ASCAP Seeks Licensing Fees For Guitar Hero Arcade

Self Bias Resistor writes "According to a post on the Arcade-Museum forums, ASCAP is demanding an annual $800 licensing fee from at least one operator of a Guitar Hero Arcade machine, citing ASCAP licensing regulations regarding jukeboxes. An ASCAP representative allegedly told the operator that she viewed the Guitar Hero machine as a jukebox of sorts. The operator told ASCAP to contact Raw Thrills, the company that sells the arcade units. The case is ongoing and GamePolitics is currently seeking clarification of the story from ASCAP."

Comments

Can we get rid of the music "industry" soon?

[dikdik]

The music "industry" is not music. It's just middle men. They create drag, friction, between the musicians and the fans. They are an unneeded artifice, a relic of an earlier age, in my mind. For instance:

"Despite the fact that these games are very successful and are drawing a great deal of attention to the music represented in the games, the industry is not pleased with the licensing arrangements that allow the games to use their songs."

Does anyone here think "their songs" refers means "the artist's songs" or does it rather mean "Corp X's songs". Their original argument in the opening salvo of their war against the internet was "think of the artists!" Well, apparently they don't abide by their own logic (nor have they ever). From the very same article:

"Music games are proven earners--Aerosmith has reportedly earned more from Guitar Hero : Aerosmith than from any single album in the band's history." Fuck the music industry. Please, just die already.

Re:Can we get rid of the music "industry" soon?

[thisnamestoolong]

ASCAP is too the "music industry". They just happen to be the gatekeepers of performance rights, rather than the copyrights. Do a little bit of research into ASCAP and you will find that they are every bit as anti-artist and anti-consumer as the RIAA. They have been caught withholding funds from artists while tossing around the idea of charging royalties on cell phone ringtones. They are in the same exact position as the RIAA -- worthless leeches on our society that stand between artists and fans. I would even say that ASCAP is worse, their obscenely high licensing fees simply ensure that most places simply won't play popular music. A sane person would consider their song being played at the mall to be free advertising, but ASCAP would beg to differ. ASCAP? They more like ASSHAT.

When Artists Stop Signing Away Distrib Rights

[RobotRunAmok]

The companies represent the artists because the artists sign a contract affording the company the right to distribute (and the responsibility/incentive to police unauthorized distribution). Aerosmith can manage their online distribution themselves ("Hey, Tyler... it's Wednesday: Your day to modify the XML!") or they can strike a deal with a company to handle that kind of stuff for them.

-Aerosmith has reportedly earned more from Guitar Hero : Aerosmith than from any single album in the band's history

That's great. Do you think they could have gotten that deal if they weren't represented by their company? Do you think Tyler could even make it downstairs before lunchtime if a third party did not have a vested interest in their success and distribution?

Don't get me wrong: I'm all for artists -- musicians, writers, composers, comedians -- managing as much of their own distribution as they can. The smaller, less established you are, the more it matters; the bigger, better established you are, the more difficult it becomes. But it is the choice of the artist. I buy produce directly from the growers at Farmers' Markets whenever I can, but I do not begrudge the grocery stores their role in the supply chain.

Re:Showing muscles to the little guy?

[mcgrew]

This is ASCAP. That's what they do. They mostly hassle tavern owners. They collect for jukeboxes, radios, live music, even when the band only plays their own compositions and according to bar owners I know, they're almost as pushy as the Mafia, usint threats, coercion, every trick in the book. I was talking to one bar owner one day when a lady from ASCAP showed up to put the squeeze on him. She was HOT and she used it; you would have thought she was a hooker the way she played him.

There was one bar here that actually went out of business because of ASCAP. He had no jukebox and hired folk bands; these bands played old folk music that was in the public domain, and ASCAP sued anyway. He wouldn't cave on principle and the legal costs bankrupted him and he lost his business.

ASCAP is as evil as the RIAA.

Re:The music industry

[Opportunist]

Could be dangerous. Usually the foot is in their mouth.