generation is about his Olivetti? Would you offer as much for McCarthy's input device if it were a generic PC, Mac, or Linux box as you would for his Olivetti?"
How much would you pay for the computer Linus used?
I rest my case.
Yes, there is something different. A typewriter is a durable device that lasts many years. It will build character as it wears. On the other hand, a computer grows viruses as it ages. In addition, they aren't very durable at all (I've had 7 computers/laptops. Only one of them still works... the one I'm using now) and they don't last very many years at all. In 45 years, Neil Gaiman's last 12 computers are going to be sitting in a dump or recycled into new computers.
Also, typewriters are very classy. A lot of writers still use them for many reasons I've heard. They like the satisfying sounds it makes. You can't go back and edit things you've just written. It separates you from technology. It separates you from office work. You can haul it anywhere it work without worrying about battery life. You can't get distracted and browse slashdot...
speaking of which, I should get back to my writing.
I think the distinguishing characteristics are more a matter of interesting v. cookie-cutter device, and durable v. throw-away. I would pay money for an interesting, well-designed, durable computer with historical value. But I'm not going to shell out for a generic PC with an expected lifespan of less than 10 years, just because someone famous used it.
In short, the Olivetti has some style, and it will likely continue to work, or can be serviced if not. That may be true of some computers, also--- older Apple products, especially the Apple ][ line and classic Macs, are already becoming collectors' items to some extent. But nobody is going to be shelling out for a 1996 Packard Bell.
10 PRINT CHR$(205.5+RND(1)); : GOTO 10
Yeah, that's what you get when he's a substituent instead of the main chain. trans-2,3-diCormac McCarthyl-1-butanol.
I've heard quite a few reasons for using typewriters, especially manual. You have to think our your sentences first, since there is no real correction. On my computer I can type and type and type and edit later, but you can't do that on a typewriter (unless you want to retype everything 40 times). This forces you to put much more thought into your words and thoughts.
The force required on the keys (if you have a manual) makes the words feel... costlier... and the sound really is great. I'd imagine that when you really get going the noise helps keep you in the groove. Actually, a good IBM Model M day do the same.
Then there is the fiddle factor. If you gave a 12 or 14 year old a typewriter and say "write a story", all they can do is write the story. Give them a copy of Word (or any other word processor) and they can write, choose a font, a color, edit the spacing.... With a typewriter, you get words and nothing else. No fonts to change. No sizes. All the decisions are made for you.
I'm not much of a writer. I don't own a typewriter (although my brother has beautiful one from the 40s). I can easily say that the thing I like most about this is something that probably resonates with other /.ers: they're really mechanically complex. They weigh a ton and are crammed with tons of little levers and cams and such. A seemingly almost solid block of metal articulates 30 (or so) little hammers and moves the type head perfectly, even at 120 WPM. They are little mechanical marvels. Imagine what seeing the Frank McGurrin type 90 WPM must have been like for people, raised on writing longhand.
Comment forecast: Bits of genius surrounded by a sea of mediocrity.
Note that a typewriter is synonymous with writing, there is nothing else you can do on it. A type writer which has written a great piece of writing is like a sword used at a famous battle or the hockey stick that belonged to a famous hockey player. It is symbolic. A computer is not so in the same way, because it is not exclusive to writing. While you can write on a computer, it's not just limited to that. In fact there are almost infinite uses for a computer. However they are especially associated with coding and programming. So while you might expect that Linus's original computer would fetch a handsome price, you would not, for example, expect his telephone too. It's just not symbolic of what he does.
Yes, as unique as the next one that came off the assembly line, identical in every way as the former save the serial number.
Cory Doctorow talking about cloud computing makes as much sense as George W Bush talking about electrical engineering.
The Olivetti has worth because of its link to a physical product. I wouldn't value the PC or Mac of an author as much because it was only a general-purpose machine that happened to be used as a literary tool by virtue of the software on it. And I wouldn't pay anything for a decades-old binary image of Emacs. When writing on computer, the text becomes its own thing, it transcends the physical. In some ways, I dislike it because of that. I really enjoy the physical link with the text I get when writing with pen, when clacking on a manual typewriter, or otherwise. The advantages of text sublimated from the physical are great--better storage and search, versioning, editing, independent control of presentation, logical layout, etc. But it makes the tool used to make it less interesting, more mundane, more merely processing. The Olivetti, like my Pelikan, are precision tools purposely made for writing. In this way they become the paraphernalia of the writer, the adjutants of his talent. You pay for that connection. With stuff like this it's always the connection that's important. Beige boxes--even flashy Macs--don't have it.
Tenemus pyrobolos atqui jacimus cognitiones.
I am a writer (or at least, I've written a couple of novels and a few hundred thousand spare words that are lying around waiting to be turned into novels, plus assorted other writing), and I have always written exclusively on a computer.
I should be clear that I'm not trying to compare myself with Stephenson or McCarthy; I'm fully in the amateur rank, but I would say that this is mostly a personal aesthetic thing. It's sort of related to the reverence people who hate "digital books" hold for paper copies; they'll give you loads of ultimately irrational excuses down to the smell of the paper as to why they prefer to read a "real book." I've been reading novels on a screen for years, and I've discovered that I quite like the ability to zoom in on small-font text or to hold thousands of books in the footprint of one on my desk (it's really a coffee table but shhh!).
Anyway, as for writing, it's like anything else on a computer. I don't think of it as "using a computer" - it's just a tool that lets me do what I want. Personally, I'd think that the ability to get a peek into how these guys organized their lives would be quite interesting (stumbling over their porn stashes, probably not so much, but undoubtedly revealing (hah!)). Think about all of the incidental stuff you could learn; art preferences (screensavers and so on), unfinished and aborted works, etc... I'd buy one from an author I liked, if I wasn't guaranteed to die poor by virtue of trying to be an artist myself. ;)
picpix image polls. create - share - vote. fun!
I think regardless of it's a typewriter, computer, laptop or whatever tool was used to create some literary genius's art simply comes down to obsession, personal value and inspiration at limitless cost. It's kind of a no-brainer that if there's enough followers to anyone's beloved work, regardless of what it is, there's always going to be the biggest fan with the deepest pocket book that is going to snatch it up because it fills some void in them, aspires them to do something similar, goes along with with their fanatic obsession of other collected items to or it's just a good damn conversation piece.
I would buy the typewriter before I would buy an Interwebs-capable machine because there would be a smaller chance of finding someone else's semen in the keyboard.
A 45 year old typewriter looks good on display and most probably still types perfectly well. A 45 year old Dell will be a pile of plastic dust with an exploded lithium battery.
Painfully true. Restoring old computers is incredibly difficult. The sad thing about the Computer Museum in Silicon Valley is that almost nothing works. They've succeeded in restoring two IBM 1401 computers, but they had several of the original design team available. None of the their early personal computers are displayed as working devices.
On the other hand, I have a Teletype Model 15, designed in 1930 and built during WWII, working. I've even interfaced it to RSS and SMS feeds. Those machines were very well designed, overbuilt, and can run for decades if properly maintained. All mine needed was a thorough cleaning and oiling. All the metal is high quality steel. The main frame parts are steel castings, and all stamped parts are from stock at least 1/16 thick. And the machine has over 500 oiling points, ranging from a dozen oil reservoirs with spring-loaded caps to hundreds of points that just need a drop of oil.
Don't overrate mechanical nostalgia, though. Most consumer mechanical devices of that period were not very good. Many contain "pot metal", with a composition so awful that parts shatter if dropped, or simply with age. Early low-end wiring materials didn't last. Early plastics became brittle with age. Those gadgets were discarded long ago. The ones still around are the good ones.
A real writing instrument isn't mechanical. It requires the human hand to function, it lives and breathes the soul of a person, revealing their character and mood with every stroke.
I agree with your point 100%. Cormac McCarthy should be auctioning off his hand!
funny - without knowing what the topic was, when I saw the mention of the Olivetti typewriter I had warm memories of the Olivetti portable typewriter I used to pay my way through college by typing other students' term papers.
I don't think the emotional response is limited to typewriters. I remember fondly my first computer - a Kaypro - a portable computer at only 26 pounds! Back then (1983) home computers were unusual and did unusual things. Now they are pretty routine, and many people don't use them for much more than one could do with a high-end smartphone. (Play some music, display some pictures, connect to the internet, check out Twitter...)
And I don't think the issue is just about whether the item works. I'd pay money to get my old Kaypro back, even if it weren't working (not much money, but some). On the other hand, I wouldn't pay anything for its successor, which if i remember correctly was a Fountain XT computer (a cheap IBM knockoff).
Yeah, his last twelve books.
Your brain is not a computer.